258 research outputs found
[title of show]
No full textColourStarring James Daly, Timothy Matson, Kelin Boyd, Mallory Johnson. Kyle McDavid (director), Jennifer Vail (musical director), Katy Noftall (choregrapher), Keith Roberts (set design)Othe
Ruth Klüger in Deutschland
No full textEnthält:
Ruth Klügers deutsches Publikum im Spiegel der Veranstaltungsberichte / Stephan Braese
Weiter leben in der deutschen Buchkritik / Holger Gehle
Ruth Klügers Lesung in Hamburg / von Timothy K. Boyd
Ruth Klüger liest in Bonn / von Holger Gehle
Ruth Klüger im Gespräch mit Matthias Beltz / von Susanne Klockmann
Ruth Klüger zur Begrüßung / Martin Walse
Daily Reflections (Meditations) on the Scriptures from the Roman Catholic Lectionary.
No full text|I remember once meeting someone in my formative college years who refused to pay taxes because of his disagreements with how the government was choosing to use those funds. He claimed his retirement plan was to write a book from prison once he was arrested for tax evasion. To my 19 year-old ears, this was confusing and curious all at the same time. I remember thinking, "But I saw him pull up in a car that traveled on roads that were maintained by taxes. And wouldn't his prison 'retirement plan' be heavily funded by taxpayers? How can he both benefit from, while also rejecting, the system in which we all live?" My brain was all tied in a knot.|Perhaps I would have felt the same if I was in the crowd on the day depicted in today's Gospel passage. Some political and religious leaders approach Jesus and try to "ensnare" him in his own teachings. They shower him with empty platitudes and then spring the question on him, "Is it lawful to pay the census tax to Caesar or not?" In his typical way, Jesus cooly calls them out on their antics ("Why are you testing me?") and flips the script by asking them to present a coin ("Whose image and inscription is this?").|We form our students at Creighton to embrace in their hearts the awesome awareness and utterly humbling reality that they are each made in the image and likeness of God. "This is my beloved child in whom I am well pleased." As I read today's Gospel and consider this theological lens, I can't help but wonder, "What can I look to in my life, like Jesus asked the leaders to do with that coin, and see the 'image and inscription' of God?" And then, once I have taken this inventory, face the harder question: "Am I repaying 'to God what belongs to God'?"|While I could wax poetic about "finding God in all things," looking around my currently isolated life at home, it really boils down to a few "currencies" that truly hold God's image and inscription -- God's imprint: my wife...our dog...the natural world on which our home rests and…(perhaps the hardest to see) my own embodied existence that can often feel both messy and glorious all at once.|As my wife and I lean into the grand "Yes!" of our vocation to marriage with the multiple, smaller, daily "yeses," we are embracing the stance that Fr. Anthony deMello, S.J. recommends we take with God: "Behold the One beholding you, smiling." As our dog pursues us with unapologetic love, affection and acceptance, I witness Thompson's depiction of the Divine as a "hound of heaven." As I watch the four locust trees planted by the original owner of this home standing like sturdy sentinels through multiple human lifespans, the cardinals and bluejays flit and flurry in feathery exuberance, and the seasons break through on the heels of one another in some sacred square dance, I am humbled by God's creative composition. And as I gaze with gentle eyes at the ways in which I live out this human adventure (some days better than others), I see the Divine author continuing to pen the story of my life.|After all of this embracing, witnessing, watching and gazing, it is then time to do what Jesus asks: repay to God what is God's! But how? I have found that the greatest way to provide God the "return on investment" for this abundance of gift is through the ways in which I choose to share and engage these wonderful treasures for "the greater glory of God" and in an effort to bring reconciliation to our world
Music for classical guitar by South African composers : a historical survey, notes on selected works and a general catalogue
No full textIncludes abstract.Includes bibliographical references (leaves 296-309).This is the first comprehensive investigation of music for, or including, the classical guitar by South African composers. The focus of this research has been, firstly, to uncover as much of the repertoire as possible, and, secondly, to collate, study, catalogue and report on the information. A brief historical survey of the guitar in South Africa provides the context within which this study was conducted. The primary sources of quantitative data collection were through the archival catalogues of the South African Music Rights Organisation and through personal contact with guitarists, composers and guitar teachers. Other sources consulted were publishers, broadcasting corporations, recording companies, libraries and the internet. The body of the dissertation comprises biographical sketches, background notes, analyses and technical notes on 17 selected solo and chamber works dating from 1947 to 2007 by some of South Africa's most prominent composers and guitaristcomposers. The repertoire ranges in style from the traditional and ethnically inspired to the experimental and abstract. As this is an empirical survey, each selected entry includes details on instrumentation, duration, level of difficulty, number of pages, scordatura, commissions or requests, sources or publishers, premières and recordings. A biography of each composer is provided as well as background notes which offer an overview of the selected work. The notes discuss historical, cultural, musical and extra-musical influences, and frequently include references to interview material. The commentaries on the selected works, with musical examples, include an analytical component describing structure, form, stylistic and compositional elements, while the technical observations include performance suggestions and a grading for each work
Exploration and exploitation in the macrohistory of the pre-Hispanic Pueblo Southwest
No full textabstract: Cycles of demographic and organizational change are well documented in Neolithic societies, but the social and ecological processes underlying them are debated. Such periodicities are implicit in the “Pecos classification,” a chronology for the pre-Hispanic U.S. Southwest introduced in Science in 1927 which is still widely used. To understand these periodicities, we analyzed 29,311 archaeological tree-ring dates from A.D. 500 to 1400 in the context of a novel high spatial resolution, annual reconstruction of the maize dry-farming niche for this same period. We argue that each of the Pecos periods initially incorporates an “exploration” phase, followed by a phase of “exploitation” of niches that are simultaneously ecological, cultural, and organizational. Exploitation phases characterized by demographic expansion and aggregation ended with climatically driven downturns in agricultural favorability, undermining important bases for social consensus. Exploration phases were times of socio-ecological niche discovery and development
Class of 2011, Indiana University Maurer School of Law
No full textPictured: Aaron Aft, Felipe Alexandre, Brandon Almas, Nanafrema Ananeh-Firempong, Jonathan Armiger, Caridad Austin, Jessica Baumi, Whitney Beck, Jessica Bergman, Martine Bernard, Rebecca Billick, Michelle Bird, Kyle Borkenhagen, Brielle Bovee, Amanda Brewster, Chenese Brown, Gregory Buhl, Jamie Burnett, Sarah Caldwell, Kristen Cameron, Thomas Cameron, Michael Carlston, Shaina Carmichael, Kyle Cassidy, Richard Chasney, Christina Clark, Kelli Colbert, Katelyn Conroy, Aileen Cook, Thomas Cook, Sean Crotty, Joseph Dages, Matthew Day, Allison Diercks, Lauren Dimmitt, Katie Dittelberger, Jalil Dozier, Amanda Elizondo, Jennifer Ellis, Katherine Erbeznik, Jessica Farley, Kathryne Feary, Greg Fick, Alison Finkelmeier, Margaret Flores, Timothy Flowers, Elizabeth Fox, John Frenk, Kimberly Furrer, Evelyn Gentry, Nathan George, John Georgievski,Sean Giambattista, Lisa Gibson, Amanda Glowacki,Kevin Grande, Kendal Gulbrandsen, Chip Habegger, Jana Hageman, Shane Hageman, Stephen Harper, Alec Hass, Jason Henderson, Kathryn Hiddle, Christopher Edwin Hopkins-Gillispie, Benjamin Hugon, Jesse James, Julie Jansen, Matthew Jenner, Amy Jensen, Kara Jensen, Daniel Johns, Lydia Johns, Jacob Johnson, Benjamin Jones, Randall Jones, Joseph Kassab, Caitlin Kerr, David Kim, Larissa Koshatka, Katherine LaBeau, Kurt Laird, Adebola Lamikanra, Krystal Lechner, Xinran Li, Winston Lin, Lance Lindeen, Brian Lohnes, Jonathan Long, Jesse Lothamer, Lacee Louderback, Austin Lumbard, Mehek Manawalia, Anthony Marek, Andrei Marks, Erin McAdams, Alison McCormick, Colin McCready, Jonathan McPike, Misty Mercer, Jessica Meredith, Ashley Michael, Jason Mizzell, Yoni Moise, Michael Morris, Megal Mullett, Christopher Nevels, Ryan Nicholson, Christopher Nusbaum, David Oberly, Ann O\u27Connor, Kevin O\u27Neill, Benjamin Parmet, Andrew Pendexter, Ryann Perlinski, Katherine Peterson, Matthew Petra, Andrew Pittman, Alexander Platte, Jonathan Postema, Gregory Pottorff, Amy Price, Zachary Raibley, Timothy Renfro, Joshua Robare, Justin Roddye, David Rosenberg, Sarah Ruhlen, Samantha Salisbury, Alicia Sanders, Melissa Sauer, Ashley Schneider, David Schwarz, Jesal Shah, Megan Shipley, Catherine Siebecker, Alexander Simpson, Conor Slocum, Deirdre Lynch Smith, Jessica Smith, Patrick Smith, Jessica Sosa, Aaron Spolarich, Elizabeth Steele, Abbey Stamler, Christopher Stoker, Gregory Sturm, Andrew Tan, Michelle Tanyhill, Macey Thompson, Gregory Touney, Christopher Lloyd Tucker, Gina Venturelli, Jason Wallace, Zhuhao Wang, Allison Weimer, Rachel Wetzel, Alanna Whybrew, Luke Williams, Seth Williams, Therese Williams, Ingrid Winston, Sarah Yusuf, Jing Zhang, and Christine Zook.
Not pictured:
Amir Raza Ali, Jacob Atz, Elizabeth Ann Baldwin,Jeffrey Block, Syed Bokhari, Jessica Boyd, Daniel Bradley, Allison Cardinal, Robert Clark, Noah Ellenberg, Lori Anne Johnston, Kiersten Ann Kamman, Jessica Ann Kruse, Douglas Line, Rodan Luo, Lauren Outlaw, Jonathan Powers, Leslie Prill, Noah Priluck, Joshua Radicke, Hudson Thomas Rowland, Matthew Ruher, Stephen Schwartz, Renee Skeeta, Mia So, Abbey Rae Stemler, Andrew Williams, and Noah Williams.
The Recognition Ceremony Program for the Class of 2011 can be found here.https://www.repository.law.indiana.edu/composite/1035/thumbnail.jp
Class of 2011, Indiana University Maurer School of Law
No full textPictured: Aaron Aft, Felipe Alexandre, Brandon Almas, Nanafrema Ananeh-Firempong, Jonathan Armiger, Caridad Austin, Jessica Baumi, Whitney Beck, Jessica Bergman, Martine Bernard, Rebecca Billick, Michelle Bird, Kyle Borkenhagen, Brielle Bovee, Amanda Brewster, Chenese Brown, Gregory Buhl, Jamie Burnett, Sarah Caldwell, Kristen Cameron, Thomas Cameron, Michael Carlston, Shaina Carmichael, Kyle Cassidy, Richard Chasney, Christina Clark, Kelli Colbert, Katelyn Conroy, Aileen Cook, Thomas Cook, Sean Crotty, Joseph Dages, Matthew Day, Allison Diercks, Lauren Dimmitt, Katie Dittelberger, Jalil Dozier, Amanda Elizondo, Jennifer Ellis, Katherine Erbeznik, Jessica Farley, Kathryne Feary, Greg Fick, Alison Finkelmeier, Margaret Flores, Timothy Flowers, Elizabeth Fox, John Frenk, Kimberly Furrer, Evelyn Gentry, Nathan George, John Georgievski,Sean Giambattista, Lisa Gibson, Amanda Glowacki,Kevin Grande, Kendal Gulbrandsen, Chip Habegger, Jana Hageman, Shane Hageman, Stephen Harper, Alec Hass, Jason Henderson, Kathryn Hiddle, Christopher Edwin Hopkins-Gillispie, Benjamin Hugon, Jesse James, Julie Jansen, Matthew Jenner, Amy Jensen, Kara Jensen, Daniel Johns, Lydia Johns, Jacob Johnson, Benjamin Jones, Randall Jones, Joseph Kassab, Caitlin Kerr, David Kim, Larissa Koshatka, Katherine LaBeau, Kurt Laird, Adebola Lamikanra, Krystal Lechner, Xinran Li, Winston Lin, Lance Lindeen, Brian Lohnes, Jonathan Long, Jesse Lothamer, Lacee Louderback, Austin Lumbard, Mehek Manawalia, Anthony Marek, Andrei Marks, Erin McAdams, Alison McCormick, Colin McCready, Jonathan McPike, Misty Mercer, Jessica Meredith, Ashley Michael, Jason Mizzell, Yoni Moise, Michael Morris, Megal Mullett, Christopher Nevels, Ryan Nicholson, Christopher Nusbaum, David Oberly, Ann O\u27Connor, Kevin O\u27Neill, Benjamin Parmet, Andrew Pendexter, Ryann Perlinski, Katherine Peterson, Matthew Petra, Andrew Pittman, Alexander Platte, Jonathan Postema, Gregory Pottorff, Amy Price, Zachary Raibley, Timothy Renfro, Joshua Robare, Justin Roddye, David Rosenberg, Sarah Ruhlen, Samantha Salisbury, Alicia Sanders, Melissa Sauer, Ashley Schneider, David Schwarz, Jesal Shah, Megan Shipley, Catherine Siebecker, Alexander Simpson, Conor Slocum, Deirdre Lynch Smith, Jessica Smith, Patrick Smith, Jessica Sosa, Aaron Spolarich, Elizabeth Steele, Abbey Stamler, Christopher Stoker, Gregory Sturm, Andrew Tan, Michelle Tanyhill, Macey Thompson, Gregory Touney, Christopher Lloyd Tucker, Gina Venturelli, Jason Wallace, Zhuhao Wang, Allison Weimer, Rachel Wetzel, Alanna Whybrew, Luke Williams, Seth Williams, Therese Williams, Ingrid Winston, Sarah Yusuf, Jing Zhang, and Christine Zook.
Not pictured:
Amir Raza Ali, Jacob Atz, Elizabeth Ann Baldwin,Jeffrey Block, Syed Bokhari, Jessica Boyd, Daniel Bradley, Allison Cardinal, Robert Clark, Noah Ellenberg, Lori Anne Johnston, Kiersten Ann Kamman, Jessica Ann Kruse, Douglas Line, Rodan Luo, Lauren Outlaw, Jonathan Powers, Leslie Prill, Noah Priluck, Joshua Radicke, Hudson Thomas Rowland, Matthew Ruher, Stephen Schwartz, Renee Skeeta, Mia So, Abbey Rae Stemler, Andrew Williams, and Noah Williams.
The Recognition Ceremony Program for the Class of 2011 can be found here.https://www.repository.law.indiana.edu/composite/1035/thumbnail.jp
Conceptual Fuselage Design with Direct CAD Modeling
No full textabstract: In today’s day and age, the use of automated technology is becoming increasingly prevalent. Throughout the aerospace industry, we see the use of automated systems in manufacturing, testing, and, progressively, in design. This thesis focuses on the idea of automated structural design that can be directly coupled with parametric Computer-Aided Drafting (CAD) and used to support aircraft conceptual design. This idea has been around for many years; however, with the advancement of CAD technology, it is becoming more realistic. Having the ability to input design parameters, analyze the structure, and produce a basic CAD model not only saves time in the design process but provides an excellent platform to communicate ideas. The user has the ability to change parameters and quickly determine the effect on the structure. Coupling this idea with automated parametric CAD provides visual verification and a platform to export into Finite Element Analysis (FEA) for further verification.Dissertation/ThesisMasters Thesis Aerospace Engineering 201
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