1,720,994 research outputs found

    Blockage-Peeking Game of Mobile Strategic Nodes in Millimeter Wave Communications

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    Given the importance of line-of-sight in mmWave communications, a strategic adversary can harm a transmission by obstructing the receiver, which in turn can react by trying to move around this hurdle. To expand on this point, we study one such scenario from the perspective of game theory, considering a mobile mmWave receiver and an adversary interacting strategically as players in a zero-sum game, where they want to maximize, or respectively minimize, the spectral efficiency of the communication. To do so, the adversary attempts at screening the receiver's line of sight as an obstacle, while the receiver can move around so as to avoid the blockage. We consider preset distances and the choices available to the players are to change their angular coordinates to go around each other. This is framed as a static game of complete information, for which we numerically find the Nash equilibrium in mixed strategies, drawing some interesting conclusions such as connecting it with the beamforming pattern of the transmitter

    Geometry and Wideband Performance of a Maximal Ratio Combining Beam

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    This paper discusses the geometrical features and wideband performance of the beam with maximal ratio combining coefficients for a generic multi-antenna receiver. In particular, in case the channel is a linear combination of plane waves, we show that such a beam can be decomposed in a linear combination of beams pointed in the direction of each plane wave, and we compute how many directions can be effectively utilized. This highlights that such a beam is better exploiting the spatial diversity provided by the channel, and therefore it is expected to be more robust to disruptions. Moreover, we compute the achieved Signal-to-Noise-Ratio for a wideband receiver, showing that it is wthin 2dB of the one of other methods. Finally, we provide some insights on the robustness of the method by simulating the impact of the blockage of one multipath components

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Information lack localization in architectural laser scanning surveys: the Venice test site

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    "Vision techniques for digital architectural and archeological archives", Ancona, Italy, 1-3 July

    Studio e progetto per il monitoraggio della guglia dolomitica denominata "Gusela del Vescovà "

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    Università di Padova, Dipartimento di Architettura, Urbanistica e Rilevamento

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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