124,801 research outputs found
Focus de l\u27année 2023 de Mir@bel
No full textCe document présente les réalisations de l\u27opérateur Mir@bel, dans le cadre de son FNSO, pour l\u27année 2023
Oh! che bel castello...
No full textIl Castello Baronale svolge un ruolo di catalizzatore rispetto alla città da un punto di vista spaziale, ma anche culturale, in quanto sede di musei, una biblioteca ed attività musicali. Il progetto esprime e potenzia questa caratteristica: a livello funzionale, infatti, esso propone per il sottotetto una destinazione culturale (studio di registrazione con emeroteca, area multimediale,bar). A livello spaziale, invece, organizza i diversi elementi compositivi in modo da amplificare la sensazione di un movimento a spirale che, impresso dalla mole tondeggiante del castello, risucchia la città nella piazza e poi fin dentro il palazzo stesso.
L’attuale separazione tra le piazze Castello e Renella viene così superata da un’organizzazione spaziale che, pur garantendo varietà di usi, elimina la frammentarietà esistente, creando uno spazio continuo e recuperando all’uso urbano anche il fossato
Post 1990s Dance Theatre and (the idea of) the Neutral
No full textPhDThe thesis focuses on the concept of neutrality in the works of contemporary
European (post 1990s) choreographers. While broad ideas around neutrality are
considered, the thesis primarily engages with Roland Barthes’ definition of
neutrality as a structural term: 'every inflection that, dodging or baffling the
paradigmatic, oppositional structure of meaning, aims at the suspension of the
conflictual basis of discourse'. I argue that the minimalist work of Judson
Church, New York City, is anticipating the interest in the neutral that will more
strongly formulate itself in dance theatre after the 1990s. In the first chapter on
Jérôme Bel, the concept of neutrality is introduced as a general idea, together with
its inherent problem. The 'problem' is not that this or that element that Bel
chooses cannot be perceived as neutral, but that neutral or stage zero can never be
neutral enough. The second chapter, dedicated to the work of Thomas Lehmen,
explores the idea of 'neutralization' in relation to the notion of the self in
Lehmen's performance, where 'It is not I or you who lives: 'one' (une vie) lives in
us' (P. Hallward). In the third chapter I argue that in Raimund Hoghe’s
performances, love is conceived essentially as a balance between narcissism and
pure object-love – as a neutral state. The fourth chapter, on Croatia’s BADco.,
gravitates around the ways in which group processes function, arguing that the
idea of the neutral is located in the ‘invisible hand’ of emergence. The thesis shifts
academic performance analysis towards a more concept-based approach,
unpicking and/or constructing timeless, abstract and broad concepts and ideas that
the work of these choreographers resonates with
Linda L. Layne, Home and Homeland : The Dialogics of Tribal and National Identities in Jordan. Princeton University Press, 1994
No full textBel-Air Françoise de. Linda L. Layne, Home and Homeland : The Dialogics of Tribal and National Identities in Jordan. Princeton University Press, 1994. In: Bulletin critique des annales islamologiques, n°12, 1996. pp. 197-200
Rapport sur l'herborisation de Sain-Bel au mont Arjoux
No full textCusin L. Rapport sur l'herborisation de Sain-Bel au mont Arjoux. In: Annales de la Société botanique de Lyon, tome 7, Mémoires – Comptes-rendus des séances – 1878-1879. 1880. pp. 308-309
Scenography and new media technologies: history, educational applications and visualization techniques
No full textThe endemic presence of digital technology is responsible for numerous changes in contemporary Western societies. This study examines the role of multimedia within the field of theatre studies, with particular focus on the theory and practice of theatre design and education. In the cross-disciplinary literature review, I investigate such primary elements of contemporary media as interactivity, immersion, integration and hyper-textuality, and explore their characteristics in the performing arts before and during the digital epoch. I also discuss various IT applications that transformed the way we experience, learn and co-create our cultural heritage. In order to illustrate how computer-generated environments could change the way we perceive and deliver cultural values, I explore a suite of rapidly-developing communication and computer-visualization techniques, which enable reciprocal exchange between viewers, theatre performances and artefacts. I analyze novel technology-mediated teaching techniques that attempt to provide a new media platform for visually-enhanced information transfer.
My findings indicate that the recent changes towards the personalization of knowledge delivery and also towards student-centered study and e-learning necessitated the transformation of the learners from passive consumers of digital products to active and creative participants in the learning experience. The analysis of questionnaires and two case studies (the THEATRON and the VA projects) demonstrate the need for further development of digital-visualization techniques, especially for studying and researching scenographic artefacts. As a practical component of this thesis, I have designed and developed the Set-SPECTRUM educational project, which aims to strengthen the visual skills of the students, ultimately enabling them to use imagery as a creative tool, and as a means to analyze theatrical performances and artefacts. The 3D reconstruction of Norman Bel Geddes' set for The Divine Comedy, first of all, enables academic research of the artefact, exposing some hitherto unknown design-limitations in the original set-model, and revealing some construction inconsistencies; secondly, it contributes to educational and creative practices, offering an innovative way to learn about scenography. And, thirdly, it fills a gap in the history of the Western theatre design.
This study attempts to show that when translated into digital language, scenographic artefacts become easily retrievable and highly accessible for learning and research purposes. Therefore, the development of such digital products should be encouraged, but care should also be taken to provide the necessary training for users, in order to realize the applications' full potential
Expression of the human foamy virus bel-1 transactivator in insect cells
No full textThe human foamy virus (HFV) bel-l transactivator protein was expressed in insect cells by a recombinant baculovirus. For the generation of the recombinant baculovirus, Acbel-1, the bel-l gene of an HFV mutant was used, that bears truncations in the bel-l overlapping bel-2 open reading frame. Acbel-1 infected Sf9 cells produced high amounts of recombinant protein of the same electrophoretic mobility (36 kD) as bel-l expressed in mammalian cells. The baculovirus expressed bel-l proteinwas readily identified by a polyclonal rabbit serum directed against bel-1 in immunoblot assay. As in mammalian cells, bel-l was predominantly localized to the nucleus of Acbel-1 infected insect cells. The baculovirus expressed bel-1 proteinwill be of use to determine the action of this novel viral transactivator more precisely
Introduzione
No full textLa straordinaria popolarità del “Bel Paese” viene spiegata analizzando le tecniche compositive messe in atto dall’autore nell’opera. Un testo abilmente costruito per una recitazione ad alta voce ma anche per una lettura individuale e silenziosa, i cui destinatari effettivi (ragazzi, donne e adulti maschi – il pubblico tradizionale) figurano nel libro quali interlocutori dello zio, bonario scienziato, che racconta loro le sue avventure scientifiche
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Les vrayes chroniques de messire Jehan le Bel..., par L. Polain.
No full textMeyer Paul. Les vrayes chroniques de messire Jehan le Bel..., par L. Polain.. In: Bibliothèque de l'école des chartes. 1864, tome 25. pp. 370-376
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