1,720,969 research outputs found
Movimenti di Frontiera / GrenzBewegungen. Napoli/Vienna Neapel Wien
No full textConfronto letterario, geocritico, culturale e storico tra due situazioni di confine: Vienna aperta all'Europa Sud Orientale, Napoli aperta al Mediterraneo sud-occidentale.
PROGRAMMA
lunedì 22 maggio
Università di Napoli “L’Orientale”
Palazzo Corigliano - Aula delle Mura Greche Piazza San Domenico Maggiore 12
ore 15.00
indirizzi di saluto
PASQUALE CIRIELLO Magnifico Rettore dell’Università di Napoli “L’Orientale”
SIMONETTA DE FILIPPIS Direttore del Dip. di Studi Letterari e Linguistici dell’Europa
VITTORIO MARMO Direttore del Dip. di Studi Comparati
GERARDO MAROTTA Presidente dell’Istituto Italiano per gli Studi Filosofici
ANDREAS SCHMIDINGER Direttore del Forum Austriaco di Cultura - Roma
PAOLO RUOPPOLO Console Onorario d’Austria a Napoli
IDEE DI CONFINE NAPOLI E IL MEDITERRANEO, VIENNA E L’EST EUROPEO
intervengono*
FRANCO CASSANO • Università di Bari IAIN CHAMBERS • Università di Napoli “L’Orientale” MARINO FRESCHI • Università di Roma Tre PREDRAG MATVEJEVIC’ • Università di Roma “La Sapienza” MARINO NIOLA • Università Suor Orsola Benincasa, Napoli EDITH SAURER • Università di Vienna LIDA VIGANONI • Università di Napoli “L’Orientale” PIERO ZANINI • Università di Trento
introduce e modera
GIUSI ZANASI • Università di Napoli “L’Orientale”
martedì 23 maggio
Istituto Italiano per gli Studi Filosofici
Palazzo Serra di Cassano - Via Monte di Dio 14
ore 9.30
TOPOGRAFIE LETTERARIE
intervengono*
MICHAELA BOEHMIG • Università di Napoli “L’Orientale” VALENTINA DI ROSA • Università di Napoli “L’Orientale” MONICA LUMACHI • Università di Napoli “L’Orientale” CAMILLA MIGLIO • Università di Napoli “L’Orientale”
KLAUS NEUNDLINGER • saggista e traduttore, Vienna SILVIO PERRELLA • autore e saggista, Napoli LUCIA PERRONE CAPANO • Università di Salerno WENDELIN SCHMIDT-DENGLER • Università di Vienna
modera
JOHANNA BOREK • Università di Vienna ore 15.00
DIALOGHI DI FRONTIERA
intervengono*
MOHAMED AZIZA • Osservatorio Mediterraneo, Ministero Affari Esteri
JOHANNA BOREK • Università di Vienna RAIMONDO DI MAIO • Edizioni Dante&Descartes, Napoli MARIA DONZELLI • Università di Napoli “L’Orientale” LUIGI MASCILLI MIGLIORINI • Università di Napoli “L’Orientale” HERBERT OHRLINGER • Zsolnay Verlag, Wien CATERINA PASTURA • Edizioni Mesogea, Messina LUDWIG PAULMICHL • Folio Verlag, Wien / Bozen
modera
PIER CARLO BONTEMPELLI • Università di Pescara
mercoledì 24 maggio
Università di Napoli “L’Orientale”
Palazzo Du Mesnil - Sala Conferenze Via Chiatamone 61
ore 10.00
MIGRAZIONI E TRANSITI
intervengono
FRANCESCA CORRAO • Università di Napoli “L’Orientale” GIOVANNI LA GUARDIA • Università di Napoli “L’Orientale” TERÉZIA MORA • autrice e traduttrice, Sopron / Berlino SHAMS NADIR • autore, Tunisi
VALERIA PARRELLA • autrice, Napoli modera
CAMILLA MIGLIO • Università di Napoli “L’Orientale” CONCERTO DI CHIUSURA
in collaborazione con Musica Occidentale Orientale
OSVALDO COSTABILE • violino, voce e oud KASSIROSAFAR • zarb, daf, voce FRANCESCO PAOLO MANNA • tamburi a cornice e zar
Tradurre (in) Europa. Translating (in) Europe Napoli. Festival della Traduzione a Napoli 22-29 novembre 2010
No full texthttp://www.estranslation.net/it/index.php?lang_home=true
61 events, more than 100 guests and speakers; poets, translators, writers and critics, actors, musicians, subtitlers, scholars, film-makers, professional operators, social operators, articulated in 10 thematic routes in 8 days from 9.00 to 24.00., 24 locations, national and international partners. 42 spoken, performed and commented languages, and futher: minor languages, dialects and local idioms, ancient and medieval languages coming to life in modern performances.
Naples’ location within Europe’s cultural geography has always been a stimulating topic of discussion. Naples is a territory where subtle borders cross each other, in a tragic or charming way.
The Translation Festival «Translating (in) Europe» took place from 22 to 29 November 2010 in the city’s most emblematic venues: the universities and schools, buildings, castles, squares, streets and alleys, bookshops, theatres, ships and docks of a revamped city. This event was the opportunity to reflect on the identity of Naples as a crossroads, an in-between place where the Orient, Europe and the Mediterranean can come together. The Festival allowed to see how Naples’ cultural landscape can be the starting point of a new way of conceiving Europe as a space where languages and cultures meet and are revitalized. After Paris and Vienna, this itinerant international Festival concluded the biennial project E.S.T. aimed at developping a new and broader concept of translation as a way of approaching Naples’ complex, stratified identity both in its local and global dimension. The Festival had both an academic and a general strand and was focussed not only on poetry and narrative but also on dialect, music, comics, cinema and theatre. The Festival involved the people of Naples who are committed to the cultural renaissance of their city, together with the Italian and international institutions supporting this process of renewal.
Three kinds of translational activities were planned and actually implemented within the Festival: translating from European into non-European languages and reciprocally, translating within the realm of European languages, and translating dialects and minority languages, which will be directed towards a wide public with workshops for creative translation/rewriting and intersemiotic or intermedial translation (poems into music, novels into films, subtitles and other sorts of audiovisual translation, language into performative arts and events) as well as readings with poets, writers and their translators and projections of films about translation and translators as a subject of inquiry and docu-fiction, theatre shows exclusively produced for the festival. To be successful in this ambitious and multi-tasked Project we gathered a wider support, that combined with the European grant brought to a really huge event. The European logo, motivated institutions and media, otherwise reluctant to join common ventures in interdisciplinary fields. The idea of doing a common Project in the name of Europe actually brought together under the same score different tunes of the cultural and economic actions around translation. Translation and Translators emerged fully as the bearers of a constructive Image of Europe’s Traditions but also of Europe’s Tasks, i.e. of Europe as a space of ageold cultural exchanges and intermediations.
The Translation Festival in Naples was able to achieve what we planned, and even in such a difficult season for the city: a multicultural, multi medial event, really able to reach people in their own homes and imagination with a strict connection with the mass- media and social life (radio programmes, workshops etc.)
Very successful was the series of encounters among translators and authors, some of them were filmed and screened on the web.
The ten thematic itineraries of the Festival:
The theatre of Translation; Translation, Music, Cinema; Translation towards the XXI century: performative arts, photography, comics, and the Internet; Philosophies of Translation; Practices and politics of translation; Classics rewritten today; Re-translating the classics of modernity; The Italy exported by translators; The Europe of languages and dialects; The world in Italy through the voices of translators
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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