1,722,762 research outputs found
Barker, G R, 413941
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/370135Surname: BARKER
Given Name(s) or Initials: G R
Military Service Number or Last Known Location: 413941
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 53384180395
Item: [2016.0049.02462] "Barker, G R, 413941
Barker, G H T, NX4122
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/370146Surname: BARKER
Given Name(s) or Initials: G H T
Military Service Number or Last Known Location: NX4122
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 5410180406
Item: [2016.0049.02473] "Barker, G H T, NX4122
The Enlightened Virago: Princess Dashkova through the Eyes of Others / Princess Dashkova, the Woman Who Shook the World: A historical verbatim play in three acts
Full text linkThe European Inheritance, edited by E. Barker, G. Clark and P. Vaucher
No full textGenicot L. The European Inheritance, edited by E. Barker, G. Clark and P. Vaucher. In: Revue belge de philologie et d'histoire, tome 33, fasc. 3, 1955. pp. 664-665
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
The Niah Caves: rainforest histories and world heritage
No full textBook synopsis: This book is the companion volume to Rainforest Foraging and Farming in Island Southeast Asia: the Archaeology of the Niah Caves, Sarawak. Together they present the results of new fieldwork in the caves and new studies of finds from earlier excavations, a project that has involved a team of over 70 archaeologists and geographers. Rainforest Foraging and Farming told the story of human activity in the caves over the past 50,000 years and how that story throws light on the history of our species in Island Southeast Asia from the time when modern humans first arrived to recent centuries. Archaeological Investigations in the Niah Caves describes the very wide range of methodologies used by the project to collect its evidence, and the key information from those studies about the changing nature of the rainforest over the past 50,000 years and how it sustained the lives of the people who used the caves for shelter or burying their dead. The deep history of rainforest lives Together, the two volumes affirm the unique importance of the Niah Caves for world heritage
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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