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L’œuvre de Benjamin Bourdon
No full textBeuchet Jean. L’œuvre de Benjamin Bourdon . In: Bulletin de psychologie, tome 16 n°213, 1962. pp. 176-227
Alternances de constance et d’inconstance dans la rotation d’un cercle carré
No full textBeuchet Jean. Alternances de constance et d’inconstance dans la rotation d’un cercle carré. In: Bulletin de psychologie, tome 16 n°213, 1962. pp. 265-284
Benjamin Bourdon, pionnier de la psychologie expérimentale (1860-1943)
No full textBeuchet Jean. Benjamin Bourdon, pionnier de la psychologie expérimentale (1860-1943). In: Bulletin de psychologie, tome 16 n°213, 1962. pp. 162-175
Recherches sur la perspective statique et cinétique
No full textBeuchet Jean. Recherches sur la perspective statique et cinétique. In: Bulletin de psychologie, tome 16 n°213, 1962. pp. 263-264
Congrès : Première rencontre des Psychologues des pays du Danube (Bratislava, 14-19 septembre 1967)
No full textBeuchet Jean. Congrès : Première rencontre des Psychologues des pays du Danube (Bratislava, 14-19 septembre 1967). In: Bulletin de psychologie, tome 21 n°266, 1968. p. 1
Un pionnier des sciences humaines, Benjamin Bourdon (1860-1943)
No full textBeuchet Jean. Un pionnier des sciences humaines, Benjamin Bourdon (1860-1943). In: Annales de Bretagne. Tome 68, numéro 2, 1961. pp. 299-345
Le décentrement des masses dans l'illusion de Müller-Lyer
No full textBeuchet Jean, Richard Jean-François. Le décentrement des masses dans l'illusion de Müller-Lyer. In: Bulletin de psychologie, tome 16 n°213, 1962. pp. 297-316
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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