30,983 research outputs found
Pildoritas de Reuter
Trade card advertising Pildoritas de Reuter, a remedy prepared by Barclay & Co., 26 Beaver St., New York. The New York directories place Barclay & Co. at 26 Beaver St. between 1880 and 1882
El Jarabe de Reuter
Trade card advertising El Jarabe de Reuter, a remedy prepared by Barclay & Co., 26 Beaver St., New York, and marketed in the United States as Reuter's Life Syrup. The New York directories place Barclay & Co. at 26 beaver St. between 1880 and 1882
El Tricófero de Barry
Trade card advertising El Tricófero de Barry, a remedy prepared by Barclay & Co., 26 Beaver St., New York, and marketed in the United States as Barry's Tricopherous. The New York directories place Barclay & Co. at 26 Beaver St. between 1880 and 1882
El Jarabe de Reuter
Trade card advertising El Jarabe de Reuter, a remedy prepared by Barclay & Co., 26 Beaver St., New York, and marketed in the United States as Reuter's Life Syrup. The New York directories list Barclay & Co. at 26 Beaver St. between 1880 and 1882
Dora Barclay
Dora Barclay shown playing the organ at St. Andrew\u27s. Published in Fort Worth Star-Telegram evening edition February 17, 1954.https://mavmatrix.uta.edu/specialcollections_startelegram1950s/30904/thumbnail.jp
Noted Author and Scholar Visits
The new Cassandra Voss Center at St. Norbert is celebrating a canonical figure in gender studies in America with a full year of programming dedicated to her work.https://digitalcommons.snc.edu/snc_magazine_archives_2013-2018/1004/thumbnail.jp
Tra la la la la etc. [first line of chorus]
strophic with choruspiano and voiceJohns Hopkins University, Levy Sheet Music Collection, Box
125, Item 002Adapted to a popular Italian Melody. The Words by B.P. Barclay
Tra la la la la etc. [first line of chorus]
strophic with choruspiano and voiceJohns Hopkins University, Levy Sheet Music Collection, Box
125, Item 002Adapted to a popular Italian Melody. The Words by B.P. Barclay
Sixty Years of Community: St. Olaf Catholic Parish in Eau Claire, Wisconsin, 1952-2012
This paper will explore how the parish community of St. Olaf in Eau Claire, Wisconsin, established in 1952, reflects the Roman Catholic Church, specifically at the local, state, and national levels in the United States. It will also discuss the various changes that have occurred in the past 60 years of its history in terms of the various locations of worship for the members, the growth of the community outreach programs, and the effects of the Second Vatican Council. This ecumenical council was a meeting of Catholic bishops from around the whole that brought reform to the Catholic Church and affected the relationship of the Catholic Church to the world. The parish at St. Olaf has grown from having only 125 families in 1952 to over 1,000 families in 2012
Apocryphal theatre: practicing philosophies
Apocryphal Theatre: Practising Philosophies is a practice-based research project that consists of examples of my theatre practice (as research) and a written thesis. In this thesis, I argue that theatre can be seen to be an act of philosophy, by tessellating Maurice Merleau-Ponty's definition of philosophy as consisting of relearning to look at the world and Gilles Deleuze and Felix Guattari's proposition that philosophy is the creation of concepts, and pointing to post-WWII theatre artists whose work both fulfill this definition of philosophy and have informed Apocryphal Theatre's work. Included is an analysis of interviews with three contemporary theatre artists, Richard Foreman, Chris Goode and Ivana Muller, which explore their relationship with philosophical ideas in their work and how that informs their ability to create acts of philosophy. In practice, the research questions that underpin Apocryphal Theatre's research in labs, rehearsals and performance, are philosophical and create the potential for collective acts of philosophy. Apocryphal's practice as research as manifest in its ongoing lab and in the two productions included as part of this thesis, The Jesus Guy and Besides, you lose your soul or The History of Western Civilisation, will be analysed for the historical and philosophical bases of the primary concepts we have created through our research and the tools with which we embody them. The concepts and tools, which are used to address the research questions, are the witness, the grid, cutting up, levels of address and levels of presence. This thesis concludes that theatre and philosophy whilst separate disciplines can overlap in such a way that acts of philosophy can occur in the theatre, and that Apocryphal's theatrical project, which is collaborative, polyvocal and in performance invites the audience to be active witness/participants in the creation of the event, can be viewed as a collective act of philosophy
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