1,721,254 research outputs found
Michel Cassan, La France au XVIe siècle
No full textBarral-Baron Marie. Michel Cassan, La France au XVIe siècle. In: Histoire, économie et société, 2006, 25ᵉ année, n°3. Echec et magistrature. pp. 439-440
Michel Cassan, La France au XVIe siècle
No full textBarral-Baron Marie. Michel Cassan, La France au XVIe siècle. In: Histoire, économie et société, 2006, 25ᵉ année, n°3. Echec et magistrature. pp. 439-440
Guy Guedet, L'Art de la lettre humaniste, (textes réunis par Francine Wild)
No full textBarral-Baron Marie. Guy Guedet, L'Art de la lettre humaniste, (textes réunis par Francine Wild). In: Histoire, économie et société, 2006, 25ᵉ année, n°1. pp. 147-148
Daniele Bohler et Catherine Magnien (éditeurs scinetifiques), Écritures de l'Histoire (XIVe -XVIe siècle)
No full textBarral-Baron Marie. Daniele Bohler et Catherine Magnien (éditeurs scinetifiques), Écritures de l'Histoire (XIVe -XVIe siècle). In: Histoire, économie et société, 2006, 25ᵉ année, n°3. Echec et magistrature. pp. 440-441
Jean Céard, Marie-Christine Gomez-Géraud, Michel Magnien, François Rouget, (eds), Cité des hommes, cité de Dieu. Travaux sur la littérature de la Renaissance en l'honneur de Daniel Ménager. Genève, Librairie Droz, n° CCCLXXV, 2003
No full textBarral-Baron Marie. Jean Céard, Marie-Christine Gomez-Géraud, Michel Magnien, François Rouget, (eds), Cité des hommes, cité de Dieu. Travaux sur la littérature de la Renaissance en l'honneur de Daniel Ménager. Genève, Librairie Droz, n° CCCLXXV, 2003. In: Histoire, économie et société, 2005, 24ᵉ année, n°2. pp. 306-307
Jean Céard, Marie-Christine Gomez-Géraud, Michel Magnien, François Rouget, (eds), Cité des hommes, cité de Dieu. Travaux sur la littérature de la Renaissance en l'honneur de Daniel Ménager. Genève, Librairie Droz, n° CCCLXXV, 2003
No full textBarral-Baron Marie. Jean Céard, Marie-Christine Gomez-Géraud, Michel Magnien, François Rouget, (eds), Cité des hommes, cité de Dieu. Travaux sur la littérature de la Renaissance en l'honneur de Daniel Ménager. Genève, Librairie Droz, n° CCCLXXV, 2003. In: Histoire, économie et société, 2005, 24ᵉ année, n°2. pp. 306-307
Bernard Chevalier et Henri Galinié (sous la dir.), Les lieux d'inhumation à Tours du moyen Age au milieu du XIXe siècle. - Etude topographique et archéologique.
No full textBaron Marie-Claude. Bernard Chevalier et Henri Galinié (sous la dir.), Les lieux d'inhumation à Tours du moyen Age au milieu du XIXe siècle. - Etude topographique et archéologique.. In: Revue archéologique du Centre de la France, tome 28, fascicule 2, 1989. pp. 244-245
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
