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    Reconnoitering sand mining impacts in the Eastern Cape Province of South Africa

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    Text in English and includes summary in English and Xhosadissertation presents an account of the impacts of sand mining activities in the province of the Eastern Cape of South Africa. The theoretical framework and methodology of the dissertation are based on the dialectical critical realist research model. Concepts from the business social responsibility discourse are combined with the objectives in the current Eastern Cape Provincial Government Development Plan to provide the context for analyzing the impacts of the sand mining activities. The study has four objectives: first, an account of the impacts of the sand mining activities, second, the opinions of the research participants on the positive and negative impacts of the activities, third, the opinions of the research participants on what they perceive to be the problems associated with the activities and finally, the recommendations for addressing the problems. These four objectives were selected after identifying the shortfalls in the existing publications on the sand mining activities of the Eastern Cape province. In addition, the objectives were selected to enable the researcher to make recommendations that can help link the sand mining activities to the long-term sustainable development of the province. One contribution that this study makes in terms of social theory and methodology concerns the way in which the researcher interacted with the local communities in all 33 municipalities of the province to identify some 15 groups of research participants who provided the material upon which the study findings and recommendations are based. The recommendations put particular emphasis on the critical roles which the provincial government officials need to play to enable the sand mining businesses make their maximum positive contribution to the development of the Eastern Cape. The overall theme that stands out in the study concerns the major contribution which the dialectical critical realist research paradigm adopted in the study makes in the understanding of the issues currently at stake in the sand mining activities. Evidence has been provided in the study to show that the MELD framework which underpins the dialectical critical realist paradigm is suitable for the understanding and transformation of the processes currently at play in the sand mining activities.Le dizeteyishini icacisa ifuthe lezenzo zokukhiwa kwesanti kwiphondo leMpuma Koloni, eMzantsi Afrika. Isakhelo sethiyori nemethodoloji yale dizeteyishini zisekelwe kwimodeli yophando eyidialectical critical realism. Imeko yokuhlaziywa kwefuthe lezenzo zokukhiwa kwesanti inikwe ngokwemiba yeengxoxo ezichaphazela ushishino oluncedisana noluntu zidityaniswe neenjongo ezingqalileyo zesiCwangciso soPhuhliso loRhulumente wePhondo leMpuma Koloni. Olu phando luneenjongo ezingqalileyo ezine: eyokuqala, kukukhangela ifuthe lezenzo zokukhiwa kwesanti, eyesibini, zizimvo zabathathinxaxheba bophando malunga nefuthe elihle nelibi lokukhiwa kwesanti, eyesithathu, zizimvo zabathathinxaxheba bophando malunga noko bakuthatha njengeengxaki ezinxulumene nezi zenzo, ize eyokugqibela, ibe ziziphakamiso zokusingatha ezi ngxaki. Okufunyaniswe kuphando kubonisa abanini bamashishini okukhiwa kwesanti, abasebenzi babo, abaxumi kunye nabanye abachaphazelekayo kwizenzo zokukhiwa kwesanti, njengabavela la mashishini njengoyena ndoqo wohlumo loqoqosho lwephondo. Kwelinye icala kukwakho nabo babonisa inkxalabo malunga nento abayibona njengefuthe elibi lezi zenzo zokukhiwa kwesanti. Inxaxheba eza nolu phando ngokwethiyori yezentlalo nophuhliso imalunga nendlela umphandi athe wanxulumana ngayo noluntu lwendawo, ezama ukuchonga amaqela ali15 abathathinxaxheba bophando abathe banika ulwazi ekuthe kwasekelwa phezu kwalo oko kufunyaniswe kolu phando, ngokunjalo neziphakamiso zalo. Ezi ziphakamiso zigxininisa ngokukodwa kwindima ephambili ekufuneka idlalwe ngamagosa orhulumente wephondo ukuvumela amashishini okukhiwa kwesanti ukuba abe negalelo elihle kangangoko kuphuhliso lweMpuma Koloni. Owona mxholo mkhulu uthe wagqama kolu phando umalunga negalelo elikhulu elize nepharadayim yophando olulandela idialectical critical realism, ebisetyenziswa kolu phando, ekuqondeni imiba ekujanyelwene nayo kwizenzo zokukhiwa kwesanti. Olu phando luze nobungqina obubonisa: ukuba le pharadayim sisakhelo esifanelekileyo sokucacisa ifuthe lezenzo zokukhiwa kwesanti; nokuba ingayimodeli efanelekileyo yokugqamisa ubudlelwane phakathi kwemiba yezemvelo nezentlalo kule nkqubo yophuhliso; ukuba sisixhobo sohlalutyo sokubonisa indima yamagosa karhulumente ekuphembeleleni ifuthe labakhi besanti kuqoqosho lweMpuma koloni; ukuba yithiyori yokucacisa ukubalulela kobudlelwane ngokwamagunya kunye nemidla yoluntu ekuqondeni ifuthe lezenzo zokukhiwa kwesanti; ukuba sisakhelo esibalulekileyo sokugqamisa ukubalulela kwemigaqonkqubo nezicwangciso zophuhliso zikarhulumente kwinkqubo yophuhliso; yaye, ngaphezu kwako konke, ukuba iyimodeli esekelwe kwicritical theory, nenokusetyenziswa ekwaziseni uluntu malunga nezi zenzo nasekuqulunqeni iinkqubo zezidanga zemfundo eziza kubeka izenzo zokukhiwa kwesanti njengondoqo wohlumo lwephondo leMpuma Koloni.Ph.D. (Environmental Sciences)Environmental Science

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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