161,089 research outputs found
Binde, O. an Herman Grimm (1 Brief)
BINDE, O. AN HERMAN GRIMM (1 BRIEF)
Binde, O. an Herman Grimm (1 Brief) (Br450)
Brief 450 (Br450
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Larry O. Spencer, Conference Author Presentation
Gen. Larry O. Spencer, USAF (Ret.), author of Dark Horse: A Journey from the Horseshoe to the Pentago
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Author Under Sail The Imagination of Jack London, 1902-1907
In this second volume of Author Under Sail Jay Williams investigates the life of Jack London as a professional writer at the turn of the 1900s, as his publications spanned The Call of the Wild to The Iron Heel and The Road. While documenting key life events, especially his rising fame, this biography explores London's necessity to illustrate the inner workings of his own vast imagination through his socialist essays and fiction.Cover -- Title Page -- Copyright Page -- Contents -- Acknowledgments -- Introduction -- 1. Howl, O Heav'nly Muse! -- 2. Jesus in the Theater of Socialism -- 3. Jack London's Place in American Literature -- 4. Theater of War, Theater at Home -- 5. Revolution, Evolution, and the Scene of Writing -- 6. The Jack London Show Goes on the Road -- 7. Red Atavisms and Revolution -- 8. Earthquake Apocalypse and Building the City, Boat, and House Beautiful -- 9. The Future of Socialism and the Death of the Individual -- 10. The Road Never Ends -- Notes -- Bibliography -- IndexIn this second volume of Author Under Sail Jay Williams investigates the life of Jack London as a professional writer at the turn of the 1900s, as his publications spanned The Call of the Wild to The Iron Heel and The Road. While documenting key life events, especially his rising fame, this biography explores London's necessity to illustrate the inner workings of his own vast imagination through his socialist essays and fiction.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
El Binde: fogón costeño donde cocinamos ideas Etnomatematicas
Historia y construcción del “Binde” a base de Termitero (fogón costeño) Por su geografía, y llanuras el departamento del Atlántico puede considerarse un lugar propicio para albergar culturas simples, semi-sedentarias de pequeñas pueblos. La culturas o pueblos de esta región producian instrumentos en piedra esculpidos por un solo lado para cazar animales; y también, contaban con piedras de presión ovaladas para romper semillas duras; y varias placas de piedra arenisca y granulosa para moler o triturar alimentos blandos; gracias a los descubrimientos arqueologicos se tiene la certeza de que los primeros pobladores de la Costa Caribe Colombiana fueron los productores de la primera ceramica de América hace seis mil años. Por otro lado, la evidencia demuestra que solo dos mil años despues aparecio en México y Perú, lo que permitió confirmar que en este territorio despegaron culturalmente las civilizaciones americanas (Durán de Reichel, 1992) en (Gobernación del Atlantico, 2018, p.17), la invención de la cerámica cambió por completo los habitos alimenticios, puesto que fue posible cocinar por primera vez algunos alimentos que crudos hacian dificil la digestión, dependieron menos de la actividad de cazar animales y ensayaron nuevos modos de vida. Los recipientes de cerámica se almacenaba agua y bebidas, guardar alimentos para conservarlos por más tiempo sin que insectos, hongos, bacterias y otros animales pudieran alcanzarlos.History and construction of the "Binde" based on Termite mound (coastal stove) Due to its geography and plains, the department of Atlántico can be considered a suitable place to host simple, semi-sedentary cultures of small towns. The cultures or peoples of this region produced stone instruments sculpted on one side to hunt animals; and also, they had oval pressure stones to break hard seeds; and various slabs of sandstone and grainy for grinding or grinding soft foods; Thanks to archaeological discoveries, it is certain that the first settlers of the Colombian Caribbean Coast were the producers of the first ceramics in America six thousand years ago. On the other hand, the evidence shows that only two thousand years later it appeared in Mexico and Peru, which allowed to confirm that in this territory the American civilizations took off culturally (Durán de Reichel, 1992) in (Gobernación del Atlantico, 2018, p.17 ), the invention of ceramics completely changed eating habits, since it was possible to cook for the first time some foods that made digestion difficult when raw, depended less on the activity of hunting animals and tried new ways of life. Ceramic containers were used to store water and drinks, save food to preserve it for a longer time without insects, fungi, bacteria and other animals from reaching them.Licenciado en Educación Básica con Énfasis en Matemáticashttp://www.ustadistancia.edu.co/?page_id=3956Pregrad
اسلم کولسری کی غزل:بیان و بدیع کے تناظر میں: ASLAM KOLSARY’S GHAZAL IN THE LIGHT OF BIAN-O-BADIE
Aslam kolsari is new significant and potentially well-known personality for contributing to modern Urdu ghazal. Being a mindful and multidimensional literary figure he has specific fame in poetry. A distinguish diction in poetry is individuality specifically connected with his name. His ghazal contains all attributes of Research and criticism. Communication of an ordinary concept in his poetry is reflection of Aslam kolasri. In this article the author has explored how poetic characteristics distinguished Aslam kolsari
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