4,391 research outputs found

    THÉÂTRES DE PARIS.

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    Transcript of THÉÂTRES DE PARIS by Alfred Boyer, appearing in LE FOYER, 20 avril 1867, pp. 2-3

    Sainte-Suzanne (Raymond de Boyer de) Alfred Loisy : entre la foi et l'incroyance.

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    Deconchy Jean-Pierre. Sainte-Suzanne (Raymond de Boyer de) Alfred Loisy : entre la foi et l'incroyance.. In: Archives de sociologie des religions, n°27, 1969. p. 218

    Sainte-Suzanne (Raymond de Boyer de) Alfred Loisy : entre la foi et l'incroyance.

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    Deconchy Jean-Pierre. Sainte-Suzanne (Raymond de Boyer de) Alfred Loisy : entre la foi et l'incroyance.. In: Archives de sociologie des religions, n°27, 1969. p. 218

    Raymond de Boyer de Sainte Suzanne, Alfred Loisy entre la foi et l'incroyance. Préf. de Henri Gouhier

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    Robert Jean-Dominique. Raymond de Boyer de Sainte Suzanne, Alfred Loisy entre la foi et l'incroyance. Préf. de Henri Gouhier. In: Revue Philosophique de Louvain. Troisième série, tome 67, n°95, 1969. pp. 494-495

    Raymond de Boyer de Sainte Suzanne, Alfred Loisy entre la foi et l'incroyance. Préf. de Henri Gouhier

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    Robert Jean-Dominique. Raymond de Boyer de Sainte Suzanne, Alfred Loisy entre la foi et l'incroyance. Préf. de Henri Gouhier. In: Revue Philosophique de Louvain. Troisième série, tome 67, n°95, 1969. pp. 494-495

    The television work of Alfred Hitchcock

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    The thesis uses close textual analysis to study and evaluate the television work of Alfred Hitchcock. The corpus consists of the twenty shows personally directed by Hitchcock, including his appearances before and after those shows. In response to most previous writing, which tends to compare the programmes with Hitchcock’s films (often unfairly) the thesis emphasises them as products of television. Programmes are evaluated on the basis of their perceived success as television- if they harness conditions related to television production and integrate them with narrative themes or to create meaning. Hitchcock is considered to be the major creative force in each programme. Chapter One provides a variety of important contexts including a brief history of US television of the 1950s, key literature on Hitchcock and analyses of contemporaneous programmes not directed by Hitchcock. The textual analysis chapters (2-8) consider aesthetic or thematic programme aspects. Chapter Two studies the various roles played by Hitchcock’s appearances as series host. Chapter Three considers the impact of censorship on programmes frequently dealing with murder, violence and insanity. Chapter Four analyses Hitchcock’s implementation of varieties of voice-over narration, a common device in short dramatic forms. Chapter Five studies Hitchcock’s use of point-of-view shots, particularly in relation to their role in the delivery of the narrative twist. Chapter Six considers the key Hitchcock theme of detachment from the world. Chapter Seven looks at moments from the programmes which demonstrate how aesthetic is influenced by television production conditions. Hitchcock created a number of television masterpieces. His achievements in television are in many ways comparable in quality and consistency to his theatrical films. Even when considered in the context of other 1950s US anthology dramas, the Hitchcock-directed programmes are superior on many levels. Elements of his film style were highly suited to television production. Many of his greatest achievements embrace and harness television production conditions in their presentation strategies to create an integration of style and meaning

    Addition à l'article de M. Boyer

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    Je suis heureux que M. Boyer ait pu, à mon instigation, nous donner la céphalométrie des garçons idiots de Bicêtre (service de Bourneville). Cette recherche, qui se rattache à celle de notre Commission des Anormaux, sera   suivie, espérons-le, par  plusieurs autres qui nous permettront de définir enfin  avec précision la séparation de l'enfant normal et de l'enfant anormal. . J'ai pris soin, comme M. Boyer veut bien le rappeler, de faire son éducation céphalométrique, et il n'est pas sans  i..

    Addition à l'article de M. Boyer

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    Je suis heureux que M. Boyer ait pu, à mon instigation, nous donner la céphalométrie des garçons idiots de Bicêtre (service de Bourneville). Cette recherche, qui se rattache à celle de notre Commission des Anormaux, sera   suivie, espérons-le, par  plusieurs autres qui nous permettront de définir enfin  avec précision la séparation de l'enfant normal et de l'enfant anormal. . J'ai pris soin, comme M. Boyer veut bien le rappeler, de faire son éducation céphalométrique, et il n'est pas sans  i..

    Alfred Schirokauer Collection 1889-1932

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    The bulk of the collection consists of Alfred Schirokauer writings in form of manuscripts novels and shorter works, and newspaper serializations. There is also a small amount of correspondence with publishers, as well as a few personal items.See inventoryMrs. Hartman, 1978.Born in Breslau (now Wroclaw, Poland) on July 13, 1880, the author and lawyer Alfred Schirokauer lived in Berlin, immigrated to Austria in 1933, and died in Vienna on October 27, 1934.Finding aid available online3-page inventory.digitize

    Letter to Alfred L. Shoemaker, February 10, 1948

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    A handwritten letter from an unknown author addressed to Alfred L. Shoemaker, dated February 10, 1948. Within, the author discusses the Pennsylvania Dutch word for Ash Wednesday, along with traditions associated with this day.https://digitalcommons.ursinus.edu/shoemaker_documents/1118/thumbnail.jp
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