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    Influencia de la ascendencia étnica-racial en la percepción sobre los procesos de integración social de mujeres migrantes en el departamento de Cerro Largo

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    Este trabajo se corresponde con la Tesis final de Maestría en Trabajo Social. La misma buscó investigar la percepción que tienen mujeres migrantes, que residen en el departamento de Cerro Largo (Uruguay), respecto a la integración social considerando aspectos tales como la inserción laboral, acceso a la salud, la situación habitacional, la educación y las vivencias de discriminación, en relación con su auto-identificación étnica racial afrodescendiente, blancas, o indígena. Mediante el paradigma cualitativo y la selección de la entrevista como técnica de investigación se logra aproximar a la realidad de doce mujeres migrantes quienes se auto identifican como afrodescendientes, blancas e indígenas. Dando luz sobre una problemática multidimensional que hace a su integración como “mujeres migrantes de origen latinoamericano” en Uruguay. Fenómenos tales como la “xenofobia”, el “racismo” y el rechazo al diferente, salen a relucir interpelando las creencias más arraigadas en la construcción de la identidad colectiva del Uruguay “blanco”, un país “nacido de los barcos (europeos)”, igualitario y de clases medias, cimentado en ideas como “los uruguayos somos hospitalarios, humildes y nadie es más que nadie”. En síntesis, se puede decir que, incluso reconociendo o no la influencia de la ascendencia étnica racial respecto a la integración en Cerro Largo, la misma termina teniendo impacto concreto en el proceso migratorio, aun teniendo en cuenta otros aspectos como la educación o las redes de contactos. Lo que se traduce que para las migrantes afrodescendientes, su ascendencia étnica-racial genera una mayor situación de desventaja con respecto a las blancas e indígena, al migrar a países del Cono Sur como Uruguay, vivenciando experiencias de discriminación racial, sumadas a la xenofobia, y a su condición de migrantes, constituyéndose en triples (o más) desafíos para su integración.This work corresponds to the final thesis of the Master's Degree in Social Work. It sought to investigate the perception that migrant women who reside in the department of Cerro Largo (Uruguay) have regarding social integration considering aspects such as labor insertion, access to health, housing situation, education and experiences (or not) of discrimination, in relation to their racial ethnic self-identification (afrodescendantor white and indigenous). Through the qualitat ive paradigm and the selection of the in-depth interview as a research technique, it is possible to approach the reality of twelve migrant women who self-identify as afro-descendants, white and indigenous. Shedding light on a multidimensional problem that makes their integration as "migra nt women of latin american origin" in Uruguay. Phenomena such as "xenophobia", "racism" and rejection of the different, come to light, questioning the most deeply rooted beliefs in the construction of the collective identity of "white" Uruguay, a country "born from (European) ships", egalitarian and of the middle classes, based on ideas such as "Uruguayans are hospitable, humble and no one is more than anyone else". In summary, it can be said that, even acknowledging or not the influence of racial ethnic descent regarding integration in Cerro Largo, it ends up having a concrete impact on the migratory process, even taking into account other aspects such as education or social networks of contacts. This means that for afro-descendant migrants, their ethnic-racial ancestry generates a greater disadvantage compared to white and indigenous women, when migrating to Southern Cone countries such as Uruguay, suffering experiences of racial discrimination, added to xenophobia, and their migrant status, constituting triple (or more) challenges for their integration

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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