389 research outputs found
Report on industrial attachment with Goodrich Aerospace Pte Ltd
No full textThis IA report serves as an account on the experience earned during the author’s 6 month work in Goodrich Control Systems Singapore as an industrial attachment student. During the attachment period, the author was given to chance to be exposed in various areas in the company. Some areas that he was exposed are engineering and continuous improvement in the company. He is also been exposed to the daily operations of a typical aerospace maintenance, repair and overhaul (MRO) company. One of the main projects that the author did was the new capability project. The new capability project exposes the author the importance of gaining new capabilities for a MRO company. It also exposes the author the importance of planning beforehand and obtaining data for adding the new capability into the company. But due to time constraints, this report will not be able to describe the completion of adding this new capability in the company
Broadway Actress Edna Goodrich, 1906
No full textAutographed on photo.
PH Coll 253.96Photographs from a collection of motion picture, theater and other performers and performances. It includes identified and unidentified actors, musical groups, dramatists, plays, movie stills and other photographic theater memorabilia.
Edna Goodrich (born Bessie Edna Stevens; December 22, 1883-May 26, 1972) was an American Broadway actress, Florodora girl, author, and media sensation during the early 1900s
Next Move in Steel: Revocation or Retaliation?
No full textIn May 2003, the World Trade Organization (WTO) dispute panel ruled that US steel safeguards imposed in March 2002 are illegal. The WTO Appellate Body is all but certain to confirm the panel's judgment, probably by December 2003. Then the Bush administration will face an important choice. It can keep the safeguards in place, pleasing steel producers and important constituencies in West Virginia, Pennsylvania, and Ohio. However, doing so would further anger steel users, who have probably lost more business and jobs as a direct consequence of the safeguards than steel producers have gained. Maintaining the safeguards would also send a signal to the world's trading nations that the United States is not prepared to endure the political cost of eliminating steel protection. Furthermore, the administration would run the risk that, in the middle of a presidential election season, foreign countries will exercise their rights under the WTO to retaliate.
Steel Policy: The Good, the Bad, and the Ugly
No full textWhile the US steel industry has been in distress for decades, the "steel crisis" of 1999-2001 was particularly acute. More than 30 steel producing and steel processing firms fell into bankruptcy between 1997 and 2001, and most of the failures occurred after President Bush took office. During his presidential campaign, Bush promised steelworkers that he would not neglect them. As the crisis worsened, the steel industry and the United Steel Workers of America (USWA) pressed the Bush administration to make good on its campaign promise.
Recollections of a lifetime, or, Men and things I have seen : in a series of familiar letters to a friend, historical, biographical, anecdotal and descriptive /
No full text"List of works of which S. G. Goodrich is the editor or author," v. 2, p. [537]-554.First published 1856.Includes bibliographical references and index.Mode of access: Internet
La revista The Arts (1920-31). Historias. Revista de la Dirección de Estudios Históricos Num. 72 (2009) enero-abril
No full textLloyd Goodrich (1897-1987) es mejor conocido por su asociación con el Whitney Museum of Modern Art y sus libros pioneros sobre pintores como Thomas Eakins, Winslow Homer y Edward Hopper, entre otros. En su juventud fue uno de los editores de la revista estadounidense The Arts y en este ensayo ofrece una visión personalísima de esta legendaria publicación, donde llegaron a colaborar Marius de Zayas, José Juan Tablada y Diego Rivera. Tomado de American Art Journal, vol. V, núm. 1, mayo de 1973
Data structures and algorithms in C++ / Michael T. Goodrich, Roberto Tamassia, David M. Mount.
No full textIncludes bibliographical references and index.Includes bibliographical references and index.xxii, 714 pages :"An updated, innovative approach to data structures and algorithms Written by an author team of experts in their fields, this authoritative guide demystifies even the most difficult mathematical concepts so that you can gain a clear understanding of data structures and algorithms in C++. The unparalleled author team incorporates the object-oriented design paradigm using C++ as the implementation language, while also providing intuition and analysis of fundamental algorithms. Offers a unique multimedia format for learning the fundamentals of data structures and algorithms Allows you to visualize key analytic concepts, learn about the most recent insights in the field, and do data structure design Provides clear approaches for developing programs Features a clear, easy-to-understand writing style that breaks down even the most difficult mathematical concepts Building on the success of the first edition, this new version offers you an innovative approach to fundamental data structures and algorithms."-
Peter Parley's method of telling about geography to children (frontispiece and title page)
No full textRelief prints--wood engravings;Illustrated with uncolored wood engravings.
The frontispiece depicts Peter Parley suffering from gout warning the children "if you run against my toe, I'll not tell you another story"
Printed on the title page: With nine maps and seventy-five engravings. Principally for the use of schools.
Additional publishers listed on the title page are: New York, Collins and Hannay; Boston, Carter and Hendee; Philadelphia, Towar J. and D.M. Hogan; Baltimore, Plaskitt and Company; Washington, P. Thompson.
This book attempted to incorporate lessons of morality and religion into the text. The history of Asia, for example, emphasizes events that took place in the Old Testament.
Preface reads: "I hope I need make no apology for having availed myself of occasional opportunities to inculcate lessons of morality and religion upon the youthful heart. The heart is as capable of being taught as the intellect, and happiness depends much more upon its proper and right cultivation, than upon the cultivation of the mind. Yet I fear that the moral part of children, the source of feeling and sentiment is often left to run to weeds, and consequently shoots up into wild, irregular, and sometimes over-mastering passions. The sooner the juvenile bosom can be made to feel the gentle and genial influences of truth, love, humanity, and religion, the better. A principal thing to be aimed at on this subject, is to adapt moral instruction to the character of those whom it is designed to benefit, and carefully to avoid wearying and disgusting children with unsuitable and unseasonable admonition."Samuel Goodrich was born in Ridgefield, Connecticut, the 6th of ten children and the son of a minister, in 1793. His career as a book publisher began in 1816. In the early 1820s Goodrich came to the conclusion that children as well as adults preferred to read truth rather than fancy and that it would be possible to present history, geography, science, etc. ( truth) in such a way that it would be more interesting to children than fairies, giants and monsters. Based on this conclusion Goodrich moved his business to Boston and Peter Parley was born in 1827 with PETER PARLEY'S TALES ABOUT AMERICA. Goodrich expanded his publishing efforts to textbooks and magazines. His publications were so popular that he attracted imposters, particularly in England. Spurious Peter Parleys appeared everywhere, infuriating Goodrich, but he did not succeed in putting an end to them.
The frontispieces of many Peter Parley books depict the author in varying states of health. Although he is often portrayed as an older man, he was actually a young man in the 1820s and 1830s.Peter Parley; History; Geography and travel
Peter Goodrich és a Satirical Legal Studies
No full textSatirical Legal Studies is a study by Peter Goodrich, written in 2005. It was published in Michigan Law Review. I wrote my essay with the purpose of analyzing the main points of this study because – as I know – it has not been translated or published in Hungarian yet.
Goodrich gives a comprehensive analysis of the history of the satirical genres, making comparisons, revealing the most important characteristics of these kind of writings. It is the function that distinguishes simple humour from satire and especially legal satire. Satire uses humour as a tool for pointing out to relevant legal matters that need to be changed, so it can easily be admitted that the purpose of satire is reform itself. It means also that the satirical tendencies in jurisprudence have always become stronger in times of need for reforms but we can state that independent of this satire has (more or less) always been present throughout the history of jurisprudence.
Satire has classical, antique traditions that show us the connections between satire and politics or literature. The literary vein of satire or legal satire is less radical than the other one which is in close connection with politics. The latter, more radical form is called Menippean satire and the style of it has always been a certain call for reforms, it always represented a certain social urge to change some relevant legal matters.
The study deals with the problems of metaphysical nonsenses in the territory of law, such as for example law would be God made, or it could be unchangeable. Satirical Legal Studies clearly states that these are all contradictional nonsenses. Besides this Satirical Legal Studies has always represented and fought against the social injustice and the injustice of legal institutions.
These main points guide us to the figure of the Bad Man, whom the author, Goodrich features as the immunological power of the society revealing all the serious social affairs waiting for an answer. Taking all these facts into consideration the Bad Man is not a tool for the idea of Bad, what’s more: he is or can be the cure for a society’s illness if the legal system does not ignore him and his voice at all because his decadence is only the decadence of the certain time and place that he is a part of. The role of satire is to face the legal system with the pure reality and needs in order to become adequately reactive. Satirical Legal Studies is a study by Peter Goodrich, written in 2005. It was published in Michigan Law Review. I wrote my essay with the purpose of analyzing the main points of this study because – as I know – it has not been translated or published in Hungarian yet.
Goodrich gives a comprehensive analysis of the history of the satirical genres, making comparisons, revealing the most important characteristics of these kind of writings. It is the function that distinguishes simple humour from satire and especially legal satire. Satire uses humour as a tool for pointing out to relevant legal matters that need to be changed, so it can easily be admitted that the purpose of satire is reform itself. It means also that the satirical tendencies in jurisprudence have always become stronger in times of need for reforms but we can state that independent of this satire has (more or less) always been present throughout the history of jurisprudence.
Satire has classical, antique traditions that show us the connections between satire and politics or literature. The literary vein of satire or legal satire is less radical than the other one which is in close connection with politics. The latter, more radical form is called Menippean satire and the style of it has always been a certain call for reforms, it always represented a certain social urge to change some relevant legal matters.
The study deals with the problems of metaphysical nonsenses in the territory of law, such as for example law would be God made, or it could be unchangeable. Satirical Legal Studies clearly states that these are all contradictional nonsenses. Besides this Satirical Legal Studies has always represented and fought against the social injustice and the injustice of legal institutions.
These main points guide us to the figure of the Bad Man, whom the author, Goodrich features as the immunological power of the society revealing all the serious social affairs waiting for an answer. Taking all these facts into consideration the Bad Man is not a tool for the idea of Bad, what’s more: he is or can be the cure for a society’s illness if the legal system does not ignore him and his voice at all because his decadence is only the decadence of the certain time and place that he is a part of. The role of satire is to face the legal system with the pure reality and needs in order to become adequately reactive.  
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