1,356,267 research outputs found
Nu dans le bain au petit chien
No full textNude in Bathtub, the last of Bonnard's treatments of this subject, is one of the great nudes of the twentieth century. The audacity of color that characterizes the artist's mature work is evident in this painting's dazzling mosaic of oranges, yellows, pinks, blues, violets, and greens. The originality of Bonnard's chromatic daring is nearly equaled in this painting by a pictorial construct in which perspective and volume are denied and forms are piled up to hover over the flat plane of the canvas.
The woman frequently depicted in Bonnard's bathtub paintings was his lifelong companion, Marthe. Her delicate health and obsessive cleanliness prompted her to spend a good deal of time in the modern bath of their house near Cannes. Marthe was the model for the 1937 Nude in Bathtub, which Bonnard found so difficult that he planned never to attempt the subject again. However, he began this equally ambitious work in 1941 and completed it in 1946, four years after Marthe's death and one year before his own.
Bonnard transformed this domestic environment, with its comfortably curled-up family dachshund, into an exotic setting in which a young woman floats in a pearly tub, her flesh reflecting the opalescent colors that surround her. Marthe appears as the youthful woman of Bonnard's memories. The result is a sensual, dreamlike, and private evocation.full vie
Le Bain
No full textThis is one of a series of paintings that Bonnard made of his wife Marthe in the bath. Though she was in her mid-fifties, the artist depicts her as a young woman. Marthe spent many hours in the bathroom: she may have had tuberculosis, for which water therapy was a popular treatment, or she may have had an obsessive neurosis. The bath, cut off at both ends, and the structure of the wall create a rigorously geometric composition. The effect is strangely lifeless, and almost tomb-like; as if the painting were a silent expression of sorrow for Marthe's plight.
(From the display caption August 2004)full vie
Les catalogues cinéphiles aux prises avec les technologies du Web
No full textCollection : Encyclopédie raisonnée des techniques du cinémaIntroduction = Introduction / Martin Bonnard ; Une histoire matérialiste de la vidéo par abonnement = A materialist history of video by subscription / Martin Bonnard ; Les infrastructures de la diffusion en continu = Streaming infrastructures / Martin Bonnard ; Fragmentation et circulation des images en ligne = The fragmentation and circulation of images online / Martin Bonnard ; L'ONF, pionnier de la diffusion en ligne du cinéma = The NFB, a pioneer in disseminating cinema online / Rémy Besson, Martin Bonnard ; Bidayyat : entre diffusion traditionnelle et diffusion indépendante de documentaires syriens marqués par la guerre = Bidayyat : between traditional and independent dissemination of Syrian documentaries marked by war / Justine Pignat
La phobie de l'école est-elle un syndrome?
No full textBonnard A. J. La phobie de l'école est-elle un syndrome?. In: Enfance, tome 4, n°2, 1951. pp. 183-185
Bonnard, Kandinsky, Munch
No full textQuando Bonnard, Kandinsky e Munch se encontram na mesma cidade há uma grande festa. Bonnard luminoso, Munch melancólico e obsessivo e Kandinsky inventor de formas abstratas - alegram o coração. Pierre Bonnard (Fundación Mapfre) começou por estudar direito ao mesmo tempo que frequentava pintura na Académie Julian, onde conheceu outros membros do que se chamou mais tarde os nabis (profetas). O grupo seguia Gauguin e queria obter uma verdade que transcendesse a realidade através da exaltação da..
Henri Bonnard, le grammairien-pédagogue
No full textInternational audienceHenri Bonnard (1915-2004), a grammarian by training, author of the linguistics articles in the Grand Larousse de la langue française (1971-1978) and a grammar teacher in secondary school and then university, also designed several grammar textbooks for middle school and high school. This article examines the didactic transposition of knowledge from linguistics to the classroom (Chevallard, 1991) and the pedagogical dimension of his work. An analysis of the three school grammars written by Henri Bonnard, published and republished over a period of almost 50 years, reveals his conception of language and grammar. It also brings to light the didactic transformations he made and the teaching methods he used to make the grammatical description of French accessible to pupils.Henri Bonnard (1915-2004), grammairien de formation, auteur des articles de linguistique du Grand Larousse de la langue française (1971-1978) et enseignant de grammaire dans le secondaire puis à l’université, a également conçu plusieurs manuels de grammaire pour les collèges et lycées. C’est la démarche de transposition didactique du savoir savant issu de la linguistique à l’objet d’enseignement dans la classe (Chevallard, 1991) et la dimension pédagogique de son œuvre qui sont interrogées ici. L’analyse des trois grammaires scolaires rédigées par Henri Bonnard, publiées et rééditées pendant près de 50 ans, permet de cerner sa conception de la langue et de la grammaire. Elle met également au jour les transformations didactiques opérées et les procédés pédagogiques mobilisés pour rendre accessible aux élèves la description grammaticale du français
Poésies diverses du chevalier de Bonnard
No full textAutor tomado de prelimMarca tip. no colofónAs f. de lám. son grav. calcGrav. calc. ó comezo do text
Pierre Bonnard: beyond visual perception
No full textThis thesis presents a new understanding of modern art history through the French artist Pierre Bonnard (1867-1947). Refuting the prevailing realist understanding of his work, it shows how Bonnard developed original strategies for expanding depiction beyond a transcription of the world as it appears to vision – an aim that was central to artistic innovation in the early twentieth century
Guillaume, il y a vingt ans
No full textBonnard Henri. Guillaume, il y a vingt ans. In: Langue française, n°1, 1969. La syntaxe, sous la direction de René Lagane et Jacqueline Pinchon. pp. 21-35
Pierre Bonnard. Peindre l’Arcadie - par Romain Enriquez & Marie-Clémence Régnier
No full textPierre Bonnard. Peindre l’Arcadie, Paris, musée d’Orsay (mars-juillet 2015). Entre deux expositions automnales plutôt audacieuses (que d’aucuns qualifieront de « sulfureuses » : Sade, attaquer le soleil et Splendeurs et misères. Images de la prostitution en France. 1850-1910), l’exposition Pierre Bonnard. Peindre l’Arcadie paraît ramener le musée d’Orsay sur les rails du consensus. Car il faut bien dire que Pierre Bonnard a le vent en poupe depuis plusieurs années. Pierre Bonnard, La Symphon..
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