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Anti-Social Realism
Full text linkWork included in a group exhibition at Charlie Smith Gallery, London curated by Juan Bolivar and John Stark. Exhibting artists include: Juan Bolivar, Dan Coombs, Graham Crowley, Karen David, Nathan Eastwood, Geraint Evans, John Greenwood, Sigrid Holmwood, Kate Lyddon, Maharishi x Rebecca & Mike, John Salt, John Stark.
The term 'Anti-Social Realism', which acts as this exhibitions title, is not one that is commonly understood. It is intended to pose questions such as: is 'revolutionary' art a viable possibility today? What does it mean to be (anti) social in an increasingly interconnected but physically separated society? Can we, through archaic practices such as painting and sculpture, engage with notions of 'social realism’ now presented on a daily basis through the new silver-screen veneer of the digital age?
In response, this exhibition attempts to pose pictorial possibilities and create tensions through the selected artworks, tackling notions of contemporary realism and in turn offering us a distant echo of a political reality. The wry misnomer of the exhibition title slips between many interwoven threads, simultaneously conjuring up images of 'anti-social behaviour orders' (ASBO), anarchist riots, or the solitary artist locked away from the world attempting to connect on a higher level. In this light, the exhibiting artists are presented as 'social mystics' and it could be said that their work operates by a means of turning inwards to create social radiation
Bolivar e Iturbide, 1822
No full textDocument entitled ''Bolivar e Iturbide, 1822: Official notes exchanged in 1822 between Bolivar and Iturbide related to the independence of Columbia and Mexico'' contains two letters. The first, dated October 1821, is from Bolivar with his original signature addressed to Iturbide relaying the good wishes of Colombia to Mexico for its newly gained independence. The second, dated May 29, 1822, is from Iturbide addressed to Bolivar expressing his admiration for the liberator of Colombia, and offering the ''eternal friendship'' of Mexico
Juan Bolivar: Geometry Wars, Introduction
No full textPublication related to Juan Bolivar: Geometry Wars exhibtion at John Hansard Gallery, 2008
Juan Bolivar in conversation with John Greenwood
No full textJuan Bolivar interview with YBA artist John Greenwood published in Issue 15 of Turps Banana Magazine
Bolivar County resolution
Full text linkResolution of Bolivar County (Miss.) Farm Bureau commending Mr. Boswell Stevens, president of the Mississippi Farm Bureau Federation.https://scholarsjunction.msstate.edu/mss-stevens-papers/1016/thumbnail.jp
Peter Halley in conversation with Juan Bolivar
No full textJuan Bolivar interview of seminal Neo-Geo artist Peter Halley, published in Issue 14 of Turps Banana Magazine
Richard Kirwan - Intelectual Property
Full text linkThis item refers to the catalogue to accompany a solo exhibition by Richard Kirwan at Lungley Gallery, London.
The catalogue featured an essay by Juan Bolivar, Lecturer in Studio Practice at Camberwell School of Art, UAL.
The catalogue was printed in an initial run of 500 copies by Alpine Road Publishing, an independent London art publisher
Sara Bolivar Wagers, \u2714
No full textSara Bolivar Wagers was born in Bogota, Colombia and moved to the United States at the age of ten. She is majoring in Molecular Biology and Microbiology. Sara has participated in Stanford Summer Research Program/Amgen Scholars Program and the DAAD RISE program in Germany. Her goal is to become a physician, specifically a pediatrician, and scientist with a focus on translational research. Her passion is to help others through medicine and use research to improve medical treatment. Her research interests strongly involve infectious diseases. After graduation, Sara plans to earn her MD/PhD.https://stars.library.ucf.edu/mcnair_gallery/1091/thumbnail.jp
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A letter from Dr. Bolivar de Pena to Dr. Hector P. Garcia.
No full textA letter from Dr. Bolivar de Pena to Dr. Hector P. Garcia
Bolivar
No full textMADARIAGA, Salvador de. Bolivar. Editorial Hermes. México, 1951.
(Primeiro parágrafo da resenha)
Com dois alentados volumes que ultrapassam um milhar de páginas, Salvador de Madariaga publicou recentemente seu terceiro estudo biográfico — Bolivar.
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