1,721,629 research outputs found
Barrett, L C, 428116
This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/370347Surname: BARRETT
Given Name(s) or Initials: L C
Military Service Number or Last Known Location: 428116
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 56878180607
Item: [2016.0049.02674] "Barrett, L C, 428116
Barrett, L R, NX6280
This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/370370Surname: BARRETT
Given Name(s) or Initials: L R
Military Service Number or Last Known Location: NX6280
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 6772180630
Item: [2016.0049.02697] "Barrett, L R, NX6280
Barrett, L P, WX580
This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/370387Surname: BARRETT
Given Name(s) or Initials: L P
Military Service Number or Last Known Location: WX580
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 6854180647
Item: [2016.0049.02714] "Barrett, L P, WX580
Barrett, L F B, 422922
This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/370346Surname: BARRETT
Given Name(s) or Initials: L F B
Military Service Number or Last Known Location: 422922
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 56637180606
Item: [2016.0049.02673] "Barrett, L F B, 422922
Edward Friedman & Barrett L. McCormick eds., What if China Doesn't Democratize? Implications for War and Peace
Cabestan Jean-Pierre. Edward Friedman & Barrett L. McCormick eds., What if China Doesn't Democratize? Implications for War and Peace. In: Perspectives chinoises, n°66, 2001. pp. 70-73
Evolutionary psychology in the round
This book chapter is not currently available via ORA. N.B. Professor Dunbar is now based at the Department of Experimental Psychology, University of Oxford
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
David M. Lampton, The Three Faces of Chinese Power : Might, Money, and Minds
Mc Cormick Barrett L., Bardon Séverine. David M. Lampton, The Three Faces of Chinese Power : Might, Money, and Minds. In: Perspectives chinoises, n°107, 2009. 1989, une rupture dans l'histoire chinoise? pp. 133-135
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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