1,721,049 research outputs found
On the anatomy of magma chamber and caldera collapse: The example of trachy-phonolitic explosive eruptions of the Roman Province (central Italy)
No full textTextural and compositional features of pyroclastic products erupted during caldera-forming events often reveal the tapping of different portions of variably zoned magma chambers due to changing geometries of the conduit/vent systems. Here we report on ultrapotassic trachytic-phonolitic explosive eruptions of the Roman Province (central Italy), which show remarkable changes of textural features and glass compositions in the juvenile material, even if the bulk chemical composition is essentially constant. In each example, the lower eruption sequence contains whitish, crystal-poor (leucite-free), highly vesicular pumice, emplaced by early Plinian fallout and/or pyroclastic currents; upsection, the eruption sequence contains black, low porphyritic (sanidine+leucite-bearing), moderately vesicular, scoria or spatter, emplaced by major pyroclastic flows (red tuff with black scoria) and associated co-ignimbrite, coarse lithic-rich breccias. This suggests a shift from a central feeder conduit, tapping the central part of the magma chamber, to a ring fracture vent system, tapping the peripheral portions of the magma chamber, during caldera collapse. Key features of these evacuating magma chambers are the thermal and volatile concentration (Xvol) gradients that produce the observed textural and compositional spectrum of trachy-phonolitic rock types. In particular, the degrees of freedom during the crystallization of these ultrapotassic magmas are increased by the variation of the leucite stability field at different PH2O conditions. Both leucite-free and leucite-bearing differentiated ultrapotassic rock types can be produced in the course of individual eruptions, as a result of pre-eruptive conditions in the feeder magma, with no need to invoke different differentiation suites related to mantle source heterogeneities of parental magmas. © 2014 Elsevier B.V
Benford's Law in Time Series Analysis of Seismic Clusters
No full textBenford's analysis is applied to the recurrence times of approximately 17,000 seismic events in different geological contexts of Italy over the last 6 years, including the Mt. Etna volcanic area and the seismic series associated with the destructive M (w) 6.3, 2009 L'Aquila earthquake. A close conformity to Benford's law and a power-law probability distribution for the recurrence times of consecutive events is found, as typical of random multiplicative processes. The application of Benford's law to the recurrence event times in seismic series of specific seismogenic regions represents a novel approach, which enlarges the occurrence and relevance of Benford-like asymmetries, with implications on the physics of natural systems approaching a power law behaviour. Moreover, we propose that the shift from a close conformity of Benford's law to Brownian dynamics, observed for time separations among non-consecutive events in the study seismic series, may be ruled by a periodical noise factor, such as the effects of Earth tides on seismicity tuning
Pantano Borghese (Montecompatri, Roma). Un insediamento preistorico nel territorio gabino
No full textThe newly discovered, youngest lava flow of the Roman Province (Central Italy): volcanological, geochronological, and petrological data
No full textData for: Extending the tephra and palaeoenvironmental record of the Central Mediterranean back to 430 ka: A new core from Fucino Basin, central Italy
No full textFull data set of the tephra glass major element composition (WDS-EMPA
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Data for: Extending the tephra and palaeoenvironmental record of the Central Mediterranean back to 430 ka: A new core from Fucino Basin, central Italy
No full textFull data set of the 40Ar/39Ar datin
Data for: Extending the tephra and palaeoenvironmental record of the Central Mediterranean back to 430 ka: A new core from Fucino Basin, central Italy
No full textWavelet analysis of the gamma ray dataset from F4 borehol
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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