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    Odontofobia: a relação entre o medo e o tipo do tratamento odontológico dos pacientes que frequentam a clínica de Odontologia da Universidade Cesumar - Unicesumar

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    Fear is part of everyday life of the population, and in dentistry it becomes very evident when facing the need for treatment, especially when it comes to a curative approach. The cause of fear can be multifactorial, from previous traumatic experiences, stories told by others, and even the way the professional clarifies information about the perception of errors in the treatment, among others. Knowing this, the relationship between professional and patient is a point that stands out, since establishing a bond of trust helps in certain preventive practices, avoiding the progression of oral diseases, and invasive treatments. Thus, this research aims to know the patients who attend the dentistry clinic of the Cesumar University - UNICESUMAR, identify the possible relationships between fear and type of dental treatment, analyze the profile of patients who have odontophobia, measuring the level of phobia towards the dentist. This is an exploratory study, with quantitative approach, where the material used was a validated questionnaire (Coreh's Dental Anxiety Scale - CDAS), and another one produced by the authors. For this, the patients were distributed in two groups, the first received invasive interventions and the second non-invasive interventions. To register the data, Excel® spreadsheets were used, and a statistical program, IBM® SPSS® version 21 that in turn made it possible to elaborate graphs and tables. As a result, it was possible to identify that the public who most attend the clinic are women, and that they have more dental anxiety than men, thus it is possible to develop specific treatment plans for this group, providing a more humanized treatment.O medo faz parte do dia a dia da população, e na odontologia isso se torna muito evidente diante da necessidade de tratamento, principalmente quando se trata de uma abordagem curativa. A causa do medo pode ser multifatorial, podendo ser desde experiências traumáticas anteriores, histórias contadas por terceiros, e até mesmo a forma como o profissional esclarece informações sobre as percepções de erros no tratamento, dentre outros. Sabendo disso, a relação entre profissional e paciente é um ponto que se destaca, visto que estabelecer um vínculo de confiança, auxilia em determinadas práticas preventivas, evitando a progressão de doenças bucais e tratamentos invasivos. Com isso, essa pesquisa tem como objetivo conhecer os pacientes que frequentam a clínica de odontologia da Universidade Cesumar – UNICESUMAR, identificar quais as possíveis relações entre o medo e o tipo de tratamento odontológico, analisar qual o perfil dos pacientes que apresenta odontofobia, mensurando qual o nível de fobia diante do dentista. Trata-se de um estudo exploratório, com abordagem quantitativa, onde o material utilizado foi um questionário validado (Coreh’s Dental Anxiety Scale - CDAS), e um outro produzido pelos autores. Para isso, os pacientes foram distribuídos em dois grupos, o primeiro recebeu intervenções invasivas e o segundo intervenções não invasivas. Para o registro dos dados, foram usadas planilhas em Excel®, e um programa estatístico, o IBM® SPSS® versão 21 que por sua vez possibilitaram a elaboração de gráficos e tabelas. Como resultado, foi possível identificar que o público que mais frequenta a clínica é composto, em sua maioria, por mulheres, e que elas apresentam mais medo em relação ao tratamento odontológico do que os homens, dessa forma, é possível elaborar planos de tratamento específicos para esse grupo, proporcionando um tratamento mais humanizado

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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