3,358 research outputs found
Three-dimensional neurointerpolation of annual mean precipitation and temperature surfaces for China
No full textJonathan M. Adams and Brett A. Bryan
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COVID-19 Interview with Bryan Caplan
No full textA discussion on the COVID-19 pandemic with Bryan Caplan, an economist from George Mason University as well as the author of "The Case Against Education" and "Open Borders."Salem Cente
Astonishing comics: a disability studies perspective on x-men comics
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2013Stan Lee co-created in 1963 the X-Men; comics characters who in consequence of developing super-powers at puberty due to natural genetic evolution suffer society?s prejudice. In their analysis of the X-Men Trilogy X-Men (Bryan Singer 2000); X2: X-Men United (Bryan Singer 2003); and X-Men: the Last Stand (Brett Ratner 2006); through a Disability Studies perspective Michael M. Chemers (2004), Ramona Ilea (2009), Martin Mantle (2007), and Jennifer Rinaldi (2008) argue that mutants can be understood as social characterizations of disability. This investigation studies whether this affirmation also holds true for mutants depicted in X-Men comics. I will analyze the comics storylines God Loves, Man Kills (Marvel Graphic Novel # 05) and Gifted (Astonishing X-Men # 01 - 06) ? on which X2: X-Men United and X-Men: the Last Stand were based respectively. Stan Lee foi o co-criador, em 1964, dos X-Men, personagens de histórias em quadrinhos os quais, em conseqüência de desenvolverem super-poderes na puberdade, são alvos do preconceito da sociedade. Ao analisar a Trilogia dos filmes dos X-Men - X-Men (Bryan Singer 2000); X2: X-Men United (Bryan Singer 2003); e X-Men: The Last Stand (Brett Ratner 2006); a partir de uma perspective de Estudos sobre Deficiência. Michael M. Chemers (2004), Ramona Ilea (2009), Martin Mantle (2007), e Jennifer Rinaldi (2008) argumentam que os mutantes podem ser compreendidos como caracterizações sociais de deficiência. Este estudo investiga se esta afirmação também é válida para os mutantes presentes nas histórias em quadrinhos dos X-Men. As linhas narrativas a serem analisadas são: God Loves, Man Kills (Marvel Graphic Novel 05) e Gifted (Astonishing X-Men # 01 - 06); nas quais foram baseados X2: X-Men United e X-Men: the Last Stand respectivamente
Climate-friendly and nutrition-sensitive interventions can close the global dietary nutrient gap while reducing GHG emissions
No full textDeakin University https://doi.org/10.13039/501100001778Deutsche Forschungsgemeinschaft https://doi.org/10.13039/50110000165
Sharon Bryan 03-15-1990
No full textReading List
"Breaking and Entering" from "Objects of Affection" (0:35)
"Viewing the Body" "from Salt Air" (16:08)
"Theory" from "Flying Blind: Poems" (38:27)
"Trimmings" from "Flying Blind: Poems" (39:47)
Abstract
Sharon Bryan Reads "Breaking and Entering" from "Objects of Affection" (0:35). Stan Saville Rubin interviews Sharon Bryan. Bryan was born in Salt Lake City, Utah and educated at the University of Utah where she studied philosophy, Cornell University where she received an MA in anthropology, and The University of Iowa Writers Workshop where she earned her MFA. She's the author of two collections of poetry, "Salt Air" published in 1983, and "Objects of Affection" published in 1987 by Wesleyan University Press. She has received awards including The Academy of American Poets Prize, the Discovery the Nation Award, and the Governor's Award from the State of Washington, and has held NEA fellowships. At the time of filming Bryan is a Professor of English at the Memphis State University and editor of the literary magazine River City. Stan opens the conversation with an invitation to discuss the origin and nature of the opening poem. Bryan outlines the story and the influences that aided her creation of the poem. Expanding further into the content of "Objects of Affection", they discuss the heavy handed artistic and literary influences that are found in a number of the collected poems. Bryan talks about why the unaddressed epitaph is at the beginning of "Objects of Affection" and what informed her decision to put it there. Stan asks her about the careful organization of the collection but Bryan reveals that the organization wasn't as deeply considered as it appears. They talk about the style of her poems and how she tends not to use prose. Stan moves the conversation to "Salt Air" which was written 6 years after leaving Iowa. Bryan talks about how so much of her life was leaving behind Salt Lake. Bryan reads "Viewing the Body" "from Salt Air" (16:08). Bryan speaks on when she first knew she wanted to write and how she meandered through her education because, as far as she was aware, creative writing as an occupation wasn't available until she had arrived at Cornell and then why she chose to go to the Iowa Writers Workshop. Stan asks Bryan to speak at length about her role as Editor of the River City literary magazine and how she looks at poetry through that editor's lens. They discuss the social significance of poetry and address critiques about poetry's place for speaking on difficult issues of the time. Bryan talks about the major influences on her writing and her push to publish her poetry for public consumption and how she found out her first collection was going to be printed. Bryan reads "Theory" from her upcoming collection of poems "Flying Blind: Poems" (38:27) and "Trimmings" also from "Flying Blind: Poems" (39:47).Archived web conten
Publisher Correction: Climate-friendly and nutrition-sensitive interventions can close the global dietary nutrient gap while reducing GHG emission
No full textJCCC Hosts \u27Public Enemies\u27 Author, Bryan Burrough
No full textBest-selling author Bryan Burrough will present \u27Public Enemies: The True Story\u27 at 11 a.m. Monday, November 2, in Craig Community Auditorium
Audit of postoperative chemoradiotherapy as adjuvant therapy for resected gastroesophageal adenocarcinoma: An Australian multicentre experience
No full textBrett G. M. Hughes, Desmond Yip, Michael Chao, Peter Gibbs, Susan Carroll, David Goldstein, Bryan Burmeister, Christos Karapeti
Modelling native and exotic flora distributions under climate Change
No full textNeville D. Crossman, Brett A. Bryan and Douglas K. Bardsle
Employment and housing problems of migratory workers in New York and New Jersey canning industries, 1943
No full textBased on a survey conducted by Helen Bryan Sater and Caroline Manning, this report presents issues involving the employment and housing of migrant laborers in the New York and New Jersey canning industries (especially the tomato-canning industry in producing food for armed services) during World War II. The issues discussed include false promises to migrant workers concerning wages, available facilities and housing costs. Another issue discussed is the low standard of living and working conditions that government agencies uphold for migrant laborers. At this time there was an influx of African American and West Indian migrants to the area to occupy positions within the canning industry. Also, a great number of laborers were women and children. Polish, Italian, and white migrants from the South are also mentioned as significant populations within the industry. This report was issued by the United States Women's Bureau of the United States Department of Labor in 1943
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