1,720,953 research outputs found
The Tragedy of Performativity : challenges and difficulties of water management in SASS basin
La tragédie des communs pose que lorsqu’utilisation d’un bien est commue, ce bien aura tendance à être sur-utilisé. Mais que se passe-t-il lorsque ce bien est l’eau dans un bassin dont dépendent trios pays ? Et que se passe-t-il lorsque la situation géopolitique rend peu probable la possibilité d’une gouvernance commune interétatique ? Nous prenons dans cette thèse le cas du bassin SASS, entre la Tunisie, l’Algérie et la Lybie et envisageons les différents modes possibles de gouvernance de l’eau. Nous suivons plus particulièrement une modalité qui nous semblait prometteuse, que des experts internationaux, forts de la connaissance technique et économique, puissent faire adopter la solution qui leur semble la meilleure.Par une double enquête de type ethnographique, d’abord avec une plongée dans le laboratoire des experts, puis au plus près de la gestion de l’eau dans des oasis tunisiens, nous évaluons la performativité du modèle des experts. Nous constatons une certaine performativité dans les oasis modernes mais beaucoup de résistance dans les plus traditionnelles. Ceci nous montre une autre tragédie. Même si le modèle des experts, qui repose sur les prix de marché, permettait d’atténuer la tragédie des communs, il conduirait à une autre tragédie : celle de la fin d’une forme de vie, un mode de vie paysan, vécu par une large population, faisant partie du patrimoine de l’humanité. De tragédie en tragédie, seule une heuristique de la peur, comme le propose H. Jonas, pourrait amener à inventer en commun des solutions dignes et soutenables pour la gestion de l’eau.The tragedy of the commons poses that when the use of a good is common, that good will tend to be over-used. But what happens when this good is water in a basin on which three countries depend? And what happens when the geopolitical situation makes the possibility of shared inter-state governance unlikely? In this thesis we take the case of the SASS basin, between Tunisia, Algeria and Libya and consider the different possible modes of water governance. In particular, we follow a modality that seemed promising to us, that international experts, from the authority of their technical and economic knowledge, could make adopted the solution that seems the best to them.Thanks to a double ethnographic inquiry, first with a dive in the experts' laboratory, then as close as possible to water management in Tunisian oases, we evaluate the performativity of the experts' model. We notice a certain performativity in modern oases but a lot of resistance in the more traditional ones. This leads us to uncover another tragedy. Even if the model of the experts, which is based on market prices, made it possible to mitigate the tragedy of the commons, it would lead to another tragedy: that of the end of a form of life, a peasant way of life, lived by a large population, forming part of the heritage of humanity. From tragedy to tragedy, only a heuristic of fear, as proposed by H. Jonas, could lead to the common invention of dignified and sustainable solutions for water management
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
- …
