982 research outputs found
Practical Equality: Discussion with Author Robert L. Tsai
Professor Timothy Zick discusses a new book titled Practical Equality: Forging Justice in a Divided Nation, with its author, Professor Robert L. Tsai of American University Washington College of Law. Timothy Zick is the John Marshall Professor of Government and Citizenship at William & Mary Law School. His scholarship has explored a wide variety of constitutional issues, with a special focus on the First Amendment. Robert L. Tsai is Professor of Law at American University and a prize-winning essayist in constitutional law and history. Recorded before a live audience at William & Mary Law School on March 14, 2019. The event was sponsored by the American Constitution Society. Professor Tsai was also a panelist during the annual Bill of Rights Journal Symposium on March 15 & 16, 2019
A socio-rhetorical exegesis of 1 Timothy 2:8-15
In this thesis two interralted tasks are undertaken. First, this thesis is an attempt to gain mastery of an interpretive methodology, namely, socio-rhetorical analysis. Second, by looking at a crucial text that has major implications for the contemporary church, I have applied this method of analysis to a particularly Scriptural text, namely, 1 Timothy 2:8-15. In this thesis I demonstrate using socio-rhetorical analysis that the discourse contained in 1 Timothy 2:8-15 constitutes baptised patriarchal cultural practices and traditions from the dominant Greco-Roman culture of the first century. I demonstrate, therefore, that the portrayal of women in the text reflects a cultural imperative, and not a theological imperative, that was co-opted from the ""secular"" Greco-Roman culture of the day and transposed, using Scriptural texts as authentication, into the Christian community at Ephesus. Thus the text is simply re-enforcing normative Greco-Roman cultural values upon Christian women and camouflaging it as a Christian norm in order to persuade women to conform to patriarchal cultural standards. Such persuasion, however, is hardly required unless one has already accepted cultural assumptions about the subordination and silencing (objectification) of women in an androcentric hegemonic culture
The case for interstate branch banking
During the 1980’s, many states relaxed laws restricting branching, and most states opened up their borders to entry by out-of-state bank holding companies. This article suggests that both banks and consumers would benefit if laws were further modified to permit bank holding companies to consolidate their interstate subsidiaries into branch networks. While such a change is likely to lead to a smaller number of large banks (although those remaining would operate nationwide), there would probably be little change in the number of small banks serving local markets.Interstate banking ; Branch banks
The death of William Golding: authorship and creativity in darkness visible and the paper men
In the seventies and eighties William Golding was deeply responsive to the critical, anti-authorial ethos that followed the publication of Roland Barthes's "La mort de I'auteur" (1968). In Darkness Visible (1979) and The Paper Men (1984) he investigates means by which to reaffirm authorial presence. Working through paradox, he performs the authorial death in these novels, and establishes language’s inadequacy as a means of conveying absolute meaning, authorial "vision," truth or revelation. Having done so he nonetheless gestures towards the divine, towards the possibility of a vatic communication. In this manner the novels work upon principles of contradiction and collapse. What remains is a discourse of hope, promise, desire, without means of substantiating such optimism. Thus Golding might be said to have practiced a form of negative theology, and to have anticipated in this respect some recent trends in literary theory
Bruen and the Distorted History of Gun Regulation
Last Thursday, the Supreme Court struck down a lower court\u27s decision to uphold New York\u27s century-old law restricting who can obtain a license to carry a concealed firearm in public — the first major gun-related case since McDonald v. City of Chicago in 2010. The majority opinion in New York State Rifle & Pistol Association v. Bruen enforced a history, text, and tradition approach to evaluate gun regulation cases — which some warn may result in cherry-picking the historical record.
This week, Brooke talks to Timothy Zick, professor of law at William and Mary Law School and author of the forthcoming book, Managed Dissent: The Law of Public Protest, about the next major, backward-looking debate over gun control, and what\u27s to come after Bruen
Five minutes with Timothy Gowers: “academics can publish journals of the highest quality without a commercial entity”
Fields Medal-winning Cambridge mathematician Sir Timothy Gowers and a team of colleagues have recently launched a new editor-owned Open Access (OA) journal for mathematics. Discrete Analysis is an arXiv overlay journal, which means articles are submitted and hosted via the preprint server arXiv first. The journal coordinates peer-review and publishes via Scholastica with no cost to reader or author. Gowers reflects here on his vision for the future of editor-owned journals
The yagé aesthetic of William Burroughs: the publication and development of his work 1953-1965
PhDMy concern in this thesis is to show that a reconstruction of the publishing history of
the work of William Burroughs offers a new, critical perspective on his experiments
with psychoactive substances and their connection to his developing practice.
I begin with an exploration of the publication of The Yage Letters (1963) and Naked
Lunch (1959), and reveal how the complexities of their publishing histories shaped
their critical reception. I examine the legal defence of Naked Lunch as it developed
from the Big Table Post Office hearing through to the 1965 Boston trial and
demonstrate the degree to which censorship came to define the published text. The
legal defence of Naked Lunch, as it was incorporated into the Grove publication,
emphasised the issue of opiate addiction. The way in which Burroughs’ 1953 letters to
Allen Ginsberg were reworked as The Yage Letters did much to conceal the
significance of yagé for Burroughs’ later work. Together, these publishing histories
have obscured the relationship between his use of psychoactive substances and his
evolving aesthetic.
At the same time many of Burroughs’ most experimental - and important - works
appeared only in small, ephemeral magazines. His adoption of avant-garde strategies
such as collaboration and collage and his dedication to multimedia experimentation
with the non-chemical alteration of consciousness made conventional book
publication problematic or unsuitable. These experiments in aesthetic production, I
argue, are central to our understanding of Burroughs. His main published writings
must be re-evaluated as one element in this collage of multimedia activities.
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I argue that Burroughs’ experiences with yagé, mescaline and dimethyltryptamine
exerted an influence on his shift to experimentalism in the early 1960s, which sought
to replicate the experience of these altered states of consciousness. That this is so is
evident from a study of two collections of correspondence - Burroughs’ letters to
Ginsberg held at Columbia University Library and his letters to Brion Gysin in the
William S. Burroughs Papers held at the New York Public Library. My reading of
these letters forms an important component of my argument, working to reveal what
the conventional ‘published’ Burroughs serves to conceal.Arts and Humanities research Board.
Queen Mary University of London English Department
funding naked Lunch @ 50 conference in Pari
An Internship at William Blair & Company and Flextronics International Basic Research Report
26 p.The author describes his internship with the investment banking firm William Blair & Company, as well as analyzing a collection of research reports done by Blair analysts
Clarinet quintet in A major, K. 581 ; Horn quintet in E-flat major, K. 407 ; Divertimento in D major, K. 251
More Author/Title Info: Mozart, Wolfgang Amadeus
Physical Description: 1 audio disc : digital ; 4 3/4 in.
Performers: Stanley Drucker, clarinet (1st work) ; Joseph Robinson, oboe (3rd work) ; L. William Kuyper (2nd & 3rd works), R. Allen Spanjer (3rd work), horns ; Timothy Cobb, double bass (3rd work) ; Elysium String quartet (Jennifer Tiboris, Gary Levinson, violins ; Veronica R. Salas, viola ; Lutz Rath, violoncello).
Event Details: Recorded at the American Academy of Arts and Letters, New York City, Sept. 21, Dec. 2 and 6, 1998
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