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Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Sounds of the New Deal: The Federal Music Project in the West
Get PDFReview of: Sounds of the New Deal: The Federal Music Project in the West, by Peter Gough
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Great Lakes or Middle West: The 1936-37 Great Lakes Exposition and Regional Identity
Get PDFDuring the 1930s regional identities were especially pronounced as the ravages of the economic collapse encouraged the reevaluation of national, regional, and local identities, often linked with FDR’s appeal for unity and as a way to better understand and distribute the largesse of federal aid money that began filtering down to the people. There was considerable discussion about remaking the country along regional lines, creating what Edward Barrows called the “United Regions of America.” Given the complexity of modern society, “the reorganization” of the country was “inevitable” as a result of “natural, orderly social growth.” (See Edward M. Barrows, “United Regions of America: A New American Nation,” New Outlook 161 (May 1933), 17-21. Quotes from 17.)
Correspondingly, a series of six International Expositions or World’s Fairs took place between 1933 and 1939, beginning with the Century of Progress Exposition in Chicago in 1933 and culminating at the New York World’s Fair in 1939, which outlined regional as well as national characteristics for each region’s identity within the United States. It is within this context that the Great Lakes Exposition (GLE) was held in Cleveland, Ohio during the summers of 1936 and 1937. This event, the brainchild of local business and civic leaders with the assistance of the federal government, was designed to highlight “the material, social and cultural progress which has been achieved in the Great Lakes Region in the past 100 years” and to “indicate the paths of progress for the future.” (See Great Lakes Exposition Official Souvenir Guide, Cleveland 1936, 1, 12-14, Pamphlets C873 and C874, Western Reserve Historical Society, Cleveland, Ohio.) With these goals in mind, the GLE sought to affirm and recast the region’s identity, and in doing so, outline its separation from its traditional Midwest label
Polka Heartland: Why The Midwest Loves to Polka
Get PDFReview of: Polka Heartland: Why The Midwest Loves to Polka, text by Rick March, pho-tos by Dick Bla
Remembering the Great Depression in the rural South
No full textThis collection of more than 600 oral histories recalls the Great Depression and provides a rich personal chronicle of the 1930s. The Depression altered the basic structure of American society and changed the way government, business, and the American people interacted. Capturing this historical era and its meaning, the stories in Remembering the Great Depression in the Rural South reflect the general despair of the people, but they also reveal the hope many found through the New Deal
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