1,359,799 research outputs found
Faculty Recital: Eric Brisson
No full textThis poster is for the recital which was performed in the WSU Recital Hall on February 6, 2024 by Eric Brisson (piano) performing music from the Classical and Romantic Eras, as well as the 20th century. One highlight included Alexina Louie’s Scenes from a Jade Terrace no.2: “Memories in an Ancient Garden” that required Dr. Brisson to play directly on the strings of the piano.https://openriver.winona.edu/musicposters/1006/thumbnail.jp
Faculty Recital: Eric Brisson
No full textThis recital was performed in the WSU Recital Hall on February 6, 2024 by Eric Brisson (piano) performing music from the Classical and Romantic Eras, as well as the 20th century. One highlight included Alexina Louie’s Scenes from a Jade Terrace no.2: “Memories in an Ancient Garden” that required Dr. Brisson to play directly on the strings of the piano.https://openriver.winona.edu/musicprograms/1006/thumbnail.jp
La peculiare solennità dell’isagoge procliana al Parmenide di Platone
No full textProclus' exemplary introduction to the Parmenides is based on the use of a language fluctuating between two semantic fields, the poetic-mystagogical field and the scientific one, in such a way as to combine perspectives that are convergent rather than contradictory. This is particularly significant because it is as though in the introduction itself the content of the dialogue, even before being made explicit, were presented by Proclus through an image that encapsulates the poetry of the theologians and which serves the philosophical function of allowing the reader to evaluate the connection between the content of the dialogue and the exegetical method used. The dialogue is divided into two parts which are not easy to reconcile, as so is Proclus' introduction to the Parmenides – the focus of this paper. The introduction, which features an invocation to the gods and discusses certain preliminary questions, combines mystagogical poetry and methodological guidelines in the pursuit of a single goal associated with the one and only σκοπός of the dialogue. As I will show, by identifying this goal, it is possible to redefine the unity and the importance of the Parmenides within the methodological as well as doctrinal framework of Neoplatonism
Fallou Ngom and Roger Brisson leading a digitization training at the West African Research Center
No full textRoger Brisson (4th from left) and Fallou Ngom (standing right) at the West African Research Center in Dakar, training the Senegal fieldwork team for the digital preservation of Wolof Ajami manuscripts. This project (EAP 334) was funded by the British Library's Endangered Archives Programme .This project (EAP 334) was funded by the British Library's Endangered Archives Programme
Motet a Deux voix et En Symphonie // Pseaume 12e. Usquequo Domine Etc. // 1769 // Par M. Brisson, a Moissac en Quercy (manuscrit autographe)
No full textTitre uniforme : Brisson (17..-17.. ; compositeur). Compositeur. [Usquequo Domine. Voix (2), instruments (Psaume 12). Do majeur]Voix solistes : Sol 2, Fa 4. - Instruments : Sol 2 (2), Fa 4. - Mention d'instrumentation sous la musique : "violons, flûtes, bc". - Au v° de la p. de t., table des agréments et commentaires du compositeur. - Au v° de la dernier f., sig. du compositeur : "Brisson // a Moissac // En quercy". - Jointe à la partition, table des incipit musicaux de tous les nPrésentation musicale : [Partition]Incipit : Usquequo Domine oblivisceris me in finemAppartient à l’ensemble documentaire : RISM1Appartient à l’ensemble documentaire : RISMMssPsaumes (musique
Essai de bilan de l'IVD
No full textBrisson Annie. Essai de bilan de l'IVD . In: Économie rurale. N°105, 1975. Population et travail agricoles. pp. 65-66
Métamorphoses des écrans : multiplication des écrans
No full textInternational audienceCe numéro est le fruit d’une collaboration scientifique transatlantique qui a réuni des chercheurs de Bordeaux 3, de Nîmes et de l’UQAM au sein du programme « Métamorphoses des écrans » de 2012 à 2016. Suite à la journée d’études organisée par Marie-Julie Catoir-Brisson et Thierry Lancien en novembre 2012, à l’occasion de la sortie du n° 34 « Écrans & Médias » de la revue MEI (Médiation et Information), un dialogue s’est instauré entre Marie-Julie Catoir-Brisson, Emmanuelle Caccamo et Martine Versel, pour prolonger la recherche sur les écrans, sous l’angle de leurs métamorphoses. Cette collaboration scientifique visait à créer un dialogue entre différentes approches sémiotiques autour de l’objet-écran,et une synergie des recherches sur l’intermédialité. Cette dynamique de recherche transatlantique caractérise aussi le projet éditorial de ce numéro sur les métamorphoses des écrans
Faculty Recital: Daniel Sheridan, Eric Brisson, Kristi Krause, and Harry Hindson
No full textA faculty recital was performed in the WSU Recital Hall on September 19, 2023, by Daniel Sheridan (clarinet), and supported by Eric Brisson (piano), Kristi Krause (oboe), and Harry Hindson (bassoon). This performance included music from the Romantic Era and the early 20th century.https://openriver.winona.edu/musicprograms/1002/thumbnail.jp
Odobenus Brisson 1762
No full text<p> <i>Odobenus</i> Brisson, 1762. Regne Anim., 2nd ed., p. 30.</p> <p> TYPE SPECIES: <i>Odobenus odobenus</i> Brisson, 1762 (= <i>Phoca rosmarus</i> Linnaeus, 1758).</p> <p> COMMENTS: Although the names in Brisson (1762) are invalid, <i>Odobenus</i> has been retained (International Commission on Zoological Nomenclature, <i>1957e).</i></p>Published as part of <i>W. Christopher Wozencraft, 1993, Order Carnivora, pp. 279-348 in Mammal Species of the World (2 nd Edition), Washington and London :Smithsonian Institution Press</i> on pages 325-326, DOI: <a href="http://zenodo.org/record/7359191">10.5281/zenodo.7359191</a>
- …
