1,721,006 research outputs found
I'm going to hit the trail, Yes, I'm going to hit the trail That leads to sunny skies [first line of chorus]
No full textstrophic with choruspiano and voiceads on inside front and on back covers for F.J.A. Forster stock (sample music).Johns Hopkins University, Levy Sheet Music Collection, Box
057, Item 170By J. Brandon Walsh and Ernie Werdman.Walton Process Chicag
I'd like to know what happened to Mary [first line of chorus]
No full textstrophic with choruspiano and voiceads on back cover for Jerome H. Remick & Co. stockJohns Hopkins University, Levy Sheet Music Collection, Box
152, Item 130Words by J. Brandon Walsh. Music by Ernest Breuer.Starme
I'd like to know what happened to Mary [first line of chorus]
No full textstrophic with choruspiano and voiceads on back cover for Jerome H. Remick & Co. stockJohns Hopkins University, Levy Sheet Music Collection, Box
152, Item 130Words by J. Brandon Walsh. Music by Ernest Breuer.Starme
I'm going to hit the trail, Yes, I'm going to hit the trail That leads to sunny skies [first line of chorus]
No full textstrophic with choruspiano and voiceads on inside front and on back covers for F.J.A. Forster stock (sample music).Johns Hopkins University, Levy Sheet Music Collection, Box
057, Item 170By J. Brandon Walsh and Ernie Werdman.Walton Process Chicag
Digital Literary Studies Syllabus
No full textThe syllabus for a graduate course on "Digital Literary Studies" taught in the UVA English department. Course was co-taught and co-constructed by Alison Booth and Brandon Walsh
"Juxta Commons Revision/Collation Assignment"
Full text linkCuratorial note from Digital Pedagogy in the Humanities: Text analysis tools can be useful for the process of composition as well. In this assignment and in a related MLA talk, “Collation and Writing Pedagogy,” published on his blog, Brandon Walsh repurposes the scholarly method of collation, the comparing of multiple copies or witnesses of a text, for the teaching of writing. Walsh’s assignment teaches students to use Juxta Commons, an online collation tool, to compare multiple drafts of one paragraph from their essay to examine how specific changes alter the writing’s focus or tone. On his blog, Walsh also describes an exercise in which students each write a new version of a draft sentence in a shared Google Docs document. These assignments make visible the many different choices available to writers, encouraging students “to internalize the practice of collation and reflect on the interpretive possibilities offered by such differences” (Walsh, “Collation”)
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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