322,843 research outputs found
El arquetipo de la madre terrible en el mito de Atis y Cibeles, según José Basileo Acuña
No full textThis paper analizes the poem from José Basileo Acuña`s book Cantigas de Recreación: "Cuarta Cantiga de Recreación: El Matriarcado y la separación del Hijo". The poet makes an archaetypical-symbolical intepretation of Attys and Cybeles myth, according to Carl G. Jung's Depht Psychology. The outstanding poem explores the archaetype of Terrible Mother, one of the most important fields from Collective Inconscius.Este artículo analiza la "Cuarta Cantiga de Recreación: El Matriarcado y la separación del Hijo", del poemario Cantigas de Recreación, de José Basileo Acuña. El poeta efectúa una interpretación arquetípico-simbólica del mito de Atis y Cibeles, con base en la Psicología de las Profundidades, de Carl G. Jung. El extraordinario poema explora el arquetipo de la Madre Terrible, uno de los contenidos más importantes de lo inconsciente colectivo
Characterization of Handmade Papers (13th–15th century) from Camerino and Fabriano (Marche, Italy)
No full textThe dispute over the paternity of western paper is a longstanding problem. In Italy, a country that has a long tradition of papermaking, many cities compete for the leadership in the production of this material; on the other hand, several studies attribute to Fabriano (13th century), a little center in Marche region, the birth of modern paper and its diffusion throughout Europe. During the 14thcentury, the nearby town of Camerino imposed itself on the paper market, triggering a historic rivalry with the manufacture of Fabriano. As scientific studies on these different productions are missing, a comparative, multidisciplinary investigation has been carried out to characterize a set of thirteenth-fifteenth century handmade papers from Camerino-Fabriano area. Several analytical techniques–some non-invasive such as Fourier-transform infrared spectroscopy (FTIR) and portable magnetic resonance (unilateral NMR), joined to micro-destructive ones such as scanning electron microscopy (SEM), 13C CPMAS NMR spectroscopy, thermo-gravimetric analysis (TGA), sodium dodecyl sulphate-polyacrylamide gel electrophoresis (SDS-PAGE) and reverse-phase liquid chromatography (RP-HPLC)–have been employed in order to study the morphology of the paper documents, to identify the substances used in production process and to define their preservation state. Moreover principal component analysis (PCA) has been applied to the spectroscopic data, allowing the clustering of Fabriano documents with respect to Camerino ones and dividing the samples in two sets. This work improves and confirms knowledges on paper production in Marche region, and the experimental data collected highlight similarities and differences between Camerino and Fabriano manufactures
Diffusive author(s), cohesive author: Analysis of S/N (1994)
No full textThis study indicates the ways in which various aspects of the author(s) are brought forth in Dumb type’s performance art, the S/N production. Previous research has suggested a non-hierarchical organization of Dumb type and the absence of a “privileged author” in Dumb type’s collaborative work, S/N. However, the results that I have investigated from member’s interviews on the creative process of S/N along with my analysis of the recorded images of S/N, indicate a different aspect of the author(s). First, S/N was created through, so to speak, the collective ideas of the members of Dumb type. Further, S/N has at least nine quotations from previous performances, installations, and printed writings, besides the work-in-progress technique. Explicating one of the “author functions” as given by Michel Foucault, each text has plural subjects of the author. However, it has been revealed from members’ interviews that Teiji Furuhashi had a decision-making role in selecting the members’ ideas within the performance. Since then, S/N has had plural subjects of creation; however, Furuhashi is one of the subjects of creation along with the “privileged author.” S/N has plural authors (diffusive authors) yet at the same time, it has a “privileged author,” Teiji Furuhashi (cohesive author)
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
PROSPECTIVE ASSESSMENT OF CLINICAL ENDPOINTS OF VKA TREATMENT IN A PRIMARY CARE COMPUTER ASSISTED MANAGEMENT MODEL
No full textSondaggio conoscitivo coproparassitologico in una zona andina della Cordillera Blanca, Peru'.
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La gran madre: símbolo de lo inconsciente. Una interpretación del mito de Endimión y Selene en Cantigas de recreación, de José Basileo Acuña.
No full textThis paper analizes the poem "Tercera Cantiga de Recreación: "La Gran Madre", from José Basileo Acuña's Cantigas de Recreación. Based in Endymion and Selene`s myth, the poet symbolically describes the constitutive processus of Great Mother and puer aeternus's archetypes in the realms of inconscience. The union between the young boy and Selene results in an uroboric incest, a kind of absortion toward Great Mother's lap. that shows dependency from the Ego and conscient with inconscient. Endymion, puer aeternus's archaetype doesn't reach the level of conscience and die.Este artículo analiza la "Tercera Cantiga de Recreación: "La Gran Madre", del poemario Cantigas de Recreación, de José Basileo Acuña. Con base en el mito de Endimión y Selene, el poeta aborda simbólicamente el proceso de constitución de los arquetipos de la Gran Madre y del puer aeternus, en el plano de la inconsciencia. La unión del joven con Selene resulta un incesto urobórico, una absorción hacia el regazo de la Gran Madre, que muestra la dependencia del ego y la conciencia con el inconsciente. Endimión, arquetipo del puer aeternus, no logra dar el salto hacia la conciencia, y muere
Dispelling the Myths Behind First-author Citation Counts
No full textWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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