1,721,046 research outputs found
Platâo: Leituras
No full textIl volume presenta, a cura di vari specialisti, i diversi aspetti del pensiero platonico.This volume, edited by various specialists, the different aspects of Platonic thought
Plotin, Traités 45-50, traductions sous la direction de L. Brisson et J.-F. Pradeau, présentés, traduits et annotés par M. Guyot, T. Vidart, R. Dufour, F. Fronterotta et J.-M. Flamand (Traité 49, présenté, traduit et annoté par F. Fronterotta, pp. 301-405)
No full textTraduzione francese e commento scientifico dei trattati delle Enneadi indicati nel titolo
Plotin, Traités 1-6, traductions sous la direction de L. Brisson et J.-F. Pradeau, présentés, traduits et annotés par L. Brisson, F. Fronterotta, J. Laurent, L. Lavaud, A. Petit et J.-F. Pradeau (Traité 5, présenté, traduit et annoté par F. Fronterotta, pp. 183-227)
No full textTraduzione francese e commento scientifico dei trattati delle Enneadi indicati nel titolo
Plotin, Traités 7-21, traductions sous la direction de L. Brisson et J.-F. Pradeau, présentés, traduits et annotés par L. Brisson, J.-M. Charrue, R. Dufour, J.-M. Flamand, F. Fronterotta, M. Guyot, J. Laurent, L. Lavaud, A. Petit et J.-F. Pradeau (Traités 9-10-11-16, présentés, traduits et annotés par F. Fronterotta, pp. 55-225; 365-76)
No full textTraduzione francese e commento scientifico dei trattati delle Enneadi indicati nel titolo
30. Longin, Fragments. Art rhétorique. Texte établi et traduit par Patillon (M.) et Brisson (L.). Rufus, Art rhétorique. Texte établi et traduit par Patillon (M.)
No full textDorandi Tiziano. 30. Longin, Fragments. Art rhétorique. Texte établi et traduit par Patillon (M.) et Brisson (L.). Rufus, Art rhétorique. Texte établi et traduit par Patillon (M.). In: Revue des Études Grecques, tome 115, Janvier-juin 2002. pp. 451-453
'Archytas: Author and Authenticator of Pythagoreanism'
Full text linkThis paper critically examines the use of the name 'Pseudo-Archytas' to refer to two aspects of the reception of Archytas of Tarentum in antiquity: the 'author-inflection' and the 'authority-inflection'. In order to make progress on our understanding of authority and authorship within the Pythagorean tradition, it attempts to reconstruct Porphyry's views on the importance of Archytas as guarantor of Pythagorean authenticity in the former's lost work On the History of the Philosophers by considering a fragment preserved in Arabic by Ibn Abī Uṣaybi‘a. The article finally argues that a range of problems attend our use of the term 'pseudo-Archytas', which is not fit for purpose when considering the evidence regarding authorship and authority in the Pythagorean tradition. It recommends a more critical approach to the notion of authenticity within the Pythagorean tradition and suggests a new term, 'Archytism', as a more useful point of reference
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
