50,360 research outputs found
Richard Dorson (interview)
This interview is included in the American Folklore Society Oral History Project held at the Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. In this item, Richard M. Dorson is interviewed by Richard Reuss at the American Folklore Society annual meeting in Nashville, Tennessee for the American Folklore Society Oral History Project. Biography/History note: Richard M. Dorson, folklorist, author, and educator, was born in New York City in 1916 and died in 1981. He earned his B.A., M.A. and Ph.D. at Harvard University and taught at Harvard and Michigan State University before becoming professor of history and folklore at Indiana University where he founded its Folklore Institute in 1963 and became the first director and first chair of the Folklore Department at Indiana University in 1978. This collection consists of 1 sound tape reel (40 min.) : analog, 7 1/2 ips, 2 track, mono. ; 7 in. It was originally recorded on November 2, 1973 at the American Folklore Society annual meeting in Nashville, Tennessee by Richard Reuss on a Sony audiocassette. This is a first-generation copy
Konsumfashionista : Mediale Ästhetiken des Modischen /
Konsumfashionista ist eine Gegenposition zum Fashion Victim. Konsumfashionista klagt nicht über verführte Opfer, sondern sucht Strategien der Rückeroberung und spürt aktive Formen von ästhetischen Widerständen auf in Feldern wie Mode, Makerszene, Mayday Ravekultur oder Kunst. Konsumfashionista verfolgt Ästhetiken des Konsums, verstanden als An- eignung von Konsumobjekten, als Kampfansage an den Ausschluss eines negativ besetzten Käuflichen. »Fashionista« spielt auch auf den zuweilen totalitären Charakter von Mode an und meint zugleich Wehrhaftigkeit eines mitgestaltenden Konsumenten. Grundlagenforschungen und Grundsatzüberlegungen von Heinz Drügh, Moritz Baßler, Christina von Braun, Thomas Hecken, Birgit Richard u.a. zu Populärkulturen und Alltag, Mode, Design, Kunst beschäftigen sich mit T-Shirts, Primark, Videoformat Vine, Plattencovern, Markenlogos, Haarspülungen sowie Geld und Schmuck.Konsumfashionista ist eine Gegenposition zum Fashion Victim. Konsumfashionista klagt nicht über verführte Opfer, sondern sucht Strategien der Rückeroberung und spürt aktive Formen von ästhetischen Widerständen auf in Feldern wie Mode, Makerszene, Mayday Ravekultur oder Kunst. Konsumfashionista verfolgt Ästhetiken des Konsums, verstanden als An- eignung von Konsumobjekten, als Kampfansage an den Ausschluss eines negativ besetzten Käuflichen. »Fashionista« spielt auch auf den zuweilen totalitären Charakter von Mode an und meint zugleich Wehrhaftigkeit eines mitgestaltenden Konsumenten. Grundlagenforschungen und Grundsatzüberlegungen von Heinz Drügh, Moritz Baßler, Christina von Braun, Thomas Hecken, Birgit Richard u.a. zu Populärkulturen und Alltag, Mode, Design, Kunst beschäftigen sich mit T-Shirts, Primark, Videoformat Vine, Plattencovern, Markenlogos, Haarspülungen sowie Geld und Schmuck.Description based on print version record
XLBlocks: a Block-based Formula Editor for Spreadsheet Formulas
Spreadsheets are frequently used in industry to support critical business decisions. Unfortunately, they also suffer from error-proneness, which sometimes results in costly consequences. Experiments in the field of program education have shown that programmers tend to make fewer errors and can better focus on the logic of a program if they use a block-based language instead of a textual one. We hypothesize that a block-based formula editor could support spreadsheet users in a similar way. Therefore, we develop XLBlocks and conduct a think-aloud study with 13 experienced spreadsheet users from industry. Participants are asked to create and edit several formulas, using our block-based language. We then ask them to evaluate this editor using the Cognitive Dimensions of Notations framework. We found that for all dimensions the block-based formula editor received a better evaluation than the default text-based formula editor.Accepted author manuscriptSoftware Engineerin
Folder 9: Schwiderski, Richard Craig v. State of Texas 2, 1979-1984
Photocopy of a section of an article written by New York author Richard Reeves and titled 'Too Late to Kill the Messenger' and dated 1979, and argues for the role of media during violent situations
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Towards language-parametric semantic editor services based on declarative type system specifications
Editor services assist programmers to more effectively write and comprehend code. Implementing editor services correctly is not trivial. This paper focuses on the specification of semantic editor services, those that use the semantic model of a program. The specification of refactorings is a common subject of study, but many other semantic editor services have received little attention. We propose a language-parametric approach to the definition of semantic editor services, using a declarative specification of the static semantics of the programming language, and constraint solving. Editor services are specified as constraint problems, and language specifications are used to ensure correctness. We describe our approach for the following semantic editor services: reference resolution, find usages, goto subclasses, code completion, and the extract definition refactoring. We do this in the context of Statix, a constraint language for the specification of type systems. We investigate the specification of editor services in terms of Statix constraints, and the requirements these impose on a suitable solver.Programming Language
Richardson, Barbauld, and the construction of an early modern fan club
MPhilMuch has been written about the life and long works of the eighteenth century epistolary novelist, Samuel Richardson, but the prospect of his position as the first celebrity novelist – responsible for courting his own fame as well as initiating his own fan club – has largely been ignored. The body of manuscripts housed at the National Art Library in the Victoria and Albert Museum in London provides the modern scholar with evidence of the skeletal beginnings of an early fan club. This thesis aims to show how these manuscripts were turned into a saleable commodity by the publisher and entrepreneur Richard Phillips, while under the guiding hand of another, slightly later, literary celebrity, Anna Laetitia Barbauld. In order to restore Richardson’s reputation amongst a new nineteenth century audience, Barbauld was required to construct her own idea of him as an eighteenth century celebrity author, and in doing so the insecurities of a self-professed, apparently diffident man, are revealed. Barbauld’s capacious, but heavily edited selection of letters is analyzed in this thesis, providing ample evidence that Richardson’s correspondents were more than just eager letter writers. By using Barbauld’s biography of Richardson this thesis aims to show how she manipulates the genre of life writing in her construction of him.
This thesis offers an alternative reading of how the Richardson manuscripts are viewed, redefining them as not simply a collection of letters, but as a collective entity, deliberately selected and archived as evidence of an early modern fan club, and its celebrity managing director
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