1,720,993 research outputs found
Valuing live music: The UK Live Music Census 2017 report
No full textThe UK’s first ever national live music census took place in 2017. For 24 hours from noon on Thursday 9th March, volunteers in cities across the country went out and about to live music events, from pub gigs to massed choirs to arena concerts. Live music censuses took place in our three primary snapshot cities of Glasgow, Newcastle-Gateshead and Oxford while affiliate censuses also ran in Brighton, Leeds and Southampton on 9-10 March and in Liverpool on 1-2 June, the affiliates led by members of UK Music’s Music Academic Partnership (MAP). The intention of the census project was to help measure live music’s social, cultural and economic value, discover what challenges the sector is facing and inform policy to help live music flourish.
Recent years appear to have been extremely challenging for live music venues, particularly those at the smaller end of the spectrum. There have been numerous media reports of British music venues closing because of property development and gentrification of once lively musical neighbourhoods. This is due not only to the conversion or even demolition of some venues, but also development around venues and the ensuing noise complaints from venues’ new residential neighbours. At the time of writing, a number of venues have voiced concerns about threats to their future. These include Glasgow’s King Tut’s Wah Wah Hut, Bristol’s Thekla, and London’s Café Oto, the latter an Arts Council England National Portfolio Organisation.
The UK Live Music Census provides further evidence that smaller venues are facing a ‘perfect storm’ of issues at present which is affecting their long-term viability and sustainability. Some of these are internal – for example, equipment or building repairs. Many are external, such as increased business rates, strict licensing laws and the aforementioned nearby property development.
The report draws on survey data, both quantitative and qualitative, to bridge the current knowledge gap about the specific relationship between the value of live music on the one hand and the current challenges facing the UK’s live music sector on the other. It also draws on eighteen semi-structured profile interviews with individual musicians and venue workers in order to provide illustrative examples of some of these challenges. Workers from small music venues and (music) bars/pubs form the majority of the interviewees – and, indeed, a key focus of the report – as this currently appears to be the area of the sector facing the most pressing challenges. We hope that by focusing on this vital but often hidden sphere of activity and value, the live music ecology of the UK as a whole will benefit.
## Disclaimer ##
Disclaimer: We should note that although the Musicians’ Union, Music Venue Trust, UK Music and various other stakeholder groups have contributed to this project in important ways, the opinions expressed and conclusions drawn are our own.
## Note: Related data ##
This Item is part of the DataShare Collection "UK Live Music Census" https://datashare.is.ed.ac.uk/handle/10283/3028 . Files containing associated data:
* Webster, Emma; Brennan, Matt; Behr, Adam; Cloonan, Martin; Ansell, Jake. (2018). UK Live Music Census toolkit, [interactive resource]. University of Edinburgh. ECA. Reid School of Music. https://doi.org/10.7488/ds/2312.
* Brennan, Matt; Behr, Adam; Cloonan, Martin; Webster, Emma "UK Live Music Census 2017 data for DataVault" (2018) https://doi.org/10.7488/206fa213-30d1-4a2c-84fe-5b5ba83ac62e .This Item is part of the DataShare Collection "UK Live Music Census" https://datashare.is.ed.ac.uk/handle/10283/3028 . Files containing associated data:
* Webster, Emma; Brennan, Matt; Behr, Adam; Cloonan, Martin; Ansell, Jake. (2018). UK Live Music Census toolkit, [interactive resource]. University of Edinburgh. ECA. Reid School of Music. https://doi.org/10.7488/ds/2312.
* Brennan, Matt; Behr, Adam; Cloonan, Martin; Webster, Emma "UK Live Music Census 2017 data for DataVault" (2018) https://doi.org/10.7488/206fa213-30d1-4a2c-84fe-5b5ba83ac62e
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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