9 research outputs found
La Syrie Sainte ov La mission de Iesvs et des Peres de la Compagnie de Iesvs en Syrie. Diuisée en deux Parties. Par le R.P. Ioseph Besson, de la mesme Compagnie.
No full textPreface: Besson, Ioseph (2nd part)Introduction: , Poirresson, Nicolas deDedication: "A la Reyne de Pologne"Content description: IndexIllustration: 1 (Maps ,)Pagination: PP24+232P+24PP, 269P+35PPVolumes: 1Edition:1st and only editionText Genre:ProseIllustration: 1 (χάρτες ,
La Syrie et la Terre Sainte au XVIIe siècle par le P. Joseph Besson de la Compagnie de Jésus. Nouvelle édition revue par un Père de la même Compagnie.
No full textPreface: Poirresson, Nicolas deAppendix.Introduction: , Carayon, A.Dedication:Content description: Detailed contentsPagination: PP16+462PVolumes: 1Text Genre:Pros
Soria Santa, overo Racconto breue di varij auuenimenti curiosi, e pij accaduti da pochi anni in quà in soria, specialemente in Aleppo, Damasco, Sidone, Tripoli, e Monte Libano. Si descriue il sito si moderno, come antico delle sudette Città, si dà notitia
No full textPreface.Dedication: Padre Gio. Paolo Oliva/by Giuseppe AnturiniContent description: TitlePagination: PP8+165P+1PPVolumes: 1Text Genre:Pros
The Old Czech Apocryphal Story of Joseph (Son of Jacob)
No full textFrom the end of the 19th century, the Old Czech apocryphal story of Joseph (son of Jacob), called Life of Joseph, has not been in the center of the scholars' and editors' attention, and therefore many pivotal philological questions concerning this Old Czech composition have not been satisfactory solved yet. This thesis offers a comprehensive analysis of the Old Czech Life of Joseph in terms of textual criticism and literary history and attempts to bring answers to the main problems of its contextualization. The six extant medieval manuscripts of the Life of Joseph, representing the inherent part of the thesis, are provided with critical edition. The Old Czech Life of Joseph is a late medieval work of an anonymous author and should be dated to the second half or to the end of the 14th century. It is based on a Latin model, namely Historia Ioseph, which was composed in the year 1336 by the Spanish Dominican Alfonso Buenhombre (Alphonsus Bonihominis). The Czech Life of Joseph is the unique vernacular translation of Alfonso's Latin text. This Latin text has not been broadly disseminated. I am aware of the existence of 14 manuscripts, six of which originated in Bohemia and represent the specific Bohemian manuscript branch. The Czech translation is admittedly based on the Latin text related closely to..
The Old Czech Apocryphal Story of Joseph (Son of Jacob)
No full textFrom the end of the 19th century, the Old Czech apocryphal story of Joseph (son of Jacob), called Life of Joseph, has not been in the center of the scholars' and editors' attention, and therefore many pivotal philological questions concerning this Old Czech composition have not been satisfactory solved yet. This thesis offers a comprehensive analysis of the Old Czech Life of Joseph in terms of textual criticism and literary history and attempts to bring answers to the main problems of its contextualization. The six extant medieval manuscripts of the Life of Joseph, representing the inherent part of the thesis, are provided with critical edition. The Old Czech Life of Joseph is a late medieval work of an anonymous author and should be dated to the second half or to the end of the 14th century. It is based on a Latin model, namely Historia Ioseph, which was composed in the year 1336 by the Spanish Dominican Alfonso Buenhombre (Alphonsus Bonihominis). The Czech Life of Joseph is the unique vernacular translation of Alfonso's Latin text. This Latin text has not been broadly disseminated. I am aware of the existence of 14 manuscripts, six of which originated in Bohemia and represent the specific Bohemian manuscript branch. The Czech translation is admittedly based on the Latin text related closely to..
A description of the present state of Samos, Nicaria, Patmos, and Mount Athos / By Joseph Georgirenes, Arch-Bishop of Samos ... ; Translated by one that knew the author in Constantinople.
No full textThe evolving reputation of Richard Hooker : an examination of responses to the Ecclesiastical Polity, 1640-1714.
No full textSIGLEAvailable from British Library Document Supply Centre-DSC:DXN033104 / BLDSC - British Library Document Supply CentreGBUnited Kingdo
La sublevación de Cataluña de 1640 en Los agravios satisfechos, apócrifo de Calderón de la Barca
No full textThis essay analyses Los agravios satisfechos y vísperas sicilianas, an apocryphal comedy by Calderón de la Barca, whose subject is the anti-French rebellion that took place at Palermo in 1282. The comparison between the literary text and some historical studies has allowed the identification of possible sources used by the author. On the other hand, the manipulation of History, in addition to the anachronisms related to some events of the third and fourth decade of the XVII century (France’s declaration of war on Spain in 1635, 1640 Catalan revolt and the Pact of Ceret, 1641 conspiracy in Andalusia), led us to establish the date of the Golden Age comedy and to identify the goals pursued by the playwright: to turn the Sicilian Vespers into a foundation myth of the Monarchy in Spain, using them as an anti-French symbol and, at the same time, to criticize the «restoring reformism» that the Count-Duke Olivares undertook.El trabajo analiza Los agravios satisfechos y vísperas cicilianas, comedia apócrifa de Calderón que trata del levantamiento antifrancés acontecido en Palermo en 1282. El cotejo del texto con algunas obras historiográficas ha permitido identificar las posibles fuentes utilizadas por el autor. Por otro lado, la manipulación de los hechos históricos, junto con los anacronismos que remiten a acontecimientos de los años treinta y cuarenta del siglo XVII (la declaración de guerra de Francia a España de 1635, la rebelión de Cataluña y el Pacto de Ceret de 1640, la conspiración de 1641 para levantar a Andalucía), han permitido establecer la datación de la obra e identificar los objetivos perseguidos por el autor: hacer de las Vísperas sicilianas un mito fundador de la monarquía española, utilizándolas en clave anti-francesa y, al mismo tiempo, criticar el «reformismo restaurador» del conde-duque de Olivares
Artes de canto (1492-1626) y mujeres en la cultura musical del mundo ibérico renacentista
No full text[spa] Esta Tesis Doctoral explora la cultura musical del mundo ibérico renacentista a través del estudio de artes de canto en lengua vernácula impresas entre 1492 y 1626 y de su relación con las mujeres de la época. La Tesis consta de siete capítulos, estructurados en dos partes (Vol. I), y de veinte apéndices (Vol. II). La primera parte (Capítulos I al IV) muestra que las características por las que estos libros que contenían los rudimentos de la música han sido infravalorados hasta ahora por la historiografía musical son precisamente las mismas que demuestran que respondían a una necesidad pedagógica y a la demanda de manuales asequibles, breves y prácticos por parte de un amplio mercado. Las artes de canto se imprimieron en tiradas de miles de ejemplares y eran vendidas a bajo precio, tuvieron una enorme circulación en la Península Ibérica y el Nuevo Mundo, y contribuyeron al incremento y la difusión de la educación musical en contextos educativos diferenciados (la iglesia, la universidad y el ámbito privado), así como entre grupos sociales hasta entonces excluidos del aprendizaje de los fundamentos de la música. El Arte de canto llano (Sevilla, 1530) de Juan Martínez emerge como el tratado de música del mundo hispánico más difundido geográfica y cronológicamente en el siglo XVI e inicios del XVII, pero del que casi nada se sabía. En la segunda parte (Capítulos V al VII), las conexiones entre estos libros de música y mujeres muestran que las áreas de superposición entre lo privado y lo público y entre lo oral y lo escrito permiten desafiar la invisibilidad de las mujeres en documentos históricos y vislumbrar trazas no sólo de la cultura musical de las mujeres de la época, sino también de la importancia de la música en la vida cotidiana. Se utiliza una diversidad de fuentes (artes de canto, libros de conducta, documentos inquisitoriales, literatura, correspondencia e inventarios de bienes, entre otras), a través de las cuales se ha podido documentar la relación con la música de, entre otras, Catalina de Zúñiga, VI Condesa de Lemos, Isabel de Plazaola, e Isabel de Aragón, IV Duquesa del Infantado. Empleando metodologías de la musicología tradicional junto a otras tomadas de los historiadores del libro y de la cultura popular, esta Tesis Doctoral presenta una panorámica de la vida musical de la época a través del prisma de doble alteridad que supone el estudio de las artes de canto, generalmente consideradas carentes de interés, y de su relación con las mujeres, insuficientemente representadas en la historiografía musical.[eng] This dissertation explores the musical culture of the Renaissance Iberian world through both the study of small-format treatises in the vernacular containing the rudiments of music –known as artes de canto– printed between 1492 and 1626, and the nexuses between them and women. The dissertation consists of seven chapters, structured into two parts (Volume I), and twenty appendixes (Volume II). Part I (Chapters I to IV) shows that the arte de canto, until now generally overlooked or undervalued in music historiography, was produced in print runs of thousands of copies and sold for a low price; it had a broad circulation in the Iberian Peninsula and the New World, contributing to the spread of musical literacy in distinct didactic contexts (churches, universities, private settings) and among social groups until then excluded from learning the rudiments of music. The little known Juan Martínez’s Arte de canto llano (Seville, 1530) emerges as the most circulated music book in the Hispanic world during the sixteenth and seventeenth centuries. The aim of Part II (Chapters V to VII) is to approach the musical life of the sixteenth-century Iberian world through the exploration of women’s contributions, thus broadening the field of historical research. The study of some connections between music books and women shows that the points of overlap between the private and the public spheres, on the one hand, and the written and the oral music transmission, on the other hand, not only make women’s musical practices visible, but also offer new vistas on the popular culture of the age. Through a variety of source materials (artes de canto, conduct manuals, Inquisition records, literature, letters and inventories of goods, among others) it has been possible to document the musical activities of women such as Catalina de Zúñiga, VI Countess of Lemos, Isabel de Plazaola, and Isabel de Aragón, IV Duchess of the Infantado. Combining methodologies from traditional musicology with those borrowed from book history and popular culture, this dissertation analyzes music in the culture of the Renaissance Iberian world through the prism of double Otherness involved in studying the ‘other’ music books –that is the undervalued artes de canto– and their connections to women of that period
