447 research outputs found
La vie et les miracles de saint Benoît dans les sculptures de Saint-Benoît-sur-Loire
No full textPhilippe Verdier, La vie et les miracles de saint Benoît dans les sculptures de Saint-Benoît-sur-Loire, p. 117-187.
Neuf chapiteaux de l'abbaye de Saint-Benoît-sur-Loire illustrent des épisodes de la Vie et des miracles de S. Benoît qui figurent dans le livre II des Dialogi de S. Grégoire le Grand. L'auteur analyse les thèmes représentés par les sculpteurs à la fin du XIe et au début du XIIe siècle. L'histoire de l'enlèvement des reliques du fondateur et de la sœur, Ste Scholastique, et de leur transport à Fleury, qui figure sur le linteau d'un portail, peut être datée d'après des critères stylistiques, des dernières décennies du XIIe siècle.Verdier Philippe. La vie et les miracles de saint Benoît dans les sculptures de Saint-Benoît-sur-Loire. In: Mélanges de l'Ecole française de Rome. Moyen-Age, Temps modernes, tome 89, n°1. 1977. pp. 117-187
Le vitrail en Haute-Normandie au XIXe siècle Histoire d'un renouveau
No full textVerdier Hélène, Benoît-Cattin Renaud. Le vitrail en Haute-Normandie au XIXe siècle Histoire d'un renouveau. In: Études Normandes, 38e année, n°4, 1989. Le vitrail normand au XIXe siècle. pp. 12-33
Demographic Shifts and Labour Force Participation Rates in Canada
Get PDFLabour force participation rates vary greatly by age, with persons 55 and over having much lower participation rates than younger persons. Consequently, changes in the demographic composition of the population can exert a long-run effect on aggregate participation rates. In the third article of the symposium, Bob Dugan and Benoît Robidoux examine the impact of demographic shifts on labour force participation in Canada. They use an accounting framework and plausible trend participation rates for 16 demographic groups with source population estimates to estimate an aggregate structural participation rate for Canada. They find that the ageing of the population has already started to exert downward pressure on the aggregate participation rate in Canada due to longer life expectancy and the resulting growing proportion of the population in the low-participation rate 65 and over age group. The movement of the baby boom generation into the 65 and over group in coming years will intensify this trend. Between 1989 and 1997 they find that the demographic composition effect reduced the aggregate participation rate by almost 1 percentage point, and that from now to 2030 it will reduce the participation rate by an additional 8.5 points. Of course, greater than expected trend increases in labour force participation rates by older age groups could offset some of this composition effect. The authors point out that changes in demographic composition had virtually no effect on the participation rate in the 1990s in the United States as the share of the population 65 and over was stable. This situation reflects the fact that the United States became an “older” society earlier than Canada due to an earlier and smaller baby boom and a higher average age for immigrants. Dugan and Robidoux calculate a trend participation rate of 66.2 in 1997, 1.4 percentage points above the actual rate of 64.8 per cent. Based on this rate they conclude that about one half of the 2.7 point decline in the participation rate in the 1990s was structural and one half cyclical.Canada, Labour Force Participation, Labor Force Participation, Participation Rate, Labour Force Participation Rate, Labor Force Participation Rate, Age Structure, Age, Sex, Gender, Aging, Ageing
How resist dominated groups in Champagne, France? : the example of the wine growers and the employees from a french wine growing area
No full textEl objetivo del artículo es describir y analizar las formas políticas de la resistencia en dos grupos dominados de la vitivinicultura en Champaña, Francia: representantes de los pequeños productores y de asalariados. En Champaña, la interprofesión administra el reparto del valor creado por el sector entre las grandes bodegas, que producen y comercializan los mayores volúmenes de vinos y los pequeños productores, propietarios del viñedo y productores de uvas. Los asalariados que trabajan para esos actores o para las cooperativas no tienen representación en la interprofesión y están excluidos de las negociaciones.
El reparto del valor producido es objeto de resistencia por parte de los dominados. Los dominados resisten en función de recursos provenientes de su socialización, de la coyuntura y de los campos de intervención y negociación a los que acceden.
Los datos analizados provienen de dos fuentes, del discurso mediático producido por los pequeños productores en su órgano de prensa y de una etnografía del sindicato de asalariados de bodegas y viñedos.
En función de los recursos disponibles de los agentes y del ambiente en el que operan, los dominados construyen formas políticas de resistencia ambiguas combinado simulación y enfrentamiento.This article deals with the political forms of resistance realized by both the Champagne wine growers and the employees of all that producing region of France. In Champagne, the trade association (CIVC), that represents the interests of both Champagne winegrowers (owner of the main part of the surfaces of the vineyards, produce and sell grapes) and Champagne Houses (market the biggest volumes of champagne), arranges the sharing of the value created between both of them. The employees working for these two actors are not represented in that trade association (CIVC) and are excluded from the negotiations which take place there.
Then, the sharing of the value created is the object of resistances on behalf of the dominated groups. Both resist depending on their resources coming from their socialization, from temporal situations and from fields of intervention and negotiation in which they have access but also those of whom they intend to be deprived. We analyze data from both the media speech produced by the wine growers and an ethnography of the union committee.
We show that, according to their resources, the two dominated groups build political ambiguous forms of resistance combining simulation and confrontationFil: Sevilla, Ariel.
Centre National de la Recherche Scientifique (Francia)Fil: Verdier, Benoît.
Centre National de la Recherche Scientifique (Francia
Chrétien de Troyes, Erec et Enide et Cligès ; Benoît de Sainte-Maure, Roman de Troie.
No full textContient : Romans de Chrétien ; Benoît de Sainte-Maure, Le Roman de TroieProvenance : Collection de Jean-Baptiste Hautin qui légua ses manuscrits à ses fils et à son gendre. Acquis par Etienne Baluze et vendu à la Bibliothèque du roi en 1719. Annotations : selon Busby, les références à la « Bibliothèque du Verdier » aux feuillets 1 et 30 désignent la Bibliothèque françoise de 1585.Lieu de copie : France (Ile de France
Paul Valéry and the search for poetic rhythm
No full textThroughout his theoretical writings, Valéry insists on two fundamental principles: poetic rhythm is undefinable and yet it is central to poetry. Although his verse practice evolves from irregularity to regularity, Valéry insists that predictable metrical forms are no guarantee of poeticity, and rejects the Romantic model of rhythmic mimesis based on the cosmos, nature or the human body. It is not by confirming the meaningfulness of regular patterns, therefore, that poetic rhythm signifies; rather, the complex overlapping of multiple, elusive and unanalysable rhythms provides a source of questions to which the answer is constantly deferred; and that, for Valéry, is the definition of poetry.Peer reviewe
Toutes les îles sont secrètes : notes sur quelques métaphores insulaires dans la poésie contemporaine (Saint-John Perse, Jean-Claude Renard, Jean Laude, Yves Bonnefoy, Lorand Gaspar, Benoît Conort)
Get PDFThe question of space is one of contemporary poetry’s major issues. Space, however, a notion so commonly associated with text, and of which island would only be a particular hyponym, is a hybrid notion, a complex sensitive/tangible schema which also encompasses time, the subject, in other words a relationship between seeing and saying. This is the reason why space, as it appears in the poem, in its processes of reference and textual organization, is part of the metaphorical horizon connecting real space, internal space and textual space.If the insular condition can help explain those choices, and the poetics of singular inflections, to the extent that certain motifs (closure, retreat, the elementary) could be made into insularity’s schemas, to speak of a relationship between poem and insularity is inevitably to confront two singular “realities”, language and space, and to describe thus implicitly an insular metaphor What of this insular metaphor? What does it tell us about the poem and about the interiority it represents in that modernity of “I is another”, a modernity which Michel Collot splits in two sides, one, “hermetic”, advocating textual closure and one “hermeneutic”, seeking to “open the text to what surpasses it”. The island, an ambivalent space, at once closure and endless opening on the horizon, could very well be a “fabulous horizon” for the poem, a metaphor leading to the imagining of interiority, a singular organization of “saying”, a dispositio from which originates a voice. It is these, at times ambiguous, meanings of the insular metaphor in modern and contemporary poetry ((Saint-John Perse, Jean-Claude Renard, Jean Laude, Yves Bonnefoy, Lorand Gaspar, Benoît Conort) that this article attempts to elucidate
Du sens à l'expérience : gastronomie et œnologie au prisme de leurs terminologies : [actes du 2ème colloque international "Les terminologies professionnelles de la gastronomie et de l’œnologie : entre sens et expériences", Université de Reims Champagne-Ardenne, 21 et 22 septembre 2017]
No full textNational audienceEntre expérience sensorielle, sensible et symbolique, cet ouvrage nous convie à un voyage particulier où se jouent les interactions de toute nature qui accompagnent les moments de notre existence. De la langue au langage, des perceptions aux émotions, de la culture à la nature ou de la suggestion à la relation, le discours gastronomique et œnologique construit un imaginaire en s'appuyant sur des fragments de réalité qu'il tend à comprendre et analyser
Imaginaires communicationnels du dialogue inter-religieux : le cas d’une série télévisée
No full textInternational audienceIl s’agit dans cette contribution d’analyser la mise en image du dialogue inter-religieux. À partir d’une série française traitant du religieux, cette contribution veut montrer combien « les imaginaires communicationnels » sont prégnants dans l’écriture et marquent durablement la représentation. Les trois saisons de la série Ainsi soient-ils (diffusée en 2012, 2014 et 2015) sont centrées sur l’église catholique. Toutefois, ponctuellement, à travers les intrigues et les personnages secondaires, d’autres religions sont évoquées et avec elles un dialogue est engagé. Le traitement réservé au judaïsme et à l’islam est relativement différent en termes de contenu et de temporalité. Il apparaît clairement un lien intime avec la religion juive (dans la facilité à jouer de la métatextualité ou de l’interdiscursivité). À l’opposé, le lien avec la religion musulmane s’élabore différemment pour s’ancrer dans un social affirmé
Quand une série télévisée interroge et joue avec les textes sacrés… Ainsi soient-ils au prisme de l’intertextualité et de la métatextualité
No full textIn a society marked by secularization, the Danielle Hervieu-leger’s concept of “exculturation” reports the process of “disconnection”, a kind of disruption between the plural social collective culture and that one of the church. Besides, in the public sphere, religion is regularly on the media limelight particularly in reference to its dysfunctions (secrets, pedophilia…). In 2012, a french television series called Ainsi soient-ils, produced and broadcasted by Arte, deals with religion at prime time. Characters quote short passages of the sacred texts; some biographies and theological studies (like those of Saint Augustin) are outlined. Profane texts or symbols also come to converse.This article questions this television series through the lens of the holy writings. Besides representations, we also want to enquire the various metatextual, intertextual and interdiscursive transactions that come forward throughout the episodes. This contribution aims to show the ability of a serial fiction to interrogate, to play with the sacred texts (often fossilized by the dogma and rituals) in order to suggest and provoke an ongoing social critical questioning on about both the contemporary believing and the social relationships
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