49 research outputs found
Mort du général Wolfe
No full text[THE DEATH OF GENERAL WOLFE]Référence bibliographique : Courboin, 11761Référence bibliographique : Le Blanc, WOOLLETT, 3Référence bibliographique : Delaborde, WOOLLETT (William), 16
Bataille de la Hogue
No full text[THE BATTLE AT LA HOGUE]Référence bibliographique : Courboin, 11760Référence bibliographique : Le Blanc, WOOLLETT, 4Référence bibliographique : Delaborde, WOOLLETT (William), 16
To the King's most excellent Majesty, this plate, The Death of General Wolfe, is with His gracious permission humbly dedicated by His Majesty's most dutiful subject & servant, William Woollett / painted by B. West, historical painter to His Majesty engraved by Wm. Woollett, engraver to His Majesty.
No full textEngraving after the painting by Benjamin West, "Death of General Wolfe." Wolfe, supported by three of his men, succumbs to his fatal wounds, watched by nine other officers and a native American warrior
ValiDichro: a website for validating and quality control of protein circular dichroism spectra
No full textCircular dichroism (CD) spectroscopy is widely used in structural biology as a technique for examining the structure, folding and conformational changes of proteins. A new server, ValiDichro, has been developed for checking the quality and validity of CD spectral data and metadata, both as an aid to data collection and processing and as a validation procedure for spectra to be included in publications. ValiDichro currently includes 25 tests for data completeness, consistency and quality. For each test that is done, not only is a validation report produced, but the user is also provided with suggestions for correcting or improving the data. The ValiDichro server is freely available at http://valispec.cryst.bbk.ac.uk/circularDichroism/ValiDichro/upload.html
[Key to Death of Wolfe].
No full textPhotographic reproduction of a key to the engraving by William Woollett, "Death of Wolfe." The key shows heads of six figures as they appear in the engraving: Brigadr. Genl. Monckton, second in command; Colonel Williamson, commanding the artillery; Major Barré, adjutant general; Capt. Debbieg [i.e. Debbeig], engineer; Capt. Hervey Smyth, aid de camp [sic] to Genl. Wolfe; Mr. Adair, director and 1st. surgeon of the hospital.; "Published as the Act directs, March 4th, 1776 by Messrs. Woollett, Boydell & Ryland, London."; Woollett's engraving is after the painting, "The Death of General Wolfe." by Benjamin West
PCDDB: the Protein Circular Dichroism Data Bank, a repository for circular dichroism spectral and metadata
No full textThe Protein Circular Dichroism Data Bank (PCDDB) is a public repository that archives and freely distributes circular dichroism (CD) and synchrotron radiation CD (SRCD) spectral data and their associated experimental metadata. All entries undergo validation and curation procedures to ensure completeness, consistency and quality of the data included. A web-based interface enables users to browse and query sample types, sample conditions, experimental parameters and provides spectra in both graphical display format and as downloadable text files. The entries are linked, when appropriate, to primary sequence (UniProt) and structural (PDB) databases, as well as to secondary databases such as the Enzyme Commission functional classification database and the CATH fold classification database, as well as to literature citations. The PCDDB is available at: http://pcddb.cryst.bbk.ac.uk
Arada olmanın keyfi: Henry James’in The Ambassadors (Elçiler) eseri
No full textÇok sayıda eseriyle, Amerika’nın sürgün roman ve deneme yazarı Henry James, hem 19. yy sonu hem de 20. yy başlarına tanıklık eden bir yazar olarak, ABD’de modernizme geçiş süreci hakkındaki algımızın zenginleşmesine önemli ölçüde katkıda bulunmuştur. Uzun bir süre püriten düzeni yaşayan ve katı bir şekilde kurulmuş ahlaki kurallara saplanıp kalmış olan Amerika’nın New England toplumu yeni yüzyılın gelişiyle birlikte eski muhafazakar kabuğunu kırıyordu. James bu geçiş sürecine, The Ambassadors, Bostonians ve Transatlantic Sketches gibi birçok eseriyle ışık tutmuştur. Bu çalışmada, James’in Avrupa tecrübelerinin bir izdüşümü sayılabilecek olan The Ambassadors eseri, Paris ve Woollett, daha büyük eksende Eski Dünya ve Yeni Dünya’nın karşılaştırmalı temsilleri üzerinden ele alınıyor. Hayatının büyük bir kısmını Eski ve Yeni Dünya arasında gidip gelerek geçiren James, burada ele alınan eserinde okuyucularına, romanın başkarakteri, Strether’in gözünden, bu yerler hakında eşsiz bakış açıları sunmaktadır. Woollett ve Paris arasında yapılan önemli ayrımlar üzerinden, James’in modern Amerikan kimliğini, Atlantik’in iki yakasına dayanarak nasıl yeniden inşa ettiğinin incelenmesi amaçlanmıştır.With his numerous works, the well-known prolific American expatriate novelist and essayist, Henry James considerably contributed to enriching our perception of the transition process in the USA to modernism as an author witnessing both late nineteenth and early twentieth centuries. After experiencing a long period of puritanical order and remaining stuck in the strictly established moral rules, American New England society was breaking its earlier conservative crust with the advent of the new century. James shed light on this transition process with many of his works such as The Ambassadors, Bostonians and Transatlantic Sketches. In this study, The Ambassadors, which can be seen as the projection of James’s European experiences, is scrutinized with respect to the comparative representations of Paris and Woollett, and in a bigger scope, Europe and America. Spending most of his time by commuting between the Old and New World, James provided his readers with unique perspectives about these places in hereby-handled fiction through the eye of his protagonist, Strether. Drawing on the distinctions made between Woollett and Paris, this article examines how James reconstructs modern American identity hinging upon the two sides of Atlantic
William Woollett (1735-1785) La Morte del Generale Wolfe, da Benjamin West
No full textInsieme a Boydell, West ebbe un ruolo centrale nella storia dell’incisione e del mezzotinto in Inghilterra, comprese infatti che la pittura di storia poteva essere finanziata attraverso l’incisione di traduzione e fu estremamente attento nella scelta degli incisori delle sue opere sostenendo la loro opera e producendo versioni ridotte dei suoi dipinti. La Morte del Generale Wolfe ne è l'esempio più celebre e per essa Boydell realizzò lo stratosferico profitto di 15.000 sterline a fronte di un investimento di sole 300 sterline
