1,720,956 research outputs found
Identity Crisis in the Novels "Bijeg" and "Đuka Begović"
U diplomskome radu obrađuje se tema kriza identiteta u romanima Bijeg i Đuka Begović. Identitet odgovara na pitanje tko sam ja te su u procesu uspostave identiteta krucijalni određeni sugovornici. Do krize identiteta dolazi ukoliko osoba ne zna tko je, budući da joj nedostaje okvir unutar kojega stvari mogu dobiti smisao te su posrijedi osobe koje su izgubile moralnu orijentaciju. Navedeni romani nastali su u razdoblju hrvatske moderne tijekom koje središnja tema postaje prodor u dubinu čovjekove ličnosti i otkrivanje njegova egzistencijalnog smisla. Modernisti su smatrali da književnost treba prikazati čovjekov bogat i složen unutarnji život. Tako su i Milutin Cihlaer Nehajev te Ivan Kozarac prikazali složen unutrašnji život svojih protagonista. Posrijedi su protagonisti koji prolaze kroz snažne krize identiteta te su u njihovim dušama prisutni bolest volje i pesimizam. Glavni lik Nehajevljeva romana Bijeg, Đuro Andrijašević prolazi kroz seksualnu krizu identiteta, moralnu krizu identiteta,
prosvjetnoučiteljsku krizu identiteta, književnu krizu identiteta, socijalizacijsku krizu identiteta, intelektualnu krizu identiteta te filozofsku krizu identiteta. Glavni lik Kozarčeva romana Đuka Begović prolazi kroz seksualnu krizu identiteta, moralnu krizu identiteta, bećarsku krizu identiteta te socijalizacijsku krizu identiteta. U radu navedeni su potencijalni uzroci njihovih kriza identiteta. Podrobno je opisana njihova „bolest duše“ te njihovo neprihvaćanje društvenih konvencija. To je rezultiralo njihovom neadaptiranošću u društvenu sredinu. Posrijedi su likovi koji su napose prezirali licemjerje društva te nisu pronalazili zadovoljstvo u tradicionalnim „vrijednostima“. U konačnici posrijedi su likovi kojima emocije nadvladavaju razum zbog čega ne uspijevaju postići uspjeh, budući da ih u tome sabotira i odviše proračunato društveno okruženje.The thesis deals with the theme of identity crisis in the novels Escape and Đuka Begović. Identity answers the question of who I am, and certain interlocutors are crucial in the process of establishing identity. An identity crisis occurs if a person does not know who he is, since he lacks a framework within which things can make sense, and there are people who have lost their moral orientation. The mentioned novels were created in the period of Croatian modernity, during which the central theme becomes the penetration into the depth of the human personality and the discovery of his existential meaning. Modernists believed that literature should show the rich and complex inner life of man. That´s how Milutin CIhaler Nehajev and Ivan Kozarac portrayed the complex inner life of their protagonists who are going trough strong identity crises and in their souls there is a sickness of will and pessimism. The main character of Nehajev´s novel Escape, Đuro Andrijašević, goes through a sexual identity crisis, a moral identity crisis, an educational and teaching identity crisis, a literary identity crisis, a socialization identity crisis, an intellectual identity crisis, and a philosopcial identity crisis. The main character of Kozarč´s novel, Đuka Begović, goes through a sexual identity crisis, a moral identity crisis, a reveler identity crisis and a socialization identity crisis. The paper lists the potential causes of their identity crises. Their „disease of the soul“ and their non-acceptance of social conventions are described in detail. This resulted in their not being adapted to the social environment. Among them are characterswho especially despised the hypocrisy of society and did not find satisfaction in traditional „values“. In the end, there are characters whose emotions overcome reason, which is why the fail to achieve success, since they are also sabotaged in this by an overly calculated social environment
Femme Fatale in the Literature of Croatian Realism
Kroz čitavu povijest književnosti tematiziraju se tajanstvene i opasne zavodnice koje su predstavnice kobnih žena kojima je svojstvena nemogućnost kontroliranja vlastitih poroka, strasti i požuda. Stvara se predodžba žene koja je manipulativna i zla, vještim intrigama zavodi muškarce, a potom ih uništava te, u konačnici, i sama tragično skončava
Identity Crisis in the Novels "Bijeg" and "Đuka Begović"
U diplomskome radu obrađuje se tema kriza identiteta u romanima Bijeg i Đuka Begović. Identitet odgovara na pitanje tko sam ja te su u procesu uspostave identiteta krucijalni određeni sugovornici. Do krize identiteta dolazi ukoliko osoba ne zna tko je, budući da joj nedostaje okvir unutar kojega stvari mogu dobiti smisao te su posrijedi osobe koje su izgubile moralnu orijentaciju. Navedeni romani nastali su u razdoblju hrvatske moderne tijekom koje središnja tema postaje prodor u dubinu čovjekove ličnosti i otkrivanje njegova egzistencijalnog smisla. Modernisti su smatrali da književnost treba prikazati čovjekov bogat i složen unutarnji život. Tako su i Milutin Cihlaer Nehajev te Ivan Kozarac prikazali složen unutrašnji život svojih protagonista. Posrijedi su protagonisti koji prolaze kroz snažne krize identiteta te su u njihovim dušama prisutni bolest volje i pesimizam. Glavni lik Nehajevljeva romana Bijeg, Đuro Andrijašević prolazi kroz seksualnu krizu identiteta, moralnu krizu identiteta,
prosvjetnoučiteljsku krizu identiteta, književnu krizu identiteta, socijalizacijsku krizu identiteta, intelektualnu krizu identiteta te filozofsku krizu identiteta. Glavni lik Kozarčeva romana Đuka Begović prolazi kroz seksualnu krizu identiteta, moralnu krizu identiteta, bećarsku krizu identiteta te socijalizacijsku krizu identiteta. U radu navedeni su potencijalni uzroci njihovih kriza identiteta. Podrobno je opisana njihova „bolest duše“ te njihovo neprihvaćanje društvenih konvencija. To je rezultiralo njihovom neadaptiranošću u društvenu sredinu. Posrijedi su likovi koji su napose prezirali licemjerje društva te nisu pronalazili zadovoljstvo u tradicionalnim „vrijednostima“. U konačnici posrijedi su likovi kojima emocije nadvladavaju razum zbog čega ne uspijevaju postići uspjeh, budući da ih u tome sabotira i odviše proračunato društveno okruženje.The thesis deals with the theme of identity crisis in the novels Escape and Đuka Begović. Identity answers the question of who I am, and certain interlocutors are crucial in the process of establishing identity. An identity crisis occurs if a person does not know who he is, since he lacks a framework within which things can make sense, and there are people who have lost their moral orientation. The mentioned novels were created in the period of Croatian modernity, during which the central theme becomes the penetration into the depth of the human personality and the discovery of his existential meaning. Modernists believed that literature should show the rich and complex inner life of man. That´s how Milutin CIhaler Nehajev and Ivan Kozarac portrayed the complex inner life of their protagonists who are going trough strong identity crises and in their souls there is a sickness of will and pessimism. The main character of Nehajev´s novel Escape, Đuro Andrijašević, goes through a sexual identity crisis, a moral identity crisis, an educational and teaching identity crisis, a literary identity crisis, a socialization identity crisis, an intellectual identity crisis, and a philosopcial identity crisis. The main character of Kozarč´s novel, Đuka Begović, goes through a sexual identity crisis, a moral identity crisis, a reveler identity crisis and a socialization identity crisis. The paper lists the potential causes of their identity crises. Their „disease of the soul“ and their non-acceptance of social conventions are described in detail. This resulted in their not being adapted to the social environment. Among them are characterswho especially despised the hypocrisy of society and did not find satisfaction in traditional „values“. In the end, there are characters whose emotions overcome reason, which is why the fail to achieve success, since they are also sabotaged in this by an overly calculated social environment
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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