1,720,974 research outputs found
A Larger Network—The Ethnic Music Scene in Israel
No full textAbstract
Professional musicians are always enmeshed in larger sets of relationships as they join, create, and reshape networks relevant to their musical work. At all stages of their careers they navigate the links that bind them to others with related interests and needs in order, for instance, to find employment and partners for performances. The network concept can usefully be extended further to include institutions such as schools, events such as festivals, venues such as particular clubs or concert halls, and artifacts such as recordings. Networks have been analyzed from different perspectives in a broad array of disciplines, ranging from sociology through epidemiology to computer science. Network theory encompasses these and offers more detailed ways of thinking about relationships and roles. In this chapter, the author explores three related perspectives: networks, scenes, and art worlds.</jats:p
Roots in the Past, Routes to the Future
No full textAbstract
Despite the seemingly endless, cyclical nature of conflict in the region, tremendous change has occurred since the early 1990s, much of it outside the spotlight of news coverage. Alongside the hardening of divisions, such as the rise to power of Hamas and the entrenchment of Jewish settlers in the West Bank, there have been signs of readiness to compromise, to enter into meaningful relationships across deep divisions. Musicians in the ethnic music scene in Israel are participating in Erlmann's “reconfiguration of space and cultural identity.” The “musical imaginary” offered by the musicians, and which the author presents here, alters the boundaries between social categories and “prefigures emergent, real forms of socio-cultural identity or alliance,” to use a formulation proposed by Georgina Born and David Hesmondhalgh.</jats:p
Bustan Abraham's Approaches to Composition and Improvisation
No full textAbstract
An analysis of Bustan's work is offered in this chapter which is based on their recordings, but informed by observation of performances and conversations with band members. The author begins with general remarks on approaches to composition and arrangement, then focuses on how the compositions and arrangements enabled improvisation. This leads to analysis of featured improvisations in relationship to their ensemble contexts. Bustan Abraham's compositions were notable for their number, extent, variety, and quality. The general outline of a piece with its specific progressions constituted the composition while some of the details of who played what were matters of arrangement that might enhance the piece but not alter its basic identity.</jats:p
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Playing across a Divide
No full textAbstract
In the last decade of the twentieth century and on into the twenty-first, Israelis and Palestinians saw the signing of the Oslo Peace Accords, the establishment of the Palestinian Authority, the assassination of Israeli Prime Minister Yitzhak Rabin, and the escalation of suicide bombings and retaliations in the region. During this tumultuous time, numerous collaborations between Israeli and Palestinian musicians coalesced into a significant musical scene. Following the bands Bustan Abraham and Alei Hazayit from their creation and throughout their careers, as well as the collaborative projects of Israeli artist Yair Dalal, this book demonstrates the possibility of musical alternatives to violent conflict and hatred in an intensely contested, multicultural environment. These artists' music drew from Western, Middle Eastern, Central Asian, and Afro-diasporic musical practices, bridging differences and finding innovative solutions to the problems inherent in combining disparate musical styles and sources. Creating this new music brought to the forefront the musicians' contrasting assumptions about sound production, melody, rhythm, hybridity, ensemble interaction, and improvisation. The author traces the tightly interconnected field of musicians and the people and institutions that supported them as they and their music circulated within the region and along international circuits. The book argues that the linking of Jewish and Arab musicians' networks, the creation of new musical means of expression, and the repeated enactment of culturally productive musical alliances provides a unique model for mutually respectful and beneficial coexistence in a chronically disputed land.</jats:p
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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