10,768 research outputs found

    Five Minutes with Anne Barron and Mary Evans: “Academics seldom have the opportunity to discuss issues about their profession”

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    To mark the thirtieth anniversary of the death of social theorist Michel Foucault, Anne Barron and Mary Evans have organised a conference in late June for academics to reflect on his legacy in relation to higher education. Governing Academic Life will create an interdisciplinary space to discuss the public university, neoliberalism, academic publishing, and assessment measurement. Managing Editor Sierra Williams asked the organisers to elaborate on the motivations behind the event and the impact of Foucault’s work today

    134. Barron (John Penrose). The Silver Coins of Samos.

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    Bon Anne-Marie. 134. Barron (John Penrose). The Silver Coins of Samos.. In: Revue des Études Grecques, tome 78, fascicule 371-373, Juillet-décembre 1965. pp. 638-639

    Discours juridique et colonisation du moi dans l'Etat moderne

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    Anne Barron looks at the implications of Foucault 's social theory for liberal democratic constitutional theory. Collectivist administration is not the consequence of later 19th century political-social developments, but is the shadow side of the Enlightenment project itself. The constitution expresses the People as subject, administration, the People as object. Enlightenment legality is not only a matter of delimiting the sphere of co-existing sovereignties, but of creating the social body in which the incapacitated, or otherwise inadequate individual becomes socially normal.Anne Barron étudie dans cet article les implications de la théorie sociale de Foucault dans la théorie constitutionnelle libérale démocratique. L'administration collectiviste n'est pas la conséquence des derniers développements politico-sociaux de la fin du XIXème siècle, mais bien la face cachée du projet des Lumières lui-même. Pour la Constitution, le Peuple est sujet ; pour l'administration, il est objet. La légalité des Lumières ne consiste pas seulement à délimiter la sphère des souverainetés coexistantes, elle doit créer le corps social dans lequel les individus incapables, ou inadaptés, puissent devenir socialement normaux.Barron Anne. Discours juridique et colonisation du moi dans l'Etat moderne. In: Droit et société, n°13, 1989. Lumières, Révolution, Post-modernisme. pp. 359-373

    Open access and Creative Commons licensing: copyrights, moral rights and moral panics

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    There is still widespread confusion over copyright and open licensing in relation to academic research outputs. Anne Barron addresses the uncertainty by disentangling the four regimes of authors’ rights. Just because the concept of open access requires licensing to be permissive for users of published research doesn’t mean that it requires the other regimes to be permissive too. Unlike copyrights, moral rights cannot be licensed away

    Human Rights Law might not be the answer: response to Article 19’s principles on copyright

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    On 23 April Article 19 published its Principles on Copyright and Freedom of Expression in the Digital Age. Anne Barron of the LSE Department of Law argues that while the Principles translate international human rights norms into useful arguments against the further erosion of Internet freedom by beefed-up copyrights, they may also pre-empt more radical options for re-thinking the relationship between copyright and communication

    Anne as Pagan, Anne as Queer

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    ‘Anne as Pagan, Anne as Queer’ is a critical and creative answer to the question: How do we construct Anne Shirley, and what does she mean to us? This creative research submission is a work of fanfiction, specifically a mash up based on Anne of the Island, L.M.M. Montgomery’s sequel to Anne of Green Gables. In this short work of fiction (under 4 thousand words) Anne is revealed as a changeling, one of the Faerie Folk, and also a being not strictly male or female; sometimes neither, sometimes both. The mash up is based on the last two chapters of Anne of the Island, the scenes in which Gilbert Blythe is seriously ill and Anne realises she loves him. This realisation causes Anne, in this version, to reveal to Gilbert that she is both non-human and not a girl, and to use Faerie magic to save Gilbert’s life. Anne’s revelation causes Gilbert a great relief, as he has been keeping a secret also - that he too is queer. The piece has an accompanying research statement and reflection, that reflects on the ways the contributor/author interprets Anne, as a being troubled by gender, and not strictly gender conforming. The much-loved scene from Anne of Green Gables in which Anne realises she is not wanted by the Cuthberts because she is not a boy is inserted into the mash up (as a memory) as this scene is the principal cause for the contributor’s identification with Anne as a gender non-conforming figure who resists gender expectations. Overall, this creative and critical work and reflection queers both Anne as a character and the Anne of the Island novel.Book chapter - work of fiction with a critical reflective essa

    Catholic Comments Podcast.

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    Dr. Barron Breland of Creighton’s Fine and Performing Arts Department discusses Gregorian Chant. He is accompanied by his student Anne Edmonds

    William Franklin Barron, 1981 ROTC Commissioning

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    Students at Jacksonville State University were commissioned through the ROTC program in ceremonies held May 1, 1981. Shown Col. Archie A. Rider and Anne Barron pin bars on Second Lieutenant William Franklin Barron.https://digitalcommons.jsu.edu/rotc_photos/1429/thumbnail.jp

    Interview with Anne Russell

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    Interview with Anne Russell, playwright and author of several books on local history, including Wilmington: A Pictoral History

    A sojourn in Paris 1824-25: sex and sociability in the manuscript writings of Anne Lister (1791-1840)

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    This thesis examines the day to day practices that constituted Anne Lister's (1791-1840) sexuality and sociability within the range of her writings, as well as her society. Anne's writings were a detailed account, spanning her lifetime, of her own love and relationships with the 'fairer sex' (Whitbread 1988, 145). Anne's sociality, seen in her correspondence and plain handwritten journal entries, has been explored by Muriel Green in Miss Lister of Shibden Hall and Jill Liddington in Female Fortune and Nature's Domain (Green 1992; Liddington 1998; 2003). As a gentlewoman of adequate means, Anne has garnered some attention from women's historians interested in her agency within an early nineteenth century social and historical context. Anne's sexual identity has been extensively analysed over the past nearly twenty years by lesbian feminists, queer theorists, women's historians and historians of sexuality concerned with the history and development of modern Western female homosexuality and gender. The source for theorising Anne's sexuality has been the edited selections of the crypted journal entries, published by Helena Whitbread in I Know My Own Heart and No Priest but Love (Whitbread 1988; 1992). However, many analyses deal either with the theorisation of Anne's sexuality or her sociality; the theoretical difficulty with reconciling these categories has troubled the analysis of her complex subjectivity. Drawing upon the archival materials, I have used an interdisciplinary feminist approach to analyse the sexual and social processes of Anne's everyday interactions in her writings. Taking the seven month period of the sojourn to Paris in 1824-25, I have focused upon Anne's textual practices within her journal volume and letters during her residence in Paris, her social practices with the other guests at the guesthouse 24 Place Vendome and her sexual practices with her lover, the widow Mrs. Maria Barlow. The journal volumes and correspondence are a valuable historical record of one gentlewoman's engagement with early nineteenth century British culture
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