2,807 research outputs found
Luisa Igloria, 28th Annual ODU Literary Festival
No full textLuisa Igloria (previously published as Maria Luisa A. Carino) is the author of six books, four of which received the National Book Award from the Manila Critics’ Circle: Blood Sacrifice (University of the Philippines Press, 1998); Encanto (Anvil, 1994); Cartography (Anvil, 1992); and Cordillera Tales (New Day, 1990). She is also the author of In the Garden of the Three Islands (Moyer Bell/Asphodel, 1995), and the editor of Not Home, But Here: Writing from the Filipino Diaspora (Anvil, 2003). Her seventh and most recent book is Trill & Mordent (WordTech Editions, 2005), a runner-up for the 2004 Editions Prize. Igloria’s work has appeared in numerous national and international journals; she has received prestigious honors that include the 2004 Fugue Poetry Award, Finalist for the 2004 Larry Levis Editors Prize for Poetry, and Finalist for the 2003 Dorset Prize (Tupelo Press). She has received fellowships from the Fulbright Foundation, the Hawthornden Castle in Scotland, and to the Summer Literary Seminars in St. Petersburg, Russia. Igloria is an associate professor on the faculty of ODU’s Creative Writing Program
Luisa Igloria, 36th Annual ODU Literary Festival
No full textLuisa Igloria is an award -winning poet, and the author of The Saints of Streets (University of Santo Tomas Publishing House, Fall 2013), Juan Luna\u27s Revolver (University of Notre Dame Press, 2009 Ernest Sandeen Prize), Trill & Mordent (WordTech Editions, 2005), and 8 other books. Luisa has degrees from the University of the Philippines, Ateneo de Manila University, and the University of Illinois at Chicago, where she was a Fulbright Fellow from 1992-1995. Luisa teaches in and currently directs the MFA Creative Writing Program at Old Dominion University
Luisa A, Igloria, 37th Annual ODU Literary Festival
No full textLUISA A. IGLORIA is a professor and director of the MFA Creative Writing Program at ODU. She is the author of Ode to the Heart Smaller than a Pencil Eraser (2014 May Swenson Prize, University of Utah Press); Night Willow: Prose Poems (2014); The Saints of Streets (2013); Juan Luna\u27s Revolver (2009 Ernest Sandeen Prize); Trill & Mordent (2005); and eight other books. Luisa was a Fulbright Fellow from 1992-95 at the University of Illinois at Chicago. Since Nov. 20, 2010, she has written (at least) a poem a day, archived at www.vianegativa.us/author/luisa/
Luisa A. Igloria, 43rd Annual Literary Festival
No full textLuisa A. Igloria was recently appointed Virginia Poet Laureate (2020-2022). She is the 2019 co-winner of the Crab Orchard Open Poetry competition for Maps for Migrants and Ghosts (Fall 2020) and winner of the 2015 Resurgence Prize (U.K.), the world\u27s first major award for ecopoetry. She is the author of four chapbooks plus 14 full-length works, including The Buddha Wonders if She is Having a Mid-Life Crisis (2018), Ode to the Heart Smaller than a Pencil Eraser (2014 May Swenson Prize), and Juan Luna\u27s Revolver (2009 Ernest Sandeen Prize). She teaches in ODU\u27s MFA Program in Creative Writing
Luisa González
No full textThis is a testimonial of the representation of the play entitled A ras del suelo, by Luisa González. This deals with the initial encounter with the author, her knowledge and the begin- ning of a wonderful and enriching friendship among Luisa González and the Costa Rican actress Eugenia Cheverri.Es un testimonio de la génesis de la puesta en escena de la obra “A ras del suelo” de Luisa González. El encuentro inicial, físico con ella, su participación como autora, y el inicio de una hermosa amistad entre la escritora del relato y la gente de teatro costarricense en los años setenta
Luisa Igloria, 41st Annual ODU Literary Festival
No full textLuisa A. Igloria is the winner of the 2015 ResurgencePrize (UK), the world\u27s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of three chapbooks plus the full length works The Buddha Wonders if She is Having a Mid-Life Crisis (Phoenicia Publishing, Montreal; March 2018), Ode to the Heart Smaller than a Pencil Eraser (selected by Mark Doty for the 2014 May Swenson Prize, Utah State University Press), Night Willow (Phoenicia Publishing, Montreal, 2014),The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna\u27s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She teaches on the faculty of the MFA Creative Writing Program at Old Dominion University, which she directed from 2009-2015
Luisa A. Igloria: 47th Annual ODU Literary Festival
No full textLuisa A. Igloria is the author of Caulbearer (Immigrant Writing Series Prize, Black Lawrence Press, 2024), Maps for Migrants and Ghosts (Co-Winner, 2019 Crab Orchard Open Poetry Prize), The Buddha Wonders if She is Having a Mid-Life Crisis (2018), 12 other books, and 4 chapbooks. With Aileen Cassinetto and Jeremy S. Hoffman, she co-edited Dear Human at the Edge of Time: Poems on Climate Change in the U.S. (Paloma Press, 2023), offered as a companion to the Fifth National Climate Assessment (NCA5). Originally from Baguio City, she makes her home in Norfolk VA where she is the Louis I. Jaffe and University Professor of English and Creative Writing at Old Dominion University’s MFA Creative Writing Program. She also leads workshops for and is a member of the board of The Muse Writers Center in Norfolk. Luisa is the 20th Poet Laureate of the Commonwealth of Virginia (2020-22), Emerita. During her term, the Academy of American Poets awarded her a 2021 Poet Laureate Fellowship
Photography, Punctum and Shock: Re-viewing Juan Rulfo's Short Stories
No full textProminent and proliferating readings locate mythical structures at the heart of Juan Rulfo’s literary world. Notably, Raymond Bartra and María Luisa Ortega suggest that his works are structured around universal, timeless myths that embed individual experiences in a collective narrative. In this article, I argue that Rulfo’s narrative technique is in fact connected with an extra-literary, eminently modern técnica: photographic technology. Rulfo’s short story collection El llano en llamas (1953) is viewed through three intersecting critical frames: Walter Benjamin’s writings on the modern shock experience, the idea of the ‘knock-out’ in Julio Cortázar’s theory of the short story, and Roland Barthes’s notion of the photographic punctum. My contention is that an aesthetics of photographic shock underlies Rulfo’s short stories, producing tears in the narrative fabric, and invoking the reader’s participation through particular, personal, contingent effects
Diva Carmen Luisa Letelier Valdés, contralto
No full textCarmen Luisa Letelier Valdés y Valene Georges son fundadoras del célebre Ensemble Bartok Chile. En este trabajo Valene Georges presenta un recuerdo tanto de los titánicos logros que ambas han alcanzado con el Ensemble Bartok Chile en el país como en el extranjero, como de la estrecha amistad que las ha unido durante más de treinta años.Both Carmen Luisa Letelier-Valdés and Valene Georgesfounded the renowned Ensemble Bartok Chile. In this article Valene Georges presents a retrospective view ofthe titanic achievements that both have shared with this ensemble in Chile and abroad. Besides, the author presents a personal view ofher close friendship with Carmen Luisa during more than thirty years
Correction to: Size‐Dependent Enforcement, Tax Evasion and Dimensional Trap
No full textThe article “Size‐Dependent Enforcement, Tax Evasion and Dimensional Trap”, written by Raffaella Coppier, Elisabetta Michetti and Luisa Scaccia, was originally published electronically on the publisher’s internet portal on 05 July 2023 without open access. With the author(s)’ decision to opt for Open Choice the copyright of the article changed on 24 February 2024 to © The Author(s) 2024 and the article is forthwith distributed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made
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