479 research outputs found
Get a Life, Chloe Brown
No full textGet a Life, Chloe Brown follows Chloe Brown, who spent most of her time at home due to her fibromyalgia, an illness that causes wide-body pain and fatigue. After a near-death experience, she decided to make a list to become more independent and rebellious. To help her do this, she seeks the help of her landlord.
The author of this book was a diverse romance writer who got started from self-publishing and social media. This book in particular follows a Black woman with a chronic illness, making it unique in the romance world.https://ecommons.udayton.edu/ul_popularromance/1011/thumbnail.jp
Review of Chloe Aridjis's Magic Lantern Show STILLED SHADOWS
No full textReview of the live magic lantern shows at Swedenborg House by the author Chloe Aridji
Supplemental Material—The patient acceptability of a remotely delivered pain management programme for people with persistent musculoskeletal pain: A qualitative evaluation
No full textSupplemental Material for the patient acceptability of a remotely delivered pain management programme for people with persistent musculoskeletal pain: A qualitative evaluation by Gregory Booth, Sonia Zala, Chloe Mitchell, Roxaneh Zarnegar, Andrew Lucas and Anthony W Gilbert in British Journal of Pain</p
Supplemental Material—The patient acceptability of a remotely delivered pain management programme for people with persistent musculoskeletal pain: A qualitative evaluation
No full textSupplemental Material for the patient acceptability of a remotely delivered pain management programme for people with persistent musculoskeletal pain: A qualitative evaluation by Gregory Booth, Sonia Zala, Chloe Mitchell, Roxaneh Zarnegar, Andrew Lucas and Anthony W Gilbert in British Journal of Pain</p
Supplemental Material—The patient acceptability of a remotely delivered pain management programme for people with persistent musculoskeletal pain: A qualitative evaluation
No full textSupplemental Material for The patient acceptability of a remotely delivered pain management programme for people with persistent musculoskeletal pain: A qualitative evaluation by Gregory Booth, Sonia Zala, Chloe Mitchell, Roxaneh Zarnegar, Andrew Lucas and Anthony W Gilbert in British Journal of Pain</p
Between absence and presence: Questioning the value of insurance for bushfire recovery
No full textThis chapter examines the meaning of value, and how it is calculated, among bushfire survivors in Australia. In Australia, fire has shaped culture, traditions, and national identity. Yet, the fiery future that is emerging questions people's ability to insure against growing losses. High-fire-danger days and uncontrollable fire behaviour are increasing as a result of climate change and unsustainable land management practices. More people are building and living in amenity-rich but fire-prone landscapes. A grim picture of un- and under-insurance has already been revealed. Still, some bushfire survivors describe a re-evaluated relationship to material possessions post-fire. This raises questions about what is valuable, and to whom? How can we understand ‘adequate’ insurance levels in more than monetary terms? The chapter shows how the difference between the absence and presence of material belongings cannot always be defined by a monetary value replaceable by insurance pay-outs. Rather, it is an emotional presence that continues despite its physical absence. Time, emotional, and physical labour are currencies that often hold as much value to survivors as the financial promise of an insurance policy. Yet, these currencies hold little value in the eyes of insurance assessors. The chapter concludes that in the context of the material and emotional resources that define people's complex everyday lives, the value of insurance is what people make it
Modern Painters, Vol. 1, No. 1: introduction
No full textA multi-author 'One Object' feature convened and introduced by Chloe Julius that responds to the first issue of the British art magazine 'Modern Painters' (1988
Obraz „Dafnis i Chloe” Parisa Bordona. Mitologia i erotyka
No full textThe paper discusses a Daphnis and Chloe painting from the collection of John Paul II Museum in Warsaw, attributed to the Venetian artist Paris Bordon. Starting with identification of the literary source – an ancient novel by Longus, recounting a love story of young shepherd Daphnis and his fiancée, Chloe – the author strives to determine the degree of its congruity with the depicted scene by conducting a detailed iconographic analysis of the latter. Furthermore, a comparative effort is made to place the picture in its supposed creator’s artistic oeuvre with regard both to its form and contents.The paper discusses a Daphnis and Chloe painting from the collection of John Paul II Museum in Warsaw, attributed to the Venetian artist Paris Bordon. Starting with identification of the literary source – an ancient novel by Longus, recounting a love story of young shepherd Daphnis and his fiancée, Chloe – the author strives to determine the degree of its congruity with the depicted scene by conducting a detailed iconographic analysis of the latter. Furthermore, a comparative effort is made to place the picture in its supposed creator’s artistic oeuvre with regard both to its form and contents
Daphnis and Chloe /
No full textIn 1831 Goethe called Daphnis and Chloe 'a masterpiece ... in which Understanding, Art, and Taste appear at their highest point, and beside which the good Virgil retreats somewhat into the background ... One would do well to read it every year, to be instructed by it again and again, and to receive anew the impression of its great beauty. 'Touching yet humorous, naive and at the same time highly sophisticated, Daphnis and Chloe is the story of a shepherd boy and girl who fall desperately in love yet find themselves facing great obstacles, because in their passion they behave, as the author says, even more awkwardly 'than rams and ewes.'.Marc Chagall's illustrations to the pastoral tale, which is set on the island of Lesbos, were inspired by his first-hand experience of Greece. His lithographs combine the Mediterranean lushness of the realm of Pan and Eros with memories of Russian Jewish folktales, and celebrate the lovers in a setting whose marvels of colour evoke Eden with a sumptuousness that is inimitably Chagall. Art of the highest order united with poetry of timeless appeal - the result is an irresistibly delightful book.This sole surviving bucolic novel of ancient Greek origin was written by Longus, a poet about whom nothing else is known, and dates to about the mid third century A.D. The lyrical beauty and sensual frankness of the story have found admirers from Shakespeare to Jacob Burckhardt, and have exerted lasting influence on European literature. It was not until 1810 that the first complete manuscript of Daphnis and Chloe was discovered, in Florence. This provided the basis for the present, superb translation, done in 1956 by Paul Turner.In 1831 Goethe called Daphnis and Chloe 'a masterpiece ... in which Understanding, Art, and Taste appear at their highest point, and beside which the good Virgil retreats somewhat into the background ... One would do well to read it every year, to be instructed by it again and again, and to receive anew the impression of its great beauty. 'Touching yet humorous, naive and at the same time highly sophisticated, Daphnis and Chloe is the story of a shepherd boy and girl who fall desperately in love yet find themselves facing great obstacles, because in their passion they behave, as the author says, even more awkwardly 'than rams and ewes.'.Marc Chagall's illustrations to the pastoral tale, which is set on the island of Lesbos, were inspired by his first-hand experience of Greece. His lithographs combine the Mediterranean lushness of the realm of Pan and Eros with memories of Russian Jewish folktales, and celebrate the lovers in a setting whose marvels of colour evoke Eden with a sumptuousness that is inimitably Chagall. Art of the highest order united with poetry of timeless appeal - the result is an irresistibly delightful book.This sole surviving bucolic novel of ancient Greek origin was written by Longus, a poet about whom nothing else is known, and dates to about the mid third century A.D. The lyrical beauty and sensual frankness of the story have found admirers from Shakespeare to Jacob Burckhardt, and have exerted lasting influence on European literature. It was not until 1810 that the first complete manuscript of Daphnis and Chloe was discovered, in Florence. This provided the basis for the present, superb translation, done in 1956 by Paul Turner
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