1,720,979 research outputs found
Barry Todd
No full textBarry Todd, muscular dystrophy victim, proudly points to Joe Di Maggio\u27s autograph on the baseball he got. He is showing the ball to a friend, R. L. Ferguson, who is a member of the Moslah Drum and Bugle Corps\u27 Shrine Camel Herders which financed Barry\u27s trip to New York for special treatment. Barry Todd is shown holding a ball in his hand. Published in Fort Worth Star-Telegram morning edition June 12, 1951.https://mavmatrix.uta.edu/specialcollections_startelegram1950s/13040/thumbnail.jp
Barry Todd in treatment chair
No full textBarry Todd in treatment chair (visited by Drum & Bugle Corp).https://mavmatrix.uta.edu/specialcollections_wdsmithphotography/2041/thumbnail.jp
Barry Todd in treatment chair
No full textBarry Todd in treatment chair (visited by Drum & Bugle Corp).https://mavmatrix.uta.edu/specialcollections_wdsmithphotography/2040/thumbnail.jp
Mrs. Venita Ruth Neely and Barry Todd
No full textBarry Todd, 8, person with muscular dystrophy, shows Mrs. Venita Ruth Neely, teacher of children with disabilities, the good marks he has received despite his disability.https://mavmatrix.uta.edu/specialcollections_startelegram1950s/13407/thumbnail.jp
Terry Keeley, Barry Todd, and Walter Hagan
No full textLittle Barry Todd is shown placing a kiss on the cheek of American Airlines Stewardess, Terry Keeley, as she and Dallas Service Manager Walter Hagan walk him down the gangplank to greet his relatives. Published in the morning edition, May 29, 1951.https://mavmatrix.uta.edu/specialcollections_startelegram1950s/12780/thumbnail.jp
Barry Todd in a wheelchair with a group at the airport
No full textBarry Todd in a wheelchair with a group at the airporthttps://mavmatrix.uta.edu/specialcollections_wdsmithphotography/1789/thumbnail.jp
Barry Todd in a wheelchair with a group at the airport
No full textBarry Todd in a wheelchair with a group at the airporthttps://mavmatrix.uta.edu/specialcollections_wdsmithphotography/1788/thumbnail.jp
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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