1,721,053 research outputs found
Digital fictionality: possible worlds theory, ontology, and hyperlinks
No full textDigital technology has allowed narrative experimentation to expand beyond the page and into an entire network of linked media. Hypertext provides a structure within which chunks of text can be connected in both linear and multilinear configurations; the Web, as an ever-expanding hypertext system, allows digital texts to be linked to other digital texts, both fictional and non-fictional. In this chapter, I explore recent experiments with hyperlinks in digital fiction and argue that hyperlinks offer authors a medium-specific (Hayles 2004) means of playing with the ontological boundary between fiction and reality. I propose a method for analyzing the ontological function of external hyperlinks in web-based fiction by developing possible worlds theory for its application to digital literary fiction. Rather than offering a purely philosophical or abstract account of fictionality (e.g. Lewis 1978) or a transmedia approach to fictionality (e.g. Zipfel 2014; Ryan 2006, 31-58), this chapter contributes to the development of possible worlds theory as a transmedial approach to fiction, fictionality, individual fictional texts and, in this case, digital fiction. I propose that some texts use hyperlinks to create flickers between worlds which require the reader to recenter into two different modal universes simultaneously or else rapidly toggle between them - a process that I define here as doubly-deictic (cf. Herman 2002) recentering. I then show that how external links can be used to create a denouement which relies on the reader completely revising their perspective of the fictional world. Finally, I show how digital texts can use external links to cause unmarked ontological merges between the actual and textual world worlds so as to create an emotionally immersive experience. I thus provide a typology of ontologically playful hyperlinks. I end by suggesting that the use of hyperlinks in digital fiction is part of a more general artistic trend in post-millennial fiction, that of "Remix" (Navas 2012) and that the texts also embody post-postmodern (McLaughlin 2012) thematic concerns
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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