218,669 research outputs found
[D. Bernard Amos (AAI)]
No full textD. Bernard Amos, 1980-1981Title supplied by cataloger.Portrait of D. Bernard Amos, AAI President 1980-198
[D. Bernard Amos (AAI)]
No full textD. Bernard Amos, 1980-1981Title supplied by cataloger.Portrait of D. Bernard Amos, AAI President 1980-198
Bernard Rosecrans Hubbard, 1888-1962
No full textAn extended biographical sketch of Father Bernard Hubbard, alternating between third-person description and excerpts in the first person by Father Hubbard.An extended biographical sketch of Father Bernard Hubbard, alternating between third-person description and excerpts in the first person by Father Hubbard
Engraved portrait of Sir Bernard Astley (d. 1645)
No full textEngraved portrait of Sir Bernard Astley (d. 1645), son of Jacob Astley, Baron Astley
Bernard Brodie and the bomb: at the birth of the bipolar world
No full textBernard Brodie (1910-1978) was a leading 20th century theorist and philosopher of war. A key architect of American nuclear strategy, Brodie was one of the first civilian defense intellectuals to cross over into the military world. This thesis explores Brodie’s evolution as a theorist and his response to the technological innovations that transformed warfare from World War II to the Vietnam War. It situates his theoretical development within the classical theories of Carl von Clausewitz (1780-1831), as Brodie came to be known as “America’s Clausewitz.” While his first influential works focused on naval strategy, his most lasting impact came within the field of nuclear strategic thinking. Brodie helped conceptualize America’s strategy of deterrence, later taking into account America’s loss of nuclear monopoly, the advent of thermonuclear weapons, and proliferation of intercontinental ballistic missiles. Brodie’s strategic and philosophical response to the nuclear age led to his life-long effort to reconcile Clausewitz’s theories of war, which were a direct response to the strategic innovations of the Napoleonic era, to the new challenges of the nuclear age. While today’s world is much changed from the bipolar international order of the Cold War period, contemporary efforts to apply Clausewitzian concepts to today’s conflicts suggests that much can be learned from a similar endeavor by the previous generation as its strategic thinkers struggled to imagine new ways to maintain order in their era of unprecedented nuclear danger.acceptedVersionei tietoa saavutettavuudest
Notes inédites de Claude Bernard sur les propriétés physiologiques des poisons de flêches (curare, upas, strychnine et autres). Edited by M. D. Grmek
No full textNOTES INÉDITES DE CLAUDE BERNARD SUR LES PROPRIÉTÉS PHYSIOLOGIQUES DES POISONS DE FLÊCHES (CURARE, UPAS, STRYCHNINE ET AUTRES). EDITED BY M. D. GRMEK
Notes inédites de Claude Bernard sur les propriétés physiologiques des poisons de flêches (curare, upas, strychnine et autres). Edited by M. D. Grmek (-
Rencontre avec Bernard Lagier
No full textCe premier rendez-vous de « Parole d\u27auteurs » sera consacré à la figure et l\u27oeuvre de Bernard Lagier, dramaturge martiniquais et directeur adjoint de Tropiques - invité de ce premier temps fort. Il s\u27agit d\u27une rencontre-entretien animé par Axel Arthéron, Maître de conférences à l\u27Université des Antilles, autour de son oeuvre et de sa conception de l\u27écriture dramatique. Cet entretien sera ponctué de lectures d\u27extraits de l\u27oeuvre de l\u27auteur et suivi d\u27un débat avec la salle et les étudiants
Beethoven's D Major Sonata for Cello and Piano, Op. 102 No. 2: an annotated performer's edition based on the suggestions of Bernard Greenhouse
No full textHonorary Doctor of Music Bernard Greenhouse has earned a worldwide reputation as one of the leading cellists of our generation. As the founding cellist of the Beaux Arts Trio, he has garnered international acclaim for his supreme artistry; and as a teacher, he has exerted major influence on many of today's cellists. This dissertation documents Greenhouse's approach to music making in the context of his interpretation of Beethoven's Sonata in D major for Cello and Piano, Op. 102 No. 2. In a series of interviews by the undersigned, Greenhouse demonstrates ways to seize the sonata's dramatic impulses. He refers to his own studies with Pablo Casals when discussing his approach to interpretation. Among his many suggestions, he emphasizes the performer's role in "turning music into speech that can be understood." To this end, he provides techniques for clear enunciation and for creating dynamic inflections and rhythmic momentum in the music. This dissertation begins by surveying Greenhouse's contribution to cello playing and existing literature related to Beethoven's D-major sonata and Greenhouse. Then it documents Greenhouse's suggestions for the sonata in the form of commentaries and measure-by-measure annotations in a performer's edition of the score. More than a set of specific instructions for how to perform Beethoven's sonata, this dissertation seeks to describe an approach to string playing that can apply in a wide variety of musical contexts
Bernard Palissy dans l'œuvre d' Agrippa d'Aubigné
No full textSchrenck Gilbert, Surget Eric. Bernard Palissy dans l'œuvre d' Agrippa d'Aubigné. In: Albineana, Cahiers d'Aubigné, 4, 1992. Bernard Palissy (1510-1590). L’écrivain, le réformé, le céramiste. pp. 17-23
D. Bernard Capelle. Travaux liturgiques
No full textNautin Pierre. D. Bernard Capelle. Travaux liturgiques. In: Revue de l'histoire des religions, tome 177, n°1, 1970. pp. 102-103
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