2,427 research outputs found
Yuriy Hryvniak as a researcher of the biography of Ivan Puluj
No full textМатеріал тез присвячено дослідженню сторінок біографії
Юрія Гривняка - автора монографії про Івана Пулюя, яку було
опубліковано 1971 року у Лондоні завдяки фінансовій підтримці Союзу
українців у Великій Британії. Автором було використано ряд фото та
архівних матеріалів, отриманих від О. Пулюя. На жаль, творчість і
життєвий шлях Ю. Гривняка є маловідомими в Україні, а доля зібраних
ним джерел потребує фахового дослідженняThese theses are devoted to the study of the pages of Yuriy
Hryvniak’s biography. He was the author of a monograph dedicated to the study
of the life and activities of the famous Ukrainian scientist and public figure Ivan
Puluj. The author used a number of photos and archival materials received from
O. Puluj. Unfortunately, the creativity and life path of Y. Hryvniak is little
known in Ukraine, and the fate of the sources collected by him requires
professional researc
New data about Novgorod resident Ivan Shusherin the author of the biography of Patriarch Nikon
No full textThe article deals with the biography of Ivan Shusherin, the author of the “Life” of Patriarch Nikon. Based on new archival data, it was established the previously unknown circumstances of Ivan Shusherin’s ten-year stay in exile in Novgorod and his own letters, written in extremely beautiful handwriting are discovered. Analysis of the text of the “Life” allowed the author to clarify the dating of the “Life” and the intent of this work – the most important source on the history of the Russian church in the second half of the 17th century
Philosophy as the Rationality of a Worldview. On the 70th Anniversary of the Birth of Ivan Macan (1939 -2009)
No full textPrilog je napisan povodom sedamdesete godišnjice života isusovca Ivana Macana, cijenjenoga profesora filozofije na Filozofskom fakultetu Družbe Isusove u Zagrebu i njegova prvog dekana, uglednoga člana Hrvatske pokrajine Družbe Isusove te velikoga zaslužnika časopisa Obnovljeni život, s kojim je počeo surađivati već u prvoj godini njegova ponovnog izlaženja (1971). Autor želi najprije upoznati čitatelje s osnovnim biografskim podacima jubilarca, zatim se osvrnuti na njegov lik kao profesora i pedagoga, a potom iznijeti na vidjelo i njegovo filozofsko stvaranje, u kojemu osobito mjesto zauzimaju bavljenje L. Wittgensteinom, izvrsno sročeni udžbenici nekih filozofskih disciplina te prilozi iz teoretske i praktične filozofije, kojima valja pribrojiti i neke adhortativne napise. Naposljetku se donosi i cjelokupna Macanova bibliografija.This article was written to mark the seventieth year of life of Ivan Macan, S.J., the esteemed Professor of Philosophy at the Faculty of Philosophy of the Society of Jesus in Zagreb and the Faculty's first dean, whose merits include his continual contributions to the Journal Obnovljeni život since the first year of its renewed publication (1971). The author wishes to familiarize the readers with the jubilarian's basic biographical data, to portray his work as professor and pedagogue, to bring to the fore his philosophical creativeness, among which his reflections on Wittgenstein take a prominent place, as well as his excellently worded textbooks on certain philosophical disciplines and articles on theoretical and practical philosophy, which include also his adhortative writings. Finally, Ivan Macan's entire bibliography is presented
Ivan Tourgueniev : usages épistolaires de l'entre-deux
No full textIvan Turgenev 's correspondence was instrumental in defining the writer's position as an artist in 19th-century Russian society. This position lies somewhere in-between the private and public spheres, as epistolarity is both the place to communicate with people from one's close circle and the space where Turgenev tries to adress the reading public, which the author sees as a possible ally against an increasingly hostile press. The paper concentrates on the years 1867-1872, between the publication of Smoke and Torrents of Spring.Genevray Françoise. Ivan Tourgueniev : usages épistolaires de l'entre-deux. In: Revue Russe n°32, 2009. L’épistolaire en Russie du XVIIIème siècle à l’URSS post-stalinienne. pp. 91-100
Image of Ivan Terrible in European Propaganda during Livonian War (Poetic Works of S. Wolf and J. Kokhanovsky)
No full textThe image of Ivan the Terrible in the propagandic European poetry of the Livonian War is considered. On the example of two poetic works “An elegiac poem about the campaign of His Majesty Stephen the First, the King of Poland and the Grand Duke of Lithuania against Ivan Vasilyevich, the Grand Duke of Moscow” by the German author Samuil Wolf (1582) and “The Song of the Capture of Polotsk” by the Polish poet Jan Kokhanovsky (1580) the conclusion is made about the great interest of the European reader in the personality of the Moscow tsar. The analysis of these texts shows the grotesque image of Ivan the Terrible, formed under the influence of the “political order” coming from the Polish King Stefan Batory. It is also concluded that European propaganda played a negative role, contributed to the loss of the Muscovite state in the Livonian War. The indifference of the tsar himself to what was published about him in the West is also noted, this was the reason that Ivan the Terrible did not want to carry out reciprocal propaganda campaigns and limited himself in this regard to exculpatory and accusatory letters to S. Batory, A. M. Kurbsky and some European monarchs. “The Song of the Capture of Polotsk” was first translated into Russian by the author of the article and is published here in full
Feđa Šehović s Narrator/Author Faces
No full textPitanje autora i autorstva jedno je od otvorenih pitanja književne znanosti. Neovisno o odgovorima što ih podastire književna teorija, književna praksa obiluje mnoštvom primjera različitog iskazivanja »autorskog« i »autorstva«. Kada je riječ o Feđi Šehoviću, po nama su, posve pojednostavljeno, tri glasa/lica njegova književnog autorstva; prvo, ismjehivačko, drugo dokumentarno i treće izmišljeno pripovjedačko, a svako je ostvareno primjerenim brojem relevantnih književnih stranica.The question of author and authorship is one of open questions of literary science. Independently of the answers served by the literary theory, literary practice is filled with numerous examples of different representations of »what is of the author« and »authorship«. When it comes to Feđa Šehović, in a simplified manner, we think that there are three voices/faces of his literary authorship; the first - derisive one, the second – his documentary face and the third invented-narrator face, each of which accomplished by a suitable number of relevant literary pages
IVAN MAŽURANIĆ’S POLITICAL ACTIVITIES
No full textIvan Mažuranić nije bio poznat samo kao književnik i pjesnik, već je on bio jedan od najvećih hrvatskih političara i državnika u 19. st. Vrlo rano, u 32. godini života, bavljenje književnim radom zamijenio je politikom. Postaje oduševljeni pristaša Ilirskog pokreta, no do 1848. g. nije suviše politički aktivan. Aktivnije se uključuje u politiku i rad Hrvatskog sabora kroz Narodnu stranku, a zatim kroz stranku ”napredovaca”, te postaje programatski pisac. Prvi njegov poznati politički spis je ”Hervati Madjarom” iz 1848. g. Bio je, kao vrstan pravnik i diplomata, na vrlo odgovornim mjestima u sudstvu i upravi, a najznačajnija su: predsjednik Hrvatskog dvorskog dikasterija i Hrvatski dvorski kancelar u Beču. Autor je većine saborskih spisa i zakona, od kojih je znameniti članak 42. Hrvatskog sabora 1861. Bio je dalekovidan političar i kao takav borio se za što veću autonomiju Hrvatske u okviru Monarhije, a protiv mađarske hegemonističke politike. Kao prvi hrvatski ”Ban pučanin” (1873.-1880.) proveo je niz značajnih reformi u svim oblastima društvenog i javnog života. S Mažuranićem započinje razdoblje nove, modernije Hrvatske, temeljene na reformama prema zapadnoeuropskim uzorima, u duhu demokratskog građanskog liberalizma.Ivan Mažuranić was not only well known as a writer and poet but was one of the greatest Croatian politicians and statesman of the 19th century. At a very early age of 32 he substituted writing for politics. He became an enthusiastic member of the Illyrian Movement but until 1848 was not greatly involved in politics. He became more active in politics and the Croatian Parliament through the National Party and then the ”Progress” Party and became the programme writer. His first well-known political document is the ”Hervati Madjarom” from 1848. As a skilled lawyer and diplomat he held very important positions in judicature and administration and the most important are: The President of the Croatian Court Dicastery and as a Croatian Court Chancellor in Vienna. He is the author of most parliament documents and laws of which the most renowned is Article 42 of the Croatian Parliament in 1861. He was a politician with foresight and as such he fought for a greater autonomy for Croatia within the Monarchy and he fought against the hegemonistic politics of Hungary. As the first plebeian Civil Governor (1873-1880) he introduced a series of important reforms in all aspects of social and public life. With Mažuranić starts an era of a new, more modern Croatia, based on reforms on West European models and in the spirit of democratic civil liberalism
Ivan Hribar Between Politician and Writer
No full textMagistrska naloga z naslovom Ivan Hribar med politikom in književnikom z literarnozgodovinskega in zgodovinskega vidika predstavi ljubljanskega župana, diplomata, poslovneža, pisatelja Ivana Hribarja. Osrediščamo se na Hribarjevo literarno in politično delovanje s posebnim poudarkom na umestitvi avtorja v slovensko literarno zgodovino. Prvi del naloge obravnava Hribarjevo politično delovanje znotraj liberalnega tabora, predstavi neoslovansko idejo v luči Hribarjeve misli. Nadalje naloga predstavlja dva osrednja lika slovenskega liberalizma, prijatelja in konkurenta Ivana Hribarja ter pisatelja in politika Ivana Tavčarja. Osrednji del naloge nato obravnava Hribarjevo korespondenco s slovenskimi kulturnimi delavci in ga tako umešča tudi znotraj slovenskega literarnega sistema. V zadnjem delu naloge se podrobneje posvetimo literarnim delom Ivana Hribarja: libretu Kralj Matjaž, pesniški zbirki Brstje, pesnitvama Na slovenskem Parnasu in Njega ni ter njegovemu najobsežnejšemu delu rokopisnemu romanu/povesti Gospod Izidor Fučec, srednjeveška povest naših dni.The master\u27s thesis, entitled Ivan Hribar between politician and writer, presents the mayor of Ljubljana, diplomat, businessman and writer Ivan Hribar from a literary-historical and historical point of view. The focus is on Hribar\u27s literary and political activities, with a special emphasis on the author\u27s place in Slovenian literary history. The first part of the thesis deals with Hribar\u27s political activity within the liberal camp, presenting the neo-Slavic idea in the light of Hribar\u27s thought. The thesis then introduces two central figures of Slovenian liberalism, Ivan Hribar\u27s friend and rival, and the writer and politician Ivan Tavčar. The central part of the thesis then examines Hribar\u27s correspondence with Slovenian cultural workers, thus also situating him within the Slovenian literary system. In the last part of the thesis, we take a closer look at the literary works of Ivan Hribar: the libretto Kralj Matjaž, the poetry collection Brstje, the poems Na slovenskem Parnasu and Njega ni and his most extensive work, the manuscript novel Gospod Izidor Fučec, srednjeveška povest naših dni
Type D personality as a risk factor for adverse outcome in patients with cardiovascular disease: an individual patient data meta-analysis
No full textIvan Shamyakin’s Prose of the 1970’s: Genre and Stylistic Specificity, Distinct (Specific) Historical and Axiological Content
No full textThe evolution of Ivan Shamyakin‟s creativity in the 1970‟s is expressed in this article. The genre and stylistic specificity of such stories as «Wedding Night», «Merchant and poet», of the novel «I‟ll take your pain» are highlighted. In the article the specific historical and axiological content of compositions is defined. The spirit world of characters and carriers of author‟s ideal and anti-ideal is interpreted.Выяўляецца эвалюцыя творчасці Івана Шамякіна ў 1970-я гг., даследуецца жанрава-стылёвая спецыфіка аповесцей «Шлюбная ноч», «Гандлярка і паэт», рамана «Вазьму твой боль», вызначаецца канкрэтна-гістарычны і аксіялагічны змест твораў, асэнсоўваецца духоўны свет герояў, носьбітаў
аўтарскага ідэалу і антыідэалу
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