6 research outputs found
Analysis of Rectangular Concrete Columns with Hybrid Frp-Steel Bars
No full textThis paper aims is to provide a clear panorama which leads to a better understanding of the axially loaded behaviour of hybrid rectangular reinforced concrete (RC) columns with different sections and amount area of longitudinal bars. This investigation is to compute the maximum axial load carrying capacity of FRP bar reinforced concrete columns under axial compression, the research is to find the contribution of the FRP longitudinal bars in concrete columns based on the ultimate tensile strength of FRP bars. This nonlinear finite element analytical research conducted three different sections 25/30, 25/40 and 25/50 cm with different amount area of steel and FRP bars
ENSAIO SOBRE A CEGUEIRA: A VOZ DE UM NARRADOR MUITO ANTIGO
No full textStrangeness. Definitely this is the immediate sensation caused by the reading of José Saramago’s texts. In part it is because his scripture subverts rules every reader seems accustomed to, like that, even from the most predictable ones, imposed by punctuation; and also because of the manner of telling of the narrator look likes an old storytellers, such those ones which tradition crystallized, what causes a coming and going which reveals a plurality of viewpoints and judgments which turn, for instance, the novel Ensaio sobre a cegueira, on the one hand into a material quite experimental, and on the other hand, a recuperator of a certain poetics of orality, based on old storytellers. However, the same characteristics, a priori, constitute the power of Saramago scripture, also generate a certain discomfort on readers accustomed to a linear reading, like that occasioned by the habitual use predicted by punctuation which, for this author, will be totally subverted. Thus, this paper points out an impossibility of reading Saramago’s texts without knowing his scripture, or his how to tell, so defended by the author, must be read as a characteristic of his production and a trace of his personal orality
O ethos irônico de Saramago: uma leitura de Ensaio sobre a cegueira e O conto da ilha desconhecida
No full textJosé Saramago, no artigo intitulado A distinção entre narrador e autor,
assume sua polêmica concepção em revelar ao mundo acadêmico que a figura
do narrador e do autor são coincidentes. Para ele não deve existir a presença
de um narrador isento de seu autor, ou seja, que não carregue a marca de sua
autoria. Tal fato poderia soar, a seu ver, como falta de compromisso para com
a obra ou certa tentativa de fugir às responsabilidades de autor.
As reflexões de Saramago sobre a questão da autoria se referem ao fato
de alguns autores abdicarem de seus papéis em prol dos narradores, como se
abrissem mão de suas responsabilidades próprias, não só literárias, mas
também ideológicas. Afinal, com as várias especulações acadêmicas em torno
das tipologias de narradores e pontos de vista, o romancista receia que
acabem por diminuir o pensamento do autor ao relegá-lo a um papel
secundário, o que, para ele, revelaria uma obra sem razão de ser, portanto,
inoperante.
Partindo dessa concepção, poder-se-ia dizer que Saramago-autor está
presente em seus narradores, de forma explícita?
Frente ao intrincado problema da autoria saramaguiana, a noção de
ethos apresentou-se como interface instigante e coerente para oferecer uma
possibilidade de entendimento da questão.
De origem aristotélica e atualmente utilizada na análise literária para se
perceber quem fala, a noção de ethos fez com que nos confrontássemos com
as opiniões defendidas por Saramago sobre a autoria e vivenciássemos, em
suas obras, o modo como se manifesta a presença do narrador no texto.
Assim, foram eleitas para constituírem o corpus de nossa pesquisa duas
obras Ensaio sobre a cegueira e O conto da ilha desconhecida. Ao longo
do processo de análises e reflexões, ambos os textos se revelaram como
espaços de apoio importantes para o estudo da manifestação do ethos e
ofereceram questões pontuais sobre a figura do narrador, assim como de quem
fala nos textos.
Diante do percurso realizado, destacamos um aspecto fundamental da
constituição do discurso saramaguiano, qual seja, o traçado irônico de seus
argumentos. O apelo à radicalidade da crítica somado à ironia como inscrição
discursiva resultam em características marcantes da manifestação do ethos
romanesco.
Assim, Saramago, espécie de criador que se faz inscrito em sua criatura,
assina sua presença original na caracterização do narrador e permite a
constatação de um ethos na perspectiva de sua própria autoriaJosé Saramago, in the article entitled The distinction between narrator and author, takes his controversial concept in the academic world in reveal that the figure of the narrator and author are coincident. For him should not exist the presence of a narrator free from its author. This fact might sound, in his view, such as lack of commitment to the work or some attempt to escape the responsibilities of author. Saramago's reflections on the authorship question refers to the fact that some authors to let their roles in support of the narrators, as if to give up their own responsibility, not only literary but also ideological. After all, with the several academic speculations about the types of narrators and points of view, the writer fears that ultimately diminish the author s thought to relegate it to a secondary role, what, for him, reveal a work without reason, therefore be ineffective. From this concept, one could say that Saramago-author is present in his narrators explicitly? Faced with the intricate problem of authorship by novelist the notion of ethos presented as compelling and consistent interface to offer an opportunity to understand the issue. Aristotelian in origin and currently used in literary analysis to understand who is speaking, the notion of ethos made us accept the views expressed by Saramago about authorship and, in his works, we could see how it manifests the presence of the narrator in text. So, were elected to form the corpus of our research two works Ensaio sobre a cegueira and O conto da ilha desconhecida. Throughout the process of analysis and reflection, both texts were revealed as areas of significant support for the study of ethos and it offered specific questions about the narrator, as well as the speaker in the texts. Before the route taken, we point a fundamental aspect of the constitution of Saramago s speech that is the ironic stroke of his arguments. The call for radical criticism of the added irony as registration discursive result in the striking features of the manifestation of the romantic ethos. Thus Saramago, a kind of creative author that is inscribed on his creature, he signed his unique presence in the characterization of the narrator and allows the verification of an ethos in his work
Reformed Theology and Church Reformation Always Happening and Will Never End
No full textThe study aimed to declare several philosophical, theological, biblical and historical arguments regarding reformed theology and church reformation that is always happening and will never end. The author uses a qualitative approach with a content analysis method to achieve this purpose. Content analysis is a research technique to make conclusions based on text or content analysis in writing and systematically. Based on this analysis method, it was found that reformed theology and church reformation are two things that cannot be separated as ideas, agenda and work of God. God is unchanging and sovereign, so only He spells it out through His reformation tools. Therefore, reformed theology and church reformation always occur in His time and will never end. This goal is significant to awaken and dynamize theologians and church leaders who are called to be used as tools of church reformation through reformed theology in the 21st century
Reference tree networks virtual machine and implementation
No full textA current-technology computing machine may be roughly decomposed into a processor, a memory, and a data path connecting them. The interposition of this data path between processing and storage elements creates a bottleneck, which inhibits progress at the high-performance end of the technological spectrum. Additionally, the monolithic nature of present-day processors resists incremental addition or removal of processing power. The research described here attacks the problem of constructing more powerful and more flexible computer systems along three fronts: the definition of a virtual machine providing for parallel computation using objects and object references, the development of a distributed implementation mechanism ('reference trees') supporting object management functions including garbage collection, and the investigation of scheduling algorithms and collection of performance results. A reference tree network using theses concepts is composed of a multiple of independent small processors, yet operates as a coherent programming system. Programs and data spread automatically and transparently through the network to occupy underused resources. The modular structure of the network provides many parallel data paths as well as allowing for easy addition or removal of modules, thus addressing some of the problems discussed here. A prototype reference tree network, the MuNer, is currently in operation. (Author)
0007
No full textPACE RttlllT
-ALU ALTO Tltn-g. iPRIDSY, Jtfl.Y 17. 1914.
STANFORD STAR
PROSTRATED
BY HEAT
Lindley Murray Defaults in
Match With R. Rorri*. Wil
lams. National Star.
At Conclusion of Play Set* Were
Spin. 6-4. 4-6. (-«,, Williams j
Winning by Default
it 1.1-.1M. 1 Murray. Pal" Altn
o-ferine foi iititio-irl tentr* honor* i
fell proaUialatl hy ihe heat reninrdt)
;il S.Mbrighl. N .1 . in Ihe tlklnlj
round ol the Keabilghi iniiil. tour-
nament Miirrat wa* engaged Inf
battle with It Norrla Williams, fur-'
tuer Dlivls cup team member The;
Stanford i.ni teas puttitig up a de* ,
Iterate haiile. ami mmi sets *er* al-
ready spill and tin* rnllle* «.*r*- *en-;
Rational and hard [.laved The -core
in the tblnl sel siood at five all j
Williams having overhauled Murray j
with the gnmes 4-1 in Murray*! fa-
voi- Al this polui Miiitnv wavered
nnd praetleatly fainted lie bad tu
be carried lo 'in- elubhuuee. where
he w.<* attended b] a physician
Later b* revived, and It I* said will
feet no serious effects, from lu* gru-
eiinK ainumiie Tbe match will go
In William- by defnilM
Another player «*»a forced to
leave ibe play for the same reason.
-■ifT.-: in.- from the tappreaalveneas of
the beu 1 unte which i* Kweeplnc
over the AHnnilf rOiUil Thi* [ilio-
er It- n-n-n--- IViiboily lintdiii-r wtto
failed to aland tb* strain In bis
itiitl'li wiib Ousinv Tout-hatd
ilinrat . elimination from ih*
ioiim.-itii.-nl !■» ilefa.ili tuill noi .*f
f. it h1« riuiiiri.- foi represenllnC
tills ill I III Ibe [»i,ili. . lip loiir
nonieni Hi* plm durlna this month
III th.- neliMl
tfnnal >arli-lt ati.t In- i- b.-lng evert
wheie hniir.1 a« .i iirobiibt.- cup de
fender III* -i|-i> ngaln*-! lYllllam*
wait remarkable and there Is eteft
poKHibilht thai In- mlj-bi hat.- de
foaled the rnrmer Mar-mill \itayt*'
had he i 11 ii anion to eim
tinue
GROUND-BREAKING LIBRETTEST IN
EXERCISES SEARCH OF
SATURDAY COLOR
California Redwood Park Rout
to BtjfStartetl Tomorrow Near
--• Saratoga Summit.
M*4r' Tt-ue. Speaking and General
C<-od Time Promised by
Scm'-e'vircni Club
I Tl.. groitnd.breaklng exerelaes
{(ail tin- .■•ilHorniii Hedwooif I'ark
r 1 mil win be •hiliiinlnatlenll** celr
j brateil tomorrow ni the old Hubbard A Carmlihael mlllsite, twu
mile* lievond the Saratoga sum ml I
Three thousand pound* (if lood
mid autipllea left Hnn JrtHe thla morn
liir itt '.' o'clock for Sumtog-t sum
mit. ucioinpunted by the president
of (be 8empervlreos Club, who goes
lo the ground to Inapeet the j.reim-
ration* for the big featt tomorrow
Kvery owner of an automobile
should take hi* family nnd innke
ihi* 1rl|i tomorrow It Is to cele-
brnie the groundbreaking of the
17,0,000 Mat** road, opt-fllog the
California Itedwootl I'ark for 1016,
on tbe San Franrltco or Saul* flan
Sid*, thus giving direct Ingres* In
tha park to the greater centers of
papulation
Everything point* to a Inrgi* nt
tendaocts and « royal good time
From the ground* there are •oma
fine view* The eje eweept or_t Ibe
f-tanta Out mountains io Monterey
bnt in the distance: ami wmt deop*
wmtded canyons to the north and
■*...t where the line of ihe horlaon
an be **-t-*ti on a clear dm fral Olll
■n the broad I'toHlc o.enn
\ utile tn (be Kouibaest reach I nt.
"in In 11 zigzag Hue. tbe ridge be
iu,...„ the a-nturaheds nf th.* i*e«ca
ili-r., mi ihe tt..«t and the San !.■>•
r.-nr.o on tbe tmithoaal winds ti was
t the rim of the tllg Hn-ln whlrh
Milt Hagen Haunts Streets oi ■
Monterey for Hints of Cas-
tilian Romance.
Strains of Guitar and Whisper*!
of Sehorita Beguile Romantic
Stanford Youth.
pi
i«
ihi
Reduced Prices
on
GO-CARTS
nnd
REFRIGERATORS
During1 July
PENNEBAKER
FURNITURE CO.
273 University Ave.
Phone,425k
ridge the ion,) Mill l„- l.oitt I.i the
imrU
The Kempervlmn* I'luh heiuciv
tnvitea ult to ...mi- mill .Ml J"t llll*.
otitiiig. Iteiormber barbecued meal
coffee, bread and buit.-i fruit and
•.iilad Will lie rmnlabeil fit-.- to nil
although everyone la papeeted t.i
lining a llgbl Itnskel luneb with cot
fee eup* slid -u-1. e enlen. -
Ibe itlmi ,„;„ *naaeat ib-
luncheon wni b»* served at 12 -i»
K-COrrlaea -111 begin nl ! IP I'ro
f.---oi t n U'lm of si.ii.r„i,i poi
verallj Hon Charlea li lllane) »f
the Irlghu ^1 coiilinisaloo'. Hon
lam,... ii Phalan. lodge John B
Iti. bard" K K 1obn*|oti FlUHCttn
\li l'li.-1-.i.n of Sanla Ctui and other
prominent i-IUxeus «im deiivet «h**t-i
ilild ret.se*
If You Have Anything to S*etl
ADVERTISE'
Nothing Sella It-: If.
THE
GOLDEN WEST MINSTRELS
Monday
July 20th
Tuesday
July 21st
VARSITY THEATRE
Produced by Palo Alto Parlor N. S. G. W.
Benefit of
Palo Alto Float at 1915 Exposition
Special Scenery, Costumes, URalting; Effects
50-
■Local People in Cast--50
Full Orchestra, A Thousand Tickles and Three
Thrills, Two solid Hours of Music and Mirth
Seat reservations ai VV'clitgortitier's prut! Storr- after
io :i. in. July 17th
Prices: |nn loathe siiiiie enterprise
Private coutrlbnilons arc ronatantl*
needed to suitplemeni public funds J
and furnish dealnihle public Im
protentnif.
(IIt rlaaUinee llunlen ol less.
The clt> etiKlneer call* attention
also lo the fart which nil will a ell
remember Hint the chamber of
r_itttn*>rce, consulting of some Riant-*
, luivlng menitiera.- prott*o*ei| tti un-
| [irose the tiilter*Hvnventi.- eti-
j trnm-e as 11 I* How being done and
offered to pa) the coal hy iurn|i*
j-uh-enlntlun. The cH* uounfll, »v
j pn-i iitlttig lln* need of making Ihe
I entrance Feapeelnble. took the pni|e
lusltlon off the bands ol the chain*
I l.ei of commerce and decided Him
111 should be paid lair oui of 'ity
funds.
j Front tin* point ol view .tr moel
I ptt1i|lc-apir|i«*d citizens thi* wa* a
[detent and pralasaarth) thing to do
I The whole ells will get the benefit.
land 11 would have been a disgrace j| l|
[to let nliielt men pay the price out
; of their own pockets
[ The coat of the work being dona
1 hy the ill) will not be over 1 I •>*>
I The paving which Ihe count v author-:;
' Hie* have agreed to do n- tbe'r ■ ■
:bat« al improving the counts en-|il
I trance will cost rtbiMH S•*,'**»•' tt '•' ■'
looka like a pood investment for the
felly
PALO ALfO UPHOLSTERING Co
Phone 7o6
°43 Htnerson St.
Richard Brasoi, Manager
Carpet Cleaning and Awnings
LA PEIRE & SON
GROCERS
521 Ramona Street
Phone 29
New Fall
Dress
Goods and
Coatings
Advance Showing
ul 'lrt-*** ja*;'*"!!-. in crepe**.
KAlM-T-iines and (.anion crc|>
ts the aeavms newest
weaves nnd -.hades—in the
ne* browns. Rua-ian HTeen.
tango, amethy»t. winter ia
;tn*l nair)
Coatings
Nov ell) coatings in the
newest shade*! and he**t fah-
nc*, Persian lamh. a-itachans,
novcli> coating for *.|e>rt
t'l.n**. dress coat*) and rajx**
white novclt \ criating* in
check-**, stripes and fancy
weaves in all wo*r»l. fancy
mixture*! and dark -hade- —
.i**k to -t*r the new coating*
Drt-goo.U SI 00 t*. 1 SO
t oa ting** from S2 i" $5
|«-r \.inl
NEMO CORSETS
We are inir-nlucing n i "tuple te line
of \'enio l "r-el- -.per i.i lite*- lor l''14.
including beautiful new l.a-siikop-
n t ode In for -lender figure-*, impn-veil
styles in th* iamou« Sell Keducmg. and
the greate*-! roraei inwntion o( tin cen
l ury-—the *A**nderiul \em*> kop*n
corset*
I \ \.R\ M.Mt) c»r**t ha-- rxclti-fr
paiented leaiure** ••! great value wlikli
you must -»<■ and ha\e drnion-traied '..
fully appri-* i:tie the in.nu line [mini. •!
lllt-e Wotlder itll r-.t -e* - Tin \riii-
-rilll-t'laslH l.thriCV l..i-tlk*'p- wchl.ni^
aild Lastlk«ip- tl-.th n-«--| ..nl\ in \iin
and Smart >v\ cor-srt- are gtiaranirt-*!
to out weai I tic corset
AMERICAN LADY CORSETS
New Models now being shown, one oi the hm-i .. .r-«-i- *-.h«*wn ".tnlax :i in-'h
for evcr> tigute, wc can fit \-»u ii" mallei what ■• • *tir figure ni.ti rnjuite vvt
ha\e ihc model lievt suited to \otir tigure .ntd an fX|K-riem-ed I'or-eiiert thai
will III you and give you style and i-*imi*-rt **ee "tir new P'U m*>del>*
SI IHI. 1 50. .MX) J ■* j,-,r p.m
CLOSING ^UT PRICES
on summer \\a-h goods, hali-ie-. lawn*., crepe** ratine-*, v.-ile- while dri •
roll good**, zephyr ginghams. pi.|iu- and it--ue-. num ■■' fhe-e hue- ire l-a-iiu*
closcd out at 14, I 3, I-2 oil the regular price
i lea ranee Sate prices on all our para*">l«
l lea ranee **alc prices on all Inch i;rade <.. ** t * *ti. -ilk and unci ri-ninanr-
Ladies' Man Tailored
Suits
Tailored to fit your figure and stay fit by an experienced man tailor.
Do you believe in having your clothes made to fit
you and having your garments made on comfortable
stylish and beautiful lines, or would you rather go
into a shop and take a ready made and have it cut up,
altered and padded to fit you. and always feel you are
a misfit and dissatisfied with it.
Most good dressers will take the man tailored garments cut and fitted to their own figure every time in
preference to something not nearly so good and coating just as much and more in the end
JHendenhall G.
P/iLO ALTO
