1,140 research outputs found

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Operation Neptune: Introduction

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    Operation Dynamo: Introduction

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    Timothy John Riffle

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    Timothy John Riffle was born in Van Wert, Ohio, where he graduated (1976) from Van Wert High School. After high school, Riffle spent a year in the nation’s capital as a U. S. House of Representatives Page, before enrolling at the Indiana University in 1977. Riffle received his B.A. in economics from IU in 1980. He then enrolled at the Indiana University School of Law, where he received his JD degree, Manga Cum Laude, Order of the Coif, in 1983. Riffle joined the Indianapolis office of Barnes & Thornburg after graduation. He has remained with the firm for more than thirty-five years, rising to be a partner in 1991 and specializing in federal tax law. Riffle’s business clients range from Fortune 500 companies to startup ventures. He also represents individuals and families in the areas of charitable giving, as well as universities, hospitals, museums, and other non-profit organizations. He serves as the chair of the Tax Section of the firm’s Corporate Department. Long a supporter of Indiana University, Riffle has served on the boards of multiple alumni organizations and fundraising efforts. He served as a member of the law school’s Alumni Board from 2008 until 2013 and served as the school\u27s Barnes & Thornburg alumni co-solicitor. Riffle is co-author of the Indiana Limited Liability Company Forms and Practice Manual and has taught real estate tax course at the law school. Timothy John Riffle was presented an Indiana University Maurer School of Law Distinguished Service Award in 2018.https://www.repository.law.indiana.edu/notablealumni/1237/thumbnail.jp

    Timothy John Riffle

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    Timothy John Riffle was born in Van Wert, Ohio, where he graduated (1976) from Van Wert High School. After high school, Riffle spent a year in the nation’s capital as a U. S. House of Representatives Page, before enrolling at the Indiana University in 1977. Riffle received his B.A. in economics from IU in 1980. He then enrolled at the Indiana University School of Law, where he received his JD degree, Manga Cum Laude, Order of the Coif, in 1983. Riffle joined the Indianapolis office of Barnes & Thornburg after graduation. He has remained with the firm for more than thirty-five years, rising to be a partner in 1991 and specializing in federal tax law. Riffle’s business clients range from Fortune 500 companies to startup ventures. He also represents individuals and families in the areas of charitable giving, as well as universities, hospitals, museums, and other non-profit organizations. He serves as the chair of the Tax Section of the firm’s Corporate Department. Long a supporter of Indiana University, Riffle has served on the boards of multiple alumni organizations and fundraising efforts. He served as a member of the law school’s Alumni Board from 2008 until 2013 and served as the school\u27s Barnes & Thornburg alumni co-solicitor. Riffle is co-author of the Indiana Limited Liability Company Forms and Practice Manual and has taught real estate tax course at the law school. Timothy John Riffle was presented an Indiana University Maurer School of Law Distinguished Service Award in 2018.https://www.repository.law.indiana.edu/notablealumni/1237/thumbnail.jp

    Practical Equality: Discussion with Author Robert L. Tsai

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    Professor Timothy Zick discusses a new book titled Practical Equality: Forging Justice in a Divided Nation, with its author, Professor Robert L. Tsai of American University Washington College of Law. Timothy Zick is the John Marshall Professor of Government and Citizenship at William & Mary Law School. His scholarship has explored a wide variety of constitutional issues, with a special focus on the First Amendment. Robert L. Tsai is Professor of Law at American University and a prize-winning essayist in constitutional law and history. Recorded before a live audience at William & Mary Law School on March 14, 2019. The event was sponsored by the American Constitution Society. Professor Tsai was also a panelist during the annual Bill of Rights Journal Symposium on March 15 & 16, 2019

    Paradoxical solitude in the life, letters, and poetry of John Keats, 1814-1818

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    This thesis proposes two distinct but connected ideas: that John Keats’s idiom of friendship was haunted by “sequestered” longings and that he ultimately valued specific, one-on-one partnerships as a basis for his poetical character. The Introduction places the thesis within its critical context and outlines “paradoxical solitude,” a concept the poet expressed by joining a “kindred spirit” in a wilderness retreat in “O, Solitude.” I begin by examining the evolving role of solitude in Keats’s literary predecessors (Chapter I). I then trace the development of ideas of creativity and solitude from his 1814-1815 verse, including his first association with a coterie and the influence of Wordsworth (Chapter II). Building on these findings, I explore the poet’s introduction to the Hunt circle in 1816, assessing his relationships with its members and their overstated roles in the production of Poems (Chapter III). I then discuss how Keats regarded the composition of Endymion in 1817 as a poetic “test,” specifically tailored to reinforce his identity as a solitary poet (Chapter IV). I contend that Keats engaged in a dialogue of independence with Reynolds, adapted the theories of Hazlitt, and restlessly travelled throughout England as a means of rejecting the highly social periods of 1818 (Chapter V). I then consider the creative gains of his northern expedition with Brown in the summer of 1818. I argue that Keats exaggerated his development into a “post-Wordsworthian” poet, positioning himself outside both the coterie’s sphere and the reach of Blackwood’s criticism, and inspiring the theme of Hyperion (Chapter VI). In closing, I analyze Keats’s advice to Shelley to be a selfish creator of his poetic identity. Only through paradoxical solitude, I argue, was Keats able to construct the poetic identity that led him to compose the poems on which his fame rests in the 1820 volume

    Evaluating Research Impact through Open Access to Scholarly Communication

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    Scientific research is a competitive business – in order to secure funding, promotion and tenure researchers must demonstrate their work has impact in their field. To maximise impact researchers undertake high priority research, aim to get results first, and publish in the highest impact journals. The Internet now presents a new opportunity to the scholarly author seeking higher impact: s/he can now make their work instantly accessible on the Web through author self-archiving. This growing body of open access literature (coupled with new publishing models that make journals available for-free to the reader) maximises research impact by maximising the number of people who can read it, and making it available sooner. Open access also provides a new opportunity for bibliometric research. This thesis describes the relatively recent phenomenon of open access to research literature, tools that were built to collect and analyse that literature, and the results of analyses of the effect of open access and its effect on author behaviour. It shows that articles self-archived by authors receive between 50-250% more citations, that rapid pre-printing on the Web has dramatically reduced the peak citation rate from over a year to virtually instant and how citation-impact – now widely used for evaluation – can be expanded to include a new web metric of download impact

    The Female Body as Social Space in 1 Timothy

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    By means of his reception of Paul and Genesis, the author of 1 Timothy created a social space in which the autonomy of women, including control of their own bodies, is severely limited. The purpose of such discourse was to oppose Marcion's rejection of marriage and procreation. The letter thus advocates marriage as a virtual requirement for all Christians, especially ‘the younger widows’, who were probably virgins. Instead of propagating teaching and practices opposed by the author, these women ought to marry, bear children, and keep silent. The author shares certain values with elite Greeks, such as Plutarch, and with the Christian teacher Valentinus. Besides Marcion, the author also criticizes early gnostic teaching of the type found in theSecret Book according to John.</jats:p

    Introduction to \u3cem\u3eThe Singing Bird: A Cherokee Novel\u3c/em\u3e

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    John Milton Oskison was a mixed-blood Cherokee known for his writing and his activism on behalf of Indian causes. The Singing Bird, never before published, is quite possibly the first historical novel written by a Cherokee. Set in the 1840s and \u2750s, when conflict erupted between the Eastern and Western Cherokees after their removal to Indian Territory, The Singing Bird relates the adventures and tangled relationships of missionaries to the Cherokees, including the promiscuous, selfish Ellen, the Singing Bird of the title. The fictional characters mingle with such historical figures as Sequoyah and Sam Houston, embedding the novel in actual events. The Singing Bird is a vivid account of the Cherokees\u27 genius for survival and celebrates Native American cultural complexity and revitalization. Jace Weaver is the author of Other Words: American Indian Literature, Law, and Culture and That the People Might Live: Native American Literatures and Native American Community. Timothy B. Powell is author of Ruthless Democracy: A Multicultural Interpretation of the American Renaissance. John Milton Oskison (1874-1947) was a distinguished New York editor and published five books, including Tecumseh and His Times. Melinda Smith Mullikin is a former media editor for The New Georgia Encyclopedia. (Key Words: Cherokee Indians, American Indians, Native Americans, Fiction, John Milton Oskison, Melinda Smith Mullikin, Timothy B. Powell, Jace Weaver)
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