1,721,012 research outputs found
Martin Hinterberger & Elisabeth Schiffer (Ed.), Byzantinische Sprachkunst. Studien zur Byzantinischen Literatur gewidmet Wolfram Hörandner zum 65. Geburtstag, 2007
Bernard Floris. Martin Hinterberger & Elisabeth Schiffer (Ed.), Byzantinische Sprachkunst. Studien zur Byzantinischen Literatur gewidmet Wolfram Hörandner zum 65. Geburtstag, 2007. In: L'antiquité classique, Tome 77, 2008. pp. 415-417
Gifts of words: the discourse of gift-giving in eleventh-century Byzantine poetry
Poets of the Byzantine eleventh-century disposed of a powerful means to have their works patroned without incurring the accusation that they chased ambitions: the gift. Numerous poems are offered as gifts, in exchange for tangible rewards. The rhetoric of 'words as a gift' moreover helped poets to uphold the exquisite nature of their works and to confirm the exclusivity of their elite
La communication managériale de Bernard Floris, Presses Universitaires de Grenoble, 1996, 272 pages, 130 francs
Bernard Floris fait partie de ces gens qui fondent leurs travaux de chercheur sur l’exercice d’une pratique professionnelle et dont on dit qu’ils ont les pieds sur terre. Cela ne signifie pas qu’ils soient embourbés dans le quotidien et qu’il ne leur soit pas donné de prendre le recul nécessaire à l’analyse du contemporain. Tout au contraire. Maître de conférences à l’Université Stendhal de Grenoble, l’auteur a été journaliste, responsable d’un service d’information municipale et conseiller e..
A cycle of book epigrams in honour of the four evangelists
Bentein Klaas, Bernard Floris. A Cycle of Book Epigrams in Honour of the Four Evangelists. In: Scriptorium, Tome 65 n°2, 2011. pp. 237-249
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Recensione del libro di Bernard Floris e Luc Gwiazdzinski intitolato Sur la vague jaune: l’utopie des ronds-points
Questo saggio a cura di Bernard Floris e Luc Gwiazdzinski non è un’analisi sistematica di ciò che è stato il movimento dei gilets jaunes in Francia e ancor meno un’analisi della sua narrazione mediatica e social. È piuttosto il risultato di una ricerca empirica e qualitativa durata diversi mesi su un singolo caso studio: la rotonda del Rafour, a Nord-Est di Grenoble. Caratterizzato da una scrittura vivace e fluida, il libro è una sorta di ibridazione tra un diario di campo e una raccolta di testimonianze delle persone che hanno occupato la rotonda in questione e rende conto delle difficoltà di una parte della popolazione, delle sue rivendicazioni e di un «nuovo» modo di impegnarsi in politica, rifiutando però di parteciparvi attivamente nelle modalità tradizionali. Partendo da questa singola rotonda, come una nuova agorà con le sue autogestioni, assemblee generali, manifestazioni ed altre attività in qualche modo politiche, il libro cerca di sintetizzare le aspirazioni e i sentimenti che hanno sostenuto con forza l’occupazione di quel luogo e più in generale l’adesione al movimento: la disuguaglianza sociale e il sentimento di ingiustizia sociale, l’indecente ostentazione delle ricchezze, il rigetto della classe politica e più particolarmente del Presidente della Repubblica, la marcata avversione nei confronti dei media eccetera. Tanti sono i paradossi che emergono dall’analisi di questa esperienza di occupazione
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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