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Authorship Attribution under the Rules of Evidence: Empirical Approaches in a Layperson's Legal System
No full textLinguistic spatial classifications of event domains in narratives of crime
No full textStructurally, formal definitions of the linguistic narrative minimally require two temporally linked past-time events. The role of space in this definition, based on spatial language indicating where events occur, is considered optional and non-structural. However, based on narratives with a high frequency of spatial language, recent research has questioned this perspective, suggesting that space is more critical than may be readily apparent. Through an analysis of spatially rich serial criminal narratives, it will be demonstrated that spatial information qualitatively varies relative to narrative events. In particular, statistical classifiers in a supervised machine learning task achieve a 90% accuracy in predicting Pre-Crime, Crime, and Post-Crime events based on spatial (and temporal) information. Overall, these results suggest a deeper spatial organization of discourse, which not only provides practical event resolution possibilities, but also challenges traditional formal linguistic definitions of narrative
Abstract Identifying Authorship by Byte-Level N-Grams: The Source Code Author Profile (SCAP) Method
No full textSource code author identification deals with identifying the most likely author of a computer program, given a set of predefined author candidates. There are several scenarios where digital evidence of this kind plays a role in investigation and adjudication, such as code authorship disputes, intellectual property infringement, tracing the source of code left in the system after a cyber attack, and so forth. As in any identification task, the disputed program is compared to undisputed, known programming samples by the predefined author candidates. We present a new approach, called the SCAP (Source Code Author Profiles) approach, based on byte-level n-gram profiles representing the source code author’s style. The SCAP method extends a method originally applied to natural language text authorship attribution; we show that an n-gram approach also suits the characteristics of source code analysis. The methodological extension includes a simplified profile and a less complicated, but more effective, similarity measure. Experiments on data sets of different programming-language (Java or C++) and commented/commentless code demonstrate the effectiveness of these extensions. The SCAP approach is programming-language independent. Moreover, the SCAP approach deals surprisingly well with cases where only a limited amount of very shor
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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