2,684 research outputs found
Who is the author of the 1876 Stefano manuscript?
No full textFor over one hundred years the Stefano manuscript was a private document in the possession of the Baccich family and descendants. It told a story of the 1875 Stefano shipwreck as narrated by the shipwreck survivor and the founding family patriarch Miho Baccich. In these circumstances the question of authorship of the manuscript was immaterial and did not arise as an issue. However, with the publication of the manuscript the author‟s name, or names, need to be formally attributed to it. It turns out that this is not such a clear-cut matter.
As we shall see, all informed sources attributed the authorship, and the ownership, of the manuscript to Miho Baccich. But the manuscript itself was written by Canon Stjepan Skurla – a priest from Miho‟s hometown of Dubrovnik. The question then arises: should Skurla also be considered as an author of the manuscript, or, even as the sole author (as some would have it)
Programmed-release intraosseus anesthesia as an alternative to lower alveolar nerve block in lower third molar extraction: a randomized clinical trial
No full textBACKGROUND: Intraosseous anesthesia is the process by which an anesthetic solution, after penetration of the cortical bone, is directly injected into the spongiosa of the alveolar bone supporting the tooth. This study aimed to compare the effectiveness of the traditional inferior alveolar nerve block (IANB) and computerized intraosseous anesthesia in the surgical extraction of impacted lower third molars, compare their side effects systemically by monitoring heart rate, and assess patients’ a posteriori preference of one technique over the other. METHODS: Thirty-nine patients with bilaterally impacted third molars participated in this study. Each patient in the sample was both a case and control, where the conventional technique was randomly assigned to one side (group 1) and the alternative method to the contralateral side (group 2). RESULTS: The traditional technique was faster in execution than anesthesia delivered via electronic syringe, which took 3 min to be administered. However, it was necessary to wait for an average of 6 ± 4 min from the execution to achieve the onset of IANB, while the latency of intraosseous anesthesia was zero. Vincent's sign and lingual nerve anesthesia occurred in 100% of cases in group 1. In group 2, Vincent’s sign was recorded in 13% of cases and lingual anesthesia in four cases. The average duration of the perceived anesthetic effect was 192 ± 68 min in group 1 and 127 ± 75 min in group 2 (P < 0.001). The difference between the heart rate of group 1 and group 2 was statistically significant. During infiltration in group 1, heartbeat frequency increased by 5 ± 13 beats per minute, while in group 2, it increased by 22 ± 10 beats per minute (P < 0.001). No postoperative complications were reported for either technique. Patients showed a preference of 67% for the alternative technique and 20% for the traditional, and 13% of patients were indifferent. CONCLUSION: The results identified intraosseous anesthesia as a valid alternative to conventional anesthesia in impacted lower third molar extraction
Stratigrafia dei depositi recenti della Sacca di Goro. In: La Sacca di Goro (U. Simeoni Ed.).
No full textFashion Culture: Power In Fashion with Stefano Tonchi and Grazia d'Annunzio
No full textStefano Tonchi, global chief creative officer for L’Officiel Group, and Grazia d’Annunzio, former deputy director of Vogue Italia, discuss the power of military uniforms and their influence on high fashion. Tonchi is co-author of the book "Uniform: Order and Disorder.
Reply to the letter Regarding “Risk Factors for Immediate and Delayed-Onset Fever After Percutaneous Transhepatic Biliary Drainage”
No full textIntroduzione [a I cartolari del notaio Stefano di Corrado di Lavagna]
No full textSaggio introduttivo all’edizione dei frammenti dei protocolli del notaio Stefano di Corrado di Lavagna nel quale viene fatta l’analisi codicologica dei frammenti e si ricostruisce la biografia del notaio. Vengono inoltre esaminate la tipologia dei documenti, le tecniche redazionali del notaio e l’organizzazione burocratica della Chiesa genovese nella seconda metà del secolo XIII.
Introduction essay to the edition of the fragments of the protocols of the notary Stefano di Corrado of Lavagna in which the analysis of the codex fragments and reconstructs the biography of the notary is made by the author. She also examined the types of documents, the technical drafting of the notary and the bureaucratic organization of the Church of Genoa in the second half of the thirteenth century
Tidal inlet morphodynamics in northern Adriatic Sea, Italy: conservation strategies and rational use of sand resources.
No full textFrom Lausanne to Luxembourg: the CJEU’s Seraing Judgment and the Boundaries of Sports Arbitration Under EU Law
No full textIn this expert analysis, Professor Stefano Bastianon dissects the CJEU’s landmark Seraing ruling (Case C-600/23), which reshapes the contours of sports arbitration under EU law. With particular focus on judicial review and EU public policy, the author explores how the Court balances the autonomy of arbitral mechanisms like CAS with the imperative of effective judicial protection — a judgment that could have far-reaching implications for the future of dispute resolution in sport
Recensione di Robert G. La France, Bachiacca: artist of the Medici court, Firenze, Olschki, 2008
No full textABSTRACT ITALIANO
Francesco Ubertini detto il Bachiacca ebbe scarsa fortuna critica ma questo volume di Robert G. La France colma una lacuna grave nella critica d’arte con una solida monografia in lingua inglese che prende in esame tutte le opere e i documenti di questo pittore. Stefano Colonna giudica positivamente il libro, pubblicato da Leo Olschki, limitandosi a sottolineare che alcune opere, inserite come autografe dall’autore, presentino differenti qualità.
ENGLISH ABSTRACT
Francesco Ubertini called Bachiacca has had little critical fortune, but this book by Robert G. La France fills a serious lacuna in art criticism with a solid English monograph that examines all the existing works and documents. Stefano Colonna welcomes the book published by Leo Olschki and simply points out that some of the works included by the author as autograph have a different quality
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