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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Curve and Polygon Evolution Techniques for Image Processing

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    In this digital era of our world, huge amounts of digital image data are being collected on a daily basis. The collected image data is being stored for subsequent processing and use in a wide variety of applications. For this purpose, it is often important to accurately and precisely extract relevant information out of this data. In computer vision applications, for instance, an important goal is to understand the contents of an image and be able to automatically gain an understanding of a scene, implying an extraction and recognition of an object. This task is, however, greatly complicated by the acquired image data being often noisy, and target objects and background bearing textural variations. As a result, there is a strong demand for reliable and automated image processing algorithms, for image smoothing, textured image segmentation, object extraction, tracking, and recognition. The objective of this thesis is to develop image processing algorithms which are efficient, statistically robust and sufficiently general, in order to account for noise and textural variations in images, and which have the ability to extract and provide compact and useful descriptions of target objects in images, for object recognition and tracking purposes. The main contribution of the thesis is the development of image processing algorithms, which are based on the theory of curve evolution with connections to information theory and probability theory. These connections form the basis for extracting a compact object description, in the form of a polygonal contour. One contribution is the development of a new class of curve evolution equations designed to preserve prescribed polygonal structures in an image while removing noise. In conjunction with these flows, a local stochastic formulation of a well-studied curve evolution equation, namely the geometric heat equation, provides an alternative microscopic as well as macroscopic view, which in turn led to our proposal of vanishing at pre-defined directions. Under these flows, the limiting shape of a curve is a polygon, pre-specified by the form and the parameters of the specific flow. The second contribution of the thesis is the development of a new active contour model which merges the desirable polygonal representation of an object directly to the image segmentation procedure by adapting an information-theoretic measure into an active contour framework with an ultimately unsupervised texture segmentation goal. The polygon-propagating models we develop can capture texture boundaries more reliably than the continuous active contour models because the evolution of an active polygon vertex depends on an overall speed function integrated along its two adjacent polygon edges rather than on pointwise measurements along continuous contour points. In this way, higher-order statistics which provide more adapted information than the first and second-order, are captured through both the nature of the information-theoretic criterion we utilize, and the nature of the polygon-evolving ordinary differential equations we propose. A supplementary contribution in this sequel is a new global polygon regularizer algorithm which uses electrostatics principles. The final contribution of the thesis is the development of a simple and efficient boundary-based object tracking algorithm well-adapted to polygonal objects. This is an extension of the second contribution of the thesis, and the key idea here is centered around tracking a relatively few vertices together with their corresponding edges, which in turn yields a bookkeeping simplicity and hence efficiency. The parsimonious set of features provided by the three methods developed in this thesis are useful for object-based description and recognition tasks, and in addition, may provide a viable solution to a parsimonious, and economical representation of large data sets (e.g. a contour represented by a few landmarks)

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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