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    There Is Hope But Not For Us

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    Activated light transmissions over situational forms | A 2015 situational composition performed by the 181 (Brandon Boan, Abby Donovan, Tom Hughes, and Jason Rhodes) at the Unity Gallery, Fairfield, Iowa

    There Is Hope But Not For Us

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    Detail view of wall mounted viewfinders | A 2015 situational composition performed by the 181 (Brandon Boan, Abby Donovan, Tom Hughes, and Jason Rhodes) at the Unity Gallery, Fairfield, Iowa

    The Like Of This Bell

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    Sphere with digital video projection|A 2011 compositional situation performed while artists in residence at the National Centre for Contemporary Art Russia by the 181 (Brandon Boan, Abby Donovan, Tom Hughes, and Jason Rhodes) Feedback of natural and supernatural amalgamations of material floods in this, the permeable present.

    Oh I Think I Know Where The Green Ray Goes

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    Abby Donovan, Tom Hughes, Brandon Boan under reflective mylar | A 2010 compositional situation performed at the ICA Philadelphia by the 181 (Brandon Boan, Abby Donovan, Tom Hughes, and Jason Rhodes) with audio broadcasts by Aaron K Hoffer. Feedback of natural and supernatural amalgamations of material floods in this, the permeable present

    Oh I Think I Know Where The Green Ray Goes

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    Brandon Boan as reflective dance. A 2010 compositional situation performed at the ICA Philadelphia by the 181 (Brandon Boan, Abby Donovan, Tom Hughes, and Jason Rhodes) with audio broadcasts by Aaron K Hoffer. Feedback of natural and supernatural amalgamations of material floods in this, the permeable present

    Oh I Think I Know Where The Green Ray Goes

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    Tom Hughes and Brandon Boan (under reflective mylar) | A 2010 compositional situation performed at the ICA Philadelphia by the 181 (Brandon Boan, Abby Donovan, Tom Hughes, and Jason Rhodes) with audio broadcasts by Aaron K Hoffer. Feedback of natural and supernatural amalgamations of material floods in this, the permeable present

    The Dreams of Alexander Von Humboldt

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    Brandon Boan, modeling clay, computer screens and projected webcast | Part of the inaugural Stockholm Fringe Festival (STOFF), The Dreams of Alexander Von Humboldt featured an onsite compositional situation by Brandon Boan, Abby Donovan, and Tom Hughes of the 181. Simultaneous live performances or webcasts by artists Brittany DeNigris (USA), Julianne Hamilton (Japan), Art Johnson (USA), and Drazen Vitolovic (Croatia) were projected and reflected throughout the performance. Webcasts of the situation at STOFF itself were also simultaneously brought back into the compositions (projected, reflected, infected), creating video feedback and looping layers throughout the two-hour piece

    Light Sorts in a Field (the sun rises)

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    artists looking into specimen cas

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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