5,465 research outputs found
Benoit Odile, Maurice Marc, Les relations entre direction et salariés. Enquête psycho-sociologique dans une entreprise de construction électrique.
No full textLahalle Dominique. Benoit Odile, Maurice Marc, Les relations entre direction et salariés. Enquête psycho-sociologique dans une entreprise de construction électrique.. In: Revue française de sociologie, 1961, 2-3. pp. 216-217
Le contrôleur de processus
No full textBainbridge Lisianne, Colardyn Danielle, Attias Prosper, Benoit Dominique. Le contrôleur de processus. In: Bulletin de psychologie, tome 34 n°352, 1981. pp. 813-832
BORNE (Dominique), FALAIZE Benoit (dir.), Religions et colonisation. Afrique – Asie – Océanie – Amériques XVIe-XXe siècle
No full textEn 2002, dans le rapport remis au ministre de l’Éducation nationale, Régis Debray affirme la nécessité de « rapprocher les démarches pédagogiques et la recherche scientifique », citation proche de la finalité de cet ouvrage : « rassembler et […] discuter les résultats de la recherche et [...] réfléchir simultanément à des traductions scolaires » (« Introduction », p. 12). L’ouvrage qu’ont dirigé Dominique Borne et Benoit Falaize est le résultat de la collaboration de vingt-cinq chercheurs dan..
Annuaire des statistiques du travail, 1978 ; Bureau international du travail, 1978
No full textMonjardet Dominique. Annuaire des statistiques du travail, 1978 ; Bureau international du travail, 1978. In: Sociologie du travail, 21ᵉ année n°4, Octobre-décembre 1979. Les relations industrielles en question. Grande-Bretagne, sous la direction de Odile Benoit-Guilbot et Sabine Erbès-Séguin. p. 457
Annuaire des statistiques du travail, 1978 ; Bureau international du travail, 1978
No full textMonjardet Dominique. Annuaire des statistiques du travail, 1978 ; Bureau international du travail, 1978. In: Sociologie du travail, 21ᵉ année n°4, Octobre-décembre 1979. Les relations industrielles en question. Grande-Bretagne, sous la direction de Odile Benoit-Guilbot et Sabine Erbès-Séguin. p. 457
On Pina Bausch’s Legacy: an interview with Dominique Mercy
No full textPerhaps no other author has better characterized the work of Pina’s
dancers – and, therefore, the artist’s herself – than José Sasportes – a
remarkable Portuguese dance critic and historian. This brief observation of
Sasportes, made in a text entitled Acção para bailarinos [Action for dancers],
and regarding an event held in Lisbon in honor to Pina Bausch, allows to perceive in quite clearly the meaning of the experience and legacy of a remarkable artist, that are summarized in the figure of one of her greatest collaborators, Dominique Mercy.
Certainly, there is no need to introduce Dominique. It is worthy,
though, to recover some moments that preceded his fortuitous encounter with Pina in the early 1970’s in Saratoga, United States. Born in 1950 in the city of Mauzac, France, Dominique’s first professional steps in the dance world from the mid-1960’s on were in the Bordeaux Grand Théâtre,
later followed by the Amiens Ballet du Art Contemporain. In 1973, two
years after his first encounter with Pina in the Summer Festival of Saratoga,
in 1971, Dominique goes to Germany, to Wuppertal, to be part of the
recently founded Tanztheater.
His close relationship with Pina allowed, in fact, that her legacy could
be kept alive following her sudden death in 2009. Dominique took over the
artistic direction of the Company with Robert Sturm for some of the
following years, having later transferred the position to his co-worker and
dancer Lutz Forster. It was beside Pina and so many others from the
Wuppertal ensemble that Dominique ended up writing one of the major
pages in the annals of dance history in the 20th century.
The experience of – or rather, with – Pina that each one of us
apparently has with her when meeting her work for the first time, allowing
to understand in a certain extent the fascination that she exerts until
nowadays on the audience, passes as well and indispensably through those
who worked with her and by her means. My first time with Pina was, for
sure, beside Dominique Mercy, or rather, in front of him. Dominique was
half-naked, wearing only a tutu and carrying a watering can. It was 2006,
for the presentation of Fur die kinder von gestern, heunte und morgen, in
Porto Alegre. Pina was also there.
The unusual encounter – even though separated by the proscenium
arch – would happen again years later in Paris. However, this time, in
2011, without Pina and with no line dividing us. I was introduced to
Dominique following one of the presentations of Como el musguito em la
piedra..., by the also Tanztheater Wuppertal dancer Daphnis Kokkinos. On
that occasion, Dominique had an extremely light and welcoming attitude.
Over the years, I noticed that it was not a protocol way of introduction, but
Dominique Mercy; Marcelo de Andrade Pereira – On Pina
Bausch’s Legacy: an interview with Dominique Mercy
the very donation of part of what he was, how he was, not in a way, but in
his way, with or without tutu. In January 2018, when recollecting that
encounter with Dominique in his house in Barmen, Wuppertal, he did not
remember it. And he certainly could not, as I, absorbed in my amazement,
had articulated little – or nothing – at that moment. However, even in my
involuntary contemplation, something had been given to me, a long-lasting
presence.
It was according to Dominique’s generous, honest and delicate way
that this interview actually happened. I thank him for the attention and for
the coffee. I also thank my dear friend Eddie Martinez, who made this and
so many other happy encounters possible to me
[Portraits of Dominique Théophile Régère and Decamps (possibly Maxime Du Camp)]
No full textRigere; DecampsFrom document "Collection of Communard Photographs (55)": "Name: Rigere; Photographer: Appert; Name: Decamps; Photographer: Appert." "Rigere" is likely Régère, Dominique Théophile, 1816-1893 (http://digital.library.northwestern.edu/siege/docs/PAR00490.html and (http://fr.wikipedia.org/wiki/Dominique_R%C3%A9g%C3%A8re). Probably Maxime Du Camp (http://en.wikipedia.org/wiki/Maxime_Du_Camp). But also possibly Decamps, Louis Benoit, 1831-1873 (http://digital.library.northwestern.edu/siege/docs/PAR00397.html)
Javols – Las Pessos, parcelle A1111
No full textDate de l'opération : 1992 - 1993 (FP) ; 1996 - 1999 (PC) Inventeur(s) : Pieobon-Benoit Raffaella (Universita di Napoli Federico II) À la suite des résultats des fouilles des années 1969-1978, un premier aménagement du site à été mis en place (parcelle A. 1111, achetée par l'État). Les reconstitutions proposées, (malheureusement avec excès de restauration) consistant en une organisation de la ville autour de deux axes perpendiculaires orthogonaux (Fabrié, Dominique. 1989.) et s'appuyant sur u..
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