1,721,043 research outputs found
The Writings of Jesmyn Ward:Matters of Black Southern Life and Death
No full textSince the publication of her first novel in 2008, Jesmyn Ward has established herself as arguably the most important U.S. author of the twenty-first century. This book considers the full range of her career thus far, including National Book Award–winning novels Salvage the Bones and Sing, Unburied, Sing, as well as Ward’s widely acclaimed memoir, Men We Reaped.Martyn Bone thoughtfully examines key themes running throughout Ward’s writing: Black life in the U.S. South; the legacies of slavery and segregation; neoliberalism as the contemporary form of capitalism; environmental crisis in the Anthropocene; and human-animal relations. Bone also connects Ward’s work to major figures in the U.S. literary canon, with particular focus on William Faulkner, Zora Neale Hurston, and Toni Morrison.Reviews“It is wonderful to read a book that takes Jesmyn Ward seriously as a writer in our time and engages her work critically and respectfully. Bone manages to give an accounting for the major thematics in Ward’s work to date, and yet also opens up space for further consideration, dialogue, and critique (no easy feat, that)—all in teachable, sparklingly clear prose. This book is critical for scholars in many overlapping fields—southern studies, Black studies, American studies, C21 studies, and beyond.”—Joanna Davis-McElligatt, coeditor, Narrating History, Home, and Dyaspora: Critical Essays on Edwidge Danticat“A timely, scholastic endeavor that pays careful and incisive attention to Ward’s depictions of neoliberalism in relation to racial capitalism, human-animal dynamics, environmental disasters, and slavery’s traumatic aftermath. Bone’s ecocritical perspective adds to a growing collection of scholarship on Ward’s writing while also emphasizing the impact of her work along local, regional, and global scales.”—Apryl Lewis, author, Black Feminism and Traumatic Legacies in Contemporary African American Literature“The Writings of Jesmyn Ward offers a set of rich and complex readings of Ward’s works in the context of the neoliberal present. Through these meticulous and erudite analyses, Bone rightly positions Ward’s writing at the center of twenty-first century literary studies.”—Arin Keeble, author, Narratives of Hurricane Katrina in Context: Literature, Film and Televisio
Where the new world is:Literature about the U.S. South at global scales
No full textReviewsStunning…a tour de force--Year’s Work in English StudiesOne of the most helpful academic books I have read in a long time--Modern Fiction StudiesThe book brilliantly dismantles enduring analytical tools, notably the black/white and North/South binaries. Bone also succeeds in demonstrating that the southern exceptionalism and regionalism have become irrelevant as a result of the transnational turn.while at the same time reaffirming the relevance of the South as a space of dialectical interaction between transnational, regional, and local scales.—Journal of Southern HistoryBone's elegant writing is exhaustively researched and well argued. . . . Where the New World Is is an important and necessary book.—American Literary History (Online Review)The southern question has never seemed so richly global as it does in Martyn Bone's powerful new book Where the New World Is. Moving from original readings of Zora Neale Hurston and Nella Larsen to pioneering interpretations of Russell Banks and Monique Truong, Bone succeeds brilliantly in weaving together southern literary studies and post-national American studies. Americanists of all kinds will learn a great deal from this important work.—Harilaos Stecopoulos, author of Reconstructing the World: Southern Fictions and U.S. Imperialisms, 1898–1976Martyn Bone's Where the New World Is is the capstone of a generation's worth of scholarship on the American South, the Global South, and all points in between. More than that, it is a sharp-witted, gimlet-eyed exposé of a dazzling array of writers whose work pushes the South offshore. Bone does more than scramble your historic compass; he also leaves you with a sense of where we all need to go next. This book is the future of southern literary criticism.--Matthew Guterl, author of Seeing Race in Modern America----DescriptionMartyn Bone's Where The New World Is is the capstone of a generation's worth of scholarship on the American South, the Global South, and all points in between. More than that, it is a sharp-witted, gimlet-eyed exposé of a dazzling array of writers whose work pushes the South offshore. Bone does more than scramble your historic compass; he also leaves you with a sense of where we all need to go next. This book is the future of southern literary criticism.—Matthew Pratt Guterl, author of Seeing Race in Modern America---Where the New World Is assesses how fiction published since 1980 has resituated the U.S. South globally and how earlier twentieth-century writing already had done so in ways traditional southern literary studies tended to ignore. Martyn Bone argues that this body of fiction has, over the course of some eighty years, challenged received readings and understandings of the U.S. South as a fixed place largely untouched by immigration (or even internal migration) and economic globalization. The writers discussed by Bone emphasize how migration and labor have reconfigured the region's relation to the nation and a range of transnational scales: hemispheric (Jamaica, the Bahamas, Haiti), transatlantic/Black Atlantic (Denmark, England, Mauritania), and transpacific/global southern (Australia, China, Vietnam). Writers under consideration include Zora Neale Hurston, Nella Larsen, John Oliver Killens, Russell Banks, Erna Brodber, Cynthia Shearer, Ha Jin, Monique Truong, Lan Cao, Toni Morrison, Peter Matthiessen, Dave Eggers, and Laila Lalami. The book also seeks to resituate southern studies by drawing on theories of "scale" that originated in human geography. In this way, Bone also offers a new paradigm in which the U.S. South is thoroughly engaged with a range of other scales from the local to the global, making both literature about the region and southern studies itself truly transnational in scope.</p
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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