111,903 research outputs found
II. Quelques chartes des comtes de Hainaut Bauduin IV, Bauduin V et Bauduin VI
Devillers Léopold. II. Quelques chartes des comtes de Hainaut Bauduin IV, Bauduin V et Bauduin VI. In: Compte-rendu des séances de la commission royale d'histoire. Deuxième Série, Tome 8, 1880. pp. 417-453
Mario Turchetti, Concordia ο Tolleranza ? François Bauduin (1526-1573) e I « Moyenneurs » (Travaux d'Humanisme et Renaissance, CQ), 1984
Pollet Jacques V. Mario Turchetti, Concordia ο Tolleranza ? François Bauduin (1526-1573) e I « Moyenneurs » (Travaux d'Humanisme et Renaissance, CQ), 1984. In: Revue d'histoire et de philosophie religieuses, 66e année n°3, Juillet-septembre 1986. pp. 361-362
author-bios-SRD-19-0063.R1 – Supplemental material for The Network Structure of Police Misconduct
Supplemental material, author-bios-SRD-19-0063.R1 for The Network Structure of Police Misconduct by George Wood, Daria Roithmayr and Andrew V. Papachristos in Socius</p
Nanometric anions as a case study of super-chaotropes
International audienceIonic species, such as polyoxometalates (POMs) or (metal-) boron clusters, are at the frontier between ions and (charged-)colloids due to their nm size.1a The large size and low charge density of these nano-ions, compared to classical ions, are responsible for a peculiar behavior called “super-chaotropy”.1b, 2a, 3 This property refers to the surprisingly strong propensity of nano-ions to adsorb to neutral polar interfaces and to interact with macrocycles. This property results from the dehydration of (i) the weakly hydrated nano-ions, which has a reduced enthalpic cost compared to smaller ions, and of (ii) the surface (or macrocycle). A simple experimental procedure, based on cloud point measurement, was proposed lately for evaluating and classifying nano-ions according to their super-chaotropy.1b The super-chaotropic behavior of nano-ions opens opportunities in separation science,2a catalysis, and for the design of nanostructured hybrid materials.2bReferences[1]a) A. Malinenko, A. Jonchère, S. Maynadié, L. Girard, O. Diat, P. Bauduin P. Langmuir 34(5) 2018, 2026 b) T. Buchecker, P. Schmid, S. Renaudineau, O. Diat, A. Proust, A. Pfitzner, P. Bauduin, Chem. Commun. 54(15) 2018, 1833.[2] a) B. Naskar, O. Diat, V. Rataj, P. Bauduin, J. Phys. Chem. C 119 (36) 2015, 20985. b) T. Buchecker, X. LeGoff, B. Naskar, A. Pfitzner, O. Diat, P. Bauduin, Chem. - A Eur. J. 23 2017, 8434. c) T. Buchecker, P. Schmid, I. Grillo, S. Prévost, M. Drechsler, O. Diat, A. Pfitzner, P. Bauduin, J. Am. Chem. Soc. 2019 10.1021/jacs.8b12181[3] a) K. Assaf, M. Ural, F. Pan, T. Georgiev, S. Simova, K. Rissanen, D. Gabel, W. Nau, Angew. Chem. Int. Ed. 54(23) 2015, 6852 b) Assaf, K. I.; Nau, W. M., Angew. Chem. Int. Ed. 57 (43) 2018, 13968
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Nanometric anions as a case study of super-chaotropes
International audienceIonic species, such as polyoxometalates (POMs) or (metal-) boron clusters, are at the frontier between ions and (charged-)colloids due to their nm size.1a The large size and low charge density of these nano-ions, compared to classical ions, are responsible for a peculiar behavior called “super-chaotropy”.1b, 2a, 3 This property refers to the surprisingly strong propensity of nano-ions to adsorb to neutral polar interfaces and to interact with macrocycles. This property results from the dehydration of (i) the weakly hydrated nano-ions, which has a reduced enthalpic cost compared to smaller ions, and of (ii) the surface (or macrocycle). A simple experimental procedure, based on cloud point measurement, was proposed lately for evaluating and classifying nano-ions according to their super-chaotropy.1b The super-chaotropic behavior of nano-ions opens opportunities in separation science,2a catalysis, and for the design of nanostructured hybrid materials.2bReferences[1]a) A. Malinenko, A. Jonchère, S. Maynadié, L. Girard, O. Diat, P. Bauduin P. Langmuir 34(5) 2018, 2026 b) T. Buchecker, P. Schmid, S. Renaudineau, O. Diat, A. Proust, A. Pfitzner, P. Bauduin, Chem. Commun. 54(15) 2018, 1833.[2] a) B. Naskar, O. Diat, V. Rataj, P. Bauduin, J. Phys. Chem. C 119 (36) 2015, 20985. b) T. Buchecker, X. LeGoff, B. Naskar, A. Pfitzner, O. Diat, P. Bauduin, Chem. - A Eur. J. 23 2017, 8434. c) T. Buchecker, P. Schmid, I. Grillo, S. Prévost, M. Drechsler, O. Diat, A. Pfitzner, P. Bauduin, J. Am. Chem. Soc. 2019 10.1021/jacs.8b12181[3] a) K. Assaf, M. Ural, F. Pan, T. Georgiev, S. Simova, K. Rissanen, D. Gabel, W. Nau, Angew. Chem. Int. Ed. 54(23) 2015, 6852 b) Assaf, K. I.; Nau, W. M., Angew. Chem. Int. Ed. 57 (43) 2018, 13968
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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